
gracie abrams

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let's talk about Bridgerton tea, my ask is open
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cherry valley forever
Lint Roller? I Barely Know Her
occasionally subtle

ellievsbear
𓃗
untitled
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
Fai_Ryy
ojovivo
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Origami Around
Phantogram Three
d e v o n
tumblr dot com
Claire Keane
seen from United States
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seen from India
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seen from Kenya

seen from Malaysia
seen from Brazil
seen from Pakistan
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seen from Chile
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@oye-anye-opc1
RAPPI — Food Characters Illustration
Year — 2020 Client — Rappi Category — Illustration / Character Design Medium — Vector Illustration Tools — Adobe Illustrator
Description — The piece features playful food characters—such as an avocado, a donut, and a loaf of bread—illustrated in a flat style with subtle grain texture.
Originally developed as part of a merchandise proposal, the illustration explores a fun and modern character approach inspired by some of the foods users can order through the Rappi platform.
— Anye Quintero Visual Work Archive
RAPPI — Social Media Stickers
Year — 2020 Client — Rappi Category — Digital Stickers / Social Media Assets Medium — Vector Illustration & Motion Tools — Adobe Illustrator, Adobe After Effects
Description — Small collection of digital stickers designed for use on social media platforms such as Instagram and WhatsApp. The stickers were created as playful visual assets to support communication within the Rappi ecosystem.
The designs were developed as vector illustrations in Illustrator, with one of the stickers later animated in After Effects to create a simple motion version.
— Anye Quintero Visual Work Archive
WE MISS YOU — Campaign
Year — 2020 Client — Rappi (Peru) Category — Advertising Campaign / Social Media Medium — Digital Graphics & Campaign Visuals Tools — Adobe Photoshop, Adobe Illustrator
Full Project — https://www.behance.net/gallery/105368719/We-Miss-You-Campaign
Description — Campaign created for Rappi Peru during the COVID-19 pandemic. When delivery services were temporarily restricted, many users expressed on social media how much they missed using the app.
In response, the campaign turned that sentiment into a message from the brand itself. Through a series of social media visuals, Rappi expressed that it also missed its users—their late-night cravings, their everyday needs, and the small moments where the app used to be part of their routines.
The campaign positioned Rappi’s return as part of the “new normal,” reconnecting with users through a message of empathy and mutual connection.
Credits — General Creative Director: Emilio Mutis Canal / Carolina Ramírez Copywriters: Juan Sebastián Cortés / Juan Sebastián Velandia / Nicolás Cortés Art Director: Angie Quintero Art & Design: Jimena López / Andrés Ruiz Motion: Camilo Ladino Production: Millennial.pe / Neón 805
— Anye Quintero Visual Work Archive
SHOT DRINKS — Studio Product Photoshoot
Year — 2021 Client — Rappi Category — Art Direction / Product Photography / Motion Medium — Studio Photography, Photographic Animation (GIF) Tools — Photography Studio Equipment, Adobe Photoshop
Full Project — https://www.behance.net/gallery/121127677/Shot-Drinks
Description — Creative studio photoshoot developed as part of an internal creative exercise at Rappi. The project was created by a small in-house team, where each group was assigned to produce a visual concept using the company’s internal photography studio.
Beyond traditional product photography, the images were also transformed into photographic animations (GIFs) to reinforce the messaging of three different campaign concepts: one highlighting drinks delivered in under 35 minutes, another focused on discovering discounts, and a third celebrating special occasions where Rappi becomes part of the moment.
For this project, the team developed a series of product-focused visuals centered around liquor and celebration moments within the Rappi ecosystem. The concept explored the idea of Rappi as a massive digital shopping center where users can instantly access everything they need through a single super app.
Creative Direction & Concept — Angie Quintero & Laura Herrera
— Anye Quintero Visual Work Archive
GRANDEZA EN DETALLE — Print Concept
Year — 2020 Client — Bogotá Beer Company Category — Advertising Concept / Print Medium — Illustration, Typography & Graphic Composition Tools — Adobe Illustrator, Adobe Photoshop
Full Project — https://www.behance.net/gallery/108556007/GRANDEZA-EN-DETALLE-BBC-Young-Lions-Print-2020
Description — Print concept developed for the Young Lions Print competition. The idea explored how the stories behind Bogotá Beer Company are often unnoticed by visitors inside their pubs.
The proposal was based on the discovery that the convex base of beer glasses can function as a magnifying lens. Using this property, small illustrations and micro-designs representing the people behind the brand were placed on different surfaces across the pub—such as coasters, tables, and frames—allowing visitors to discover them only when looking through the base of the glass.
This interaction created a subtle way to reveal the stories and effort behind the brand, inviting customers to literally discover “greatness in detail.”
Credits — Concept & Copywriting — Manuel Rojas
— Anye Quintero Visual Work Archive
SIRLEY OLIVEROS — Brand Identity
Year — 2021 Client — Sirley Oliveros Category — Brand Identity / Visual Design Medium — Logo Design, Visual System & Social Media Applications Tools — Adobe Illustrator, Adobe Photoshop
Description — Brand identity design developed for dentist Sirley Oliveros. The project involved creating a complete visual system to establish a clear and professional presence for her dental practice.
The process included the design of the logo, color palette, and typographic system, along with a set of visual guidelines that could be consistently applied across digital platforms.
The identity was later implemented in social media applications, helping to create a cohesive visual language that communicates professionalism, clarity, and trust within the healthcare field.
— Anye Quintero Visual Work Archive
Typographic ToteBag Concept
Year — 2021 Client — WildPiggyCol Category — Typography / Merch Design Medium — Vector Typography Tools — Adobe Illustrator
Description — Typographic design proposal developed for WildPiggyCol, a brand focused on creating merchandise for travelers.
The piece was created as a graphic concept for a tote bag featuring the phrase “Dream Big, Travel Far.” The design explores expressive typography as the main visual element, emphasizing the spirit of adventure and exploration associated with travel culture.
— Anye Quintero Visual Work Archive
NO TE CONFORMES — Día de Muertos Social Campaign
Year — 2021 Agency — Sancho BBDO Client — Tecate Category — Advertising / Social Media Campaign Medium — Illustration, Typography & Social Media Design Tools — Adobe Illustrator
Description — Social media campaign developed for Tecate during Día de Muertos, the campaign was built around the idea of not conforming with letting things die, extending the cultural symbolism of Día de Muertos into everyday emotional situations. Each post explored different scenarios where people often resign themselves to losing something meaningful.
Examples of the series included phrases such as: “No te conformes con dejar morir lo que hubo entre tú y yo.”
Every message then connected back to the brand with the closing line: “Y no te conformes con dejar morir las ganas de una Tecate.”
Visually, the pieces combined vector illustrations inspired by Día de Muertos iconography with brand elements and bold typographic compositions to adapt the campaign for social media formats.
Credits — Copywriting — Paula Lizarazo
— Anye Quintero Visual Work Archive
PETITFELLAS LIVE LETTERING — Brand Activation
Year — 2021 Client — Experiencias Aval In Collaboration With — TO‑DO Projects Event — Concert of LosPetitFellas Location — Bogotá Category — Brand Activation / Live Lettering Medium — Hand Lettering on Fabric Tools — Spray Paint, Paint Markers, Fabric Markers
Description — Live lettering activation developed for Experiencias Aval during the December 2021 concert of LosPetitFellas in Bogotá. The activation was produced in collaboration with TO-DO Projects and invited attendees to personalize their own items during the event.
Together with lettering artist Andrés Henao, I created custom hand-lettered designs on tote bags provided at the stand for customers affiliated with Aval banks. Using spray paint and paint markers, we wrote phrases inspired by lyrics from LosPetitFellas’ songs, creating unique pieces connected to the energy of the concert.
Due to the high audience participation, the activation expanded beyond tote bags. Attendees also brought personal items such as jackets, shirts, backpacks, and other garments to be customized on-site.
The result was a highly interactive experience that blended music, lettering, and brand engagement, transforming merchandise into personal keepsakes from the concert.
— Anye Quintero Visual Work Archive
REFLEJOS — Mirror Screenprint Illustration
Year — 2021 Client — Personal Project / Taller 108 Category — Illustration / Screenprint / Exhibition Artwork Medium — Mirror Screenprint with Gold Ink Tools — Procreate, Adobe Photoshop, Screenprinting
Video — https://www.youtube.com/watch?v=T2F8qOvQoA8&t=1s
Description — Illustration created for Reflejos, a collective exhibition organized by Taller 108, where invited artists developed artworks designed to be screenprinted directly onto mirrors.
The concept of the exhibition revolved around "reflection" —both literal and symbolic. My piece explores the idea of how women see themselves reflected in other women, recognizing shared emotions, fears, and strength.
The illustration portrays a female face whose eyes are intentionally left unprinted so the mirror remains visible. In that space, a poem is placed so that viewers encounter the text while looking at their own reflection. As people stand in front of the mirror, their eyes become the eyes of the illustrated figure, completing the piece.
The text reads:
“En tus ojos veo miedo, me veo, veo fuerza y no es más que nuestro reflejo. Ahora mírate, mira cómo vivimos en tus ojos.”
The poem was designed to be read both from top to bottom and from bottom to top, maintaining its meaning in either direction. This interaction invites the viewer to recognize themselves within the work, transforming the act of reflection into a moment of shared identity and introspection.
— Anye Quintero Visual Work Archive
NOS ACOSTUMBRAMOS AL HORROR
Year — 2021 Client — Personal Project Category — Lettering / Visual Commentary Medium — Hand Lettering & Digital Composition Tools — Hand Lettering, Adobe Photoshop
Description — Personal lettering piece created during the social unrest that took place in Colombia during the 2021 Colombian National Strike.
At the time, social media feeds were constantly flooded with images and reports of violence, including excessive use of force against protesters and multiple cases of brutality. The overwhelming amount of disturbing content created a troubling sensation: the feeling that people were slowly becoming desensitized to the horror they were witnessing every day.
The phrase “Nos acostumbramos al horror” (“We got used to the horror”) was written in expressive lettering designed to resemble blood, visually reinforcing the weight of the message. The piece was initially created by hand and later digitized and refined in Photoshop.
This work reflects on how repetition and constant exposure to violence can normalize what should never become ordinary.
— Anye Quintero Visual Work Archive
SATÁN — Lettering Logo Exploration
Year — 2021 Client — Satán Category — Lettering / Logo Design Medium — Calligraphy, Hand Lettering & Digital Vector Design Tools — Hand Sketching, Adobe Illustrator, Adobe Photoshop
Description — Logo exploration developed for the designer known under the pseudonym Satán. The project focused on creating custom lettering proposals that could function as a distinctive visual identity.
The process began with hand-drawn calligraphy and lettering sketches, exploring different compositions, structures, and expressive styles. These initial sketches were later digitized and vectorized in Illustrator to refine the forms and improve scalability.
Finally, textures and visual treatments were applied in Photoshop to experiment with different aesthetic directions and atmospheres for the mark.
This project highlights the development process behind custom lettering identities, from analog sketching to digital refinement.
— Anye Quintero Visual Work Archive
/ / 2021 ✦ Nos acostumbramos al horror
/ / 2021 ✦ Ilustración para tote bag