An Anonymous Donor sponsored a Fourteen-Mile Run!
Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.
These words emboldened my heart last Saturday. They are the words of Walt Whitman; the opening lines to Song of the Open Road, his panegyric to the spontaneous, immeasurable, eternal journey of the omnipotent “I”.
Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.
From my apartment in Queens, I jog to the Byrne Bridge and Newtown Creek. The evening air is damp, cold. Behind the towers of the city, the setting sun glows feebly as it succumbs to the long December night. Mass has finished at St. Raphael’s church; Raphael, Archangel and patron of travellers, arranger of happy meetings. Parishioners shake hands with the priest at the door.
All parts away for the progress of souls,
All religion, all solid things, arts, governments—all that was or is apparent upon this globe or any globe, falls into niches and corners before the procession of souls along the grand roads of the universe.
Now in Brooklyn. Whitman lived here as a boy, the second son of a failed real-estate speculator. He was an unhappy boy. At age eleven, he moved to Long Island to work as a printer’s lackey.
O highway I travel, do you say to me Do not leave me?
Do you say Venture not—if you leave me you are lost?
O public road, I say back I am not afraid to leave you, yet I love you,
You express me better than I can express myself,
You shall be more to me than my poem.
Casting plans aside, I turn down Kingsland Avenue to McGolrick Park, quiet, under-loved patch of serenity. An angel offers posterity a laurel on behalf of the men of Greenpoint who fought in World War I. Through residential Greenpoint, with its antique churches, its unshorn hipsters, its Polish bakeries and brick-clad taverns to McCarren Park, full of hipsters and Latin families even on this chilly night. The mighty Cathedral of the Transfiguration, her onion domes in blazing light.
You flagg’d walks of the cities! you strong curbs at the edges!
You ferries! you planks and posts of wharves! you timber-lined sides! you distant ships!
You rows of houses! you window-pierc’d façades! you roofs!
You porches and entrances! you copings and iron guards!
You windows whose transparent shells might expose so much!
You doors and ascending steps! you arches!
You gray stones of interminable pavements! you trodden crossings!
And to Kent street and the walls of the Navy Yard; its gaping, abandoned brick buildings are eerie and shadowed. Portland Avenue south, to Fort Greene Park. Whitman himself lived in this neighborhood, rallying voices to call for “A place of recreation” that would one day be “crowded with people who sought, beneath the blue canopy of heaven and in the freedom of the fields, to worship nature and nature’s God.” At the summit of the hill, I pause to observe the correspondent symmetry between the distant World Trade Center and the monument to the Prison Ship Martyrs.
Allons! whoever you are come travel with me!
Traveling with me you find what never tires.
Allons! we must not stop here.
Down the park’s thick, uneven stairs to DeKalb Avenue, named for General Johann Kalb. Shot and bayonetted in battle, he found the soldier’s death he always desired, “fighting for the rights of man.” Like Whitman, he died in Camden. On to busy Flatbush, once an Indian highway, to the forest of concrete at Metrotech and then up onto the Brooklyn Bridge, crowded with holiday people.
Stately, solemn, sad, withdrawn, baffled, mad, turbulent, feeble, dissatisfied,
Desperate, proud, fond, sick, accepted by men, rejected by men,
They go! they go! I know that they go, but I know not where they go.
The buildings, waters, and bustling people are shrouded in gray. The evening sky, a gray slab of cloud. At the far side, Manhattan, I turn again and run along the river, bottle green and flat as glass. There are more runners, more of us, I might say; Camerados.
I think whatever I shall meet on the road I shall like, and whoever beholds me shall like me,
I think whoever I see must be happy.
North, along the noisy highway, along the whispering river, past fields and courts, under bridges, past great and useful public works to where the pavement ends. The pavement ends, but the journey doesn’t end.
Allons! to that which is endless as it was beginningless.
Inland I go, past the church of Armenian Vartan, alternating streets and avenues, coming to stop at the city’s temple of conveyance, great Mercury’s throne in shining Gotham. Mercury, the traveller, the poet, the guide, the messenger.
Camerado, I give you my hand!
I give you my love more precious than money,
I give you myself before preaching or law;
Will you give me yourself? will you come travel with me?
Shall we stick by each other as long as we live?