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Blue Tuesday - NARS Liquid Style Eyeliner in Atlantis
As i've mentioned in many other posts, i'm a complete fiend for liquid eyeliners; i learned to use them back in my Punk Rock Girl days in the mid-1980's and i've never tired of them.
When i got a bit older, i branched out from the requisite black and ventured into the different colours that became available. Back in the day, NARS came out with these amazing liquid-gel eyeliners in these little glass jars. They were new and different because their texture was somewhere between - as i said - a liquid and a gel. The came with a little brush and the colour selection was incredible. I was in love with those liners, and had one in every colour.
For whatever reason, they were discontinued sometime after 2007 (i'm not entirely sure - during that time i was taking a break from the cosmetics industry and dealing with other things) and for me, eyeliners have never been the same. I miss them.
Then, NARS released their version of a liquid eyeliner pen - it was pretty horrible. The formula was thin, weak and runny. I was crushed.
And then, in 2011, i believe, they reformulated the eyeliner pens and released the current Stylo Eyeliner. Apparently they listened to their customers, because this new version ROCKS. Every liquid eyeliner pen i ever try is compared to my Holy Grail, Le Metier de Beaute's Precision Eyeliner - it's a tough eyeliner to live up to. NARS Stylo is very close, in my opinion. Like the LMdB, the Stylo is opaque yet buildable, applies smoothly and stays on my oily lids all day. The ONLY complaint i have is that when my eyes get watery in the corners, it can smudge just the teensiest bit - which the LMdB somehow manages to never do. BUT. This is only under the extreme conditions of my allergy-riddled eyes when they're really leaking up a storm.
For instance, today my eyes do have a bit of the watery thing going on, but the NARS Stylo hasn't budged yet. It's not a waterproof liner, so that is pretty impressive, really.
Another really nice thing about these eyeliners is the colour selection. There is, of course, the requisite black (Carpates)- but they also come in a navy blue (Atlantis, shown below), rich, lightish brown (Nuku Hiva), and grey (Koala). I find the brown one to be a bit too light, even bright for my tastes, preferring a darker, cooler brown. However the rest of the shades are really gorgeous.
NARS Stylo Eyeliner in Atlantis
Like my HG felt-tip eyeliner, the NARS Stylo comes with a tapered tip - a bit longer than some are used to but definitely easily managed. It's super-easy, in fact, to draw on an extremely fine, as well as a thicker line. The flow of ink is perfect, with no annoying clicky-thing to release the product.
I particularly like this shade of blue in Atlantis. It's noticeably blue without being bright and satisfyingly opaque, buildable to a deep, dark navy.
I paired it with a champagne-brown an mid-toned navy eyeshadow here, with a navy pencil on the lower-lash line.
Here, i drew a fairly thin line to demonstrate what a fine line can be achieved. There is no skipping, no pulling and no flaking with this liner. It really is quite impressive!
Atlantis is just a beautiful colour when you want to get away from black. It's still deep enough to give depth along the lash line, and intensity if you want to draw a nice, thick-tapered cat-eye.
Like so:
Ignore the horrific texture of my skin and redness around my nose - i need clearly to take a break from the retinols and do a moisture mask!
If you're looking for an easy-to-use, non-harsh liquid eyeliner pen - then the NARS Stylo Liquid Eyeliner is your ticket.
From subtle to bold, this liner can do it all.
Now, i just need to be patient for their NEW gel eyeliners coming out sometime this month - it looks like they're bringing back quite a few of the colours from the liquid-gel pots from back in the day!
Can't wait.
What i'm wearing in this post:
First 4 photos:
Urban Decay Primer Potion
Le Metier de Beaute eyeshadows from Melange de Couleur palette;
Nylon Stocking under brows
Beige on mobile-lid
Sapphire on outer-third, V and under lashes
Rouge Bunny Rouge eye pencil in Vera on lower lash-line
Hourglass Brow Sculpting Pencil, Blonde
Last photo:
Face -
Hourglass Veil Mineral Primer
Hourglass Illusion Tinted Moisturizer (Ivory)
Rouge Bunny Rouge Delicata blush
Lips -
MAC lipliner pencil, Hip 'n Happy
MAC Creamsheen Lipstick, Cream Cup
Eyes -
Le Metier de Beaute eyeshadows:
Nylon Stocking under brows
Gold on mobile-lid
Cyan outer-third, V and under lashes
Hourglass Brow Sculpting Pencil, Blonde
I hope you enjoyed today's post! Not sure what's coming up next, but i promise it'll be good :)
xo
Painted Lily
Hourglass Girl - Primer and Tinted Moisturizer Review
Here's a little review of a Sunday evening for you all - i fully intended to write this a bit earlier, but i am a lazy slug today. However, i took the first photos quite early and then gave the products all day on my face so i could take periodic pictures for the sake of being thorough.
Because i CARE.
Right - so anyway, i did a few things here today with my makeup, but this is entry is going to concentrate mostly on the skin products as opposed to my fabulous eye-makeup - which i'll address in detail tomorrow, which is Monday, which means my makeup will be un-exciting and ill-executed, if history is any indication.
Lately i've been on a serious skincare kick - which, for me, includes the primer and foundation (or lack thereof) i use. In fact, i generally avoid full-on foundation when i'm trying to give my skin extra care, and tend to stick to tinted moisturizers/BB creams. But then i decide my skin is disgusting and needs the heaviest foundation i can find in order to hide it...
It's a problem. I'm sick.
These days, however, i'm mostly wearing my Hourglass Illusion Tinted Moisturizer and Veil Mineral Primer. Well, in reverse order, really. Obviously one puts on the primer first.
I told you i was tired!
I just recently started wearing primers on my face again (i know - the horror), and started out with one of the very originals back in the day - Clarins Beauty Flash Balm.
I ran out about a year ago and never bothered to replace it, but in the interim there have been so many new primers that have come out that i have a lot of catching up to do.
One of my favourites is Mister Mat by Givenchy, because it can be put on under AND over one's foundation - a MUST for people like me who get super-oily in the summer.
I much prefer slicking that on over my makeup as opposed to just constantly piling on powder, because gross.
But in terms of actual skincare, i look for something a bit more nourishing when it's not 95 degrees out, because due to recent flare-ups of my auto-immune issues, stress and the weird weather, my skin's been taking a beating.
It's somehow become this weird combination of oily AND dry - like, simultaneously - on my T-Zone in particular. My pores have been looking like moon-craters, and my face is even redder than usual. My cheeks are generally just dry. To combat this, i began a pretty intense retinol regimen at night, then during the day i use my own Sandalwood and Evening Primrose moisturizer to rehydrate gently. I'm currently in the market for a new eye-cream, but have been using Chantecaille Nano-Gold (a generous sample which has lasted weeks and weeks).
I wanted to try out the Hourglass Mineral Primer because i read it helped with all of these issues, from oiliness to redness and flaking, as well as helping to blur fine lines. Being the Sephora-Beast that i am, the Beauty Advisors are used to seeing me lurking around, trying everything out, laying out a load of cash on a regular basis. So, getting samples is generally a snap.
I do always advise getting samples of anything that's going to go on your entire face for hours at a stretch to see how you react. Primers are no exception, since they all do different things and contain a plethora of different ingredients. For instance, the Hourglass Veil does contain silicones, so if you tend to be sensitive to those, beware.
I'm lucky and don't get so much as a bump with the stuff - after giving it a fair go, i can say that i really, really like this product, and will definitely be repurchasing it - and i imagine that in the Winter, over a good hydrating serum, this primer is going to be AMAZING.
Before i tell you all about how amazing it is, we must first talk about when i went into Sephora recently, where i became acquainted with these products to begin with.
A bit stressed, a bit sickly, definitely a more than a bit tired, i was bemoaning my "horrendous" skin to the Beauty Advisors there (my intention, i recall, was to pick up a heavier foundation to create the appropriate air-brushed mask) - and i was taken aback by their no-nonsense response:
"You're crazy," they told me.
The original BA, a lovely man my age who had FLAWLESS skin, yanked another girl over to confirm his diagnosis. "You have amazing skin! You don't need a heavy foundation. I can't believe you're not wearing foundation NOW. Get over here and sit down."
Thus reprimanded, i sat. I had walked in there with a bare face, mind you. I was convinced the entire staff was going to swoop down upon me with a sandblaster and their lightest shade of spackle.
Apparently not.
The girl who ended up helping me, Angela i believe her name was, proceeded to show me that the stuff i already suspected would work for me on good skin days did, indeed, work perfectly on my "horrendous" skin days as well. I just needed someone ELSE to convince me, and talk me out of buying that super-heavy full-coverage foundation.
Just to be safe regarding the colour i'd previously picked out for myself online for the tinted moisturizer, Angela held up this Star Trek-looking device to various areas of my face, suggesting that most of us aren't as pale as we think we are.
She looked at her monitor, then matched the tinted moisturizer to my skin.
"Except for you - you're exactly as pale as you think you are."
Thank you very much.
First, clearly horrified by my admission of a shameful lack of primer at home, she smoothed the Hourglass Veil Mineral Primer over my face - using just the teensiest amount to cover my skin. She made me look in the mirror. Even i had to admit that, under the strong makeup-lights, my skin already looked much better.
First off, it feels like silk going onto the skin - it's quite liquid and runny (which took getting used to for a gel-primer girl like me), and needs shaking up a bit before applying; it's rather opaque and milky-looking, which helps with the redness, i'm assuming.
Immediately after applying this stuff, my skin looked, well, like it had a lovely veil over all the little imperfections; pores seemed to shrink, the little fine lines blurred, and my redness was just gone. I can see wearing this stuff solo with just a bit of loose powder over the top and calling it done, on a good-skin day.
While it isn't a matte primer per se, it does help to tamp down the oil overall (it's an oil-free formula) - at least for me. On days when it's super-hot and humid, i definitely need blotting papers, powder or my trusty Givenchy Mister Mat to dab atop the shiny bits after a short while. But in 90 degree, humid weather, that's just unavoidable. However, on cooler days when it's only in the mid-70's, i catch myself breaking out the powder compact and realizing i don't need it after all. Which is really fantastic.
Where this stuff really shines (or not, more to the point - but rather glows) is underneath Hourglass Illusion Tinted Moisturizer, which is what Angela chose for me and my apparently NOT so horrendous skin. In point of fact, it looked like i had positively flawless skin when she combined the pair - the fairest shade, Ivory, was a perfect match - and i most definitely do NOT need a foundation over it. A dab of concealer under the eyes and on any blemishes if needed, and i was done.
This is about an hour or so after the original application (pardon the sunglasses-mark on my face), and you have to understand that it is HOT, i am not feeling great, and i haven't retouched with powder. Note that the finish is a bit satiny, certainly not matte. In the Winter months, this combo is going to be bloody fantastic.
In the Summer, it definitely needs a bit of finishing powder. But even despite the heat, i'm not a complete oily mess, i'm just a bit shiny on the T-zone.
After a bit of powder, it gets even better:
In this photo, there is no concealer around my nose, which has quite a bit of redness. This blurs it out to an acceptable level, i think.
With a bit of concealer around the nostrils, it looks nearly flawless, yet so natural!
So let's talk a little bit about the Illusion Tinted Moisturizer.
It's most definitely NOT a foundation - but those who need full coverage will certainly benefit from wearing this under their foundation because it's tinted but not opaque, very moisturizing, has, like the primer, an SPF of 15 and will set the base for a perfectly flawless, full-coverage face if need be.
But for those of you like me who dislike the full-face-of-foundation look (even though i go through spates of being convinced i need a Geisha mask in order to be fit for human eyes) and prefer a natural look, this is perfect.
It has a bit more coverage than your average tinted moisturizer, i think, but is far from heavy or opaque-looking.
Angela bounced it on with a slightly dampened Beauty Blender and within seconds, my skin looked satiny, natural, pretty. Like my skin on its best days, 10 years ago and before stress/illness began to take its toll on me.
After she finished, complete with a bit of Hourglass Hidden Corrective Concealer (which i am in love with and must purchase as soon as i run out of my current concealer) under my eyes and around the nostrils, i looked pretty damn good.
Still, i grabbed the concealer when she was done and started patting a bit onto the teensy zit on the bridge of my nose:
"What ARE you doing?" she asked me, clearly confused.
"There's a horrific red zit on my nose - i'm just...covering it up a bit more..."
"Girl...the only person who can see that is YOU!" she replied, laughing at me.
*ashamed*
The only caution i have is that a little of this tinted moisturizer definitely goes a long way.
At home, the first time i used it myself with my flat-stippling brush, i put the usual amount i would use as if i were wearing a foundation and it looked a bit too heavy - in the way that a non-heavy foundation can look when you cake on too much because you really should be using a full-coverage foundation.
Like that.
Other than that caveat (which is hardly a bad thing - this stuff will last you forever), these products are fantastic. With the tinted moisturizer applied over the primer, i can actually get a good, non-streaky finish just using my fingers, which is nice for when i'm feeling extra-lazy. They feel great on my skin, and the colour of the TM is a perfect match for my uber-pale, Tubercular Irish Wastrel skin.
Me with the invisible horrific zit
I absolutely love the beautiful, natural finish the Veil Mineral Primer and Illusion Tinted Moisturizer lends my skin! I don't feel overly-make up, my skin is neither too oily nor too matte. The redness and slight flakiness i'm experiencing from a combination of strong retinols, dehydration and fatigue is gone - which is pretty amazing, believe me.
It not only looks great and natural, when i take it off at night my skin feels and looks better. Smoother, calmer and hydrated but not oily.
It's just perfect.
It's the Dynamic Duo of skin-beauty.
Thanks for reading, and come back tomorrow for more about the eye-makeup i work in this review!
xo
The Painted Lily
Crush With Eyeliner - Le Metier de Beaute Precision Eyeliner
I'm a huge fan of liquid eyeliner. Let me just get that out of the way right now. Especially black liquid eyeliner.
If i were stranded on an island and was actually dim enough to be worrying about makeup instead of - you know - surviving, i'd want my favourite liquid eyeliner with me.
Not all liquid eyeliners are the same - and this becomes more apparent/important when your lids begin to show the signs of ageing. In point of fact, the main argument against them - for Women of a Certain Age - is that they can tend to look too "harsh". It's a simple reality that, as one no longer possesses bouncy, fresh, elastic lids, one must use "softer" eye-makeup to compensate or one runs the risk looking looking like Cruella DeVille.
My lids are in fairly good shape for an old bird - but i most emphatically do not have flawless skin in that area. There's just the faintest signs of sagging - but they are there.
However, i am not about to give up my favourite makeup item - perish the thought! So, for a while, i compensated by first laying down a pencil-liner for the softening effect, then drawing a thinner, less-obvious line, very close to the lash-line with whatever random liquid liner i had on-hand. That way, i'd get the soft, blurring effect of the pencil liner without sacrificing the intensity of the liquid.
The problem is, i abhor effort. Because i like to do a finished-eye/bare face kind of look a la Edie Sedgwick, Brigitte Bardot et al most days, i don't enjoy having to do two steps to achieve an effect in deference to not being 23 anymore. It's...irritating and inelegant, ultimately. Not only that, many liquid liners don't hold up well layered over pencil. They can crack, flake and smudge.
Enter Le Metier de Beaute's Precision Liquid Eyeliner.
I'd read about this eyeliner for quite a while before purchasing it, because it is pricey. But a few months ago i decided to go for it after a particularly good sales week in my perfume shop, and see what all the fuss was about.
And let me tell you, sometimes you really do get what you pay for in the cosmetics-world.
Not only is this eyeliner still going strong (there still seems to be plenty of product left), it lasts ALL DAY on my eyes (and i have oily lids), it doesn't skip, pull, flake, leak or otherwise fail me in the many varied and myriad ways in which a felt-tip liquid liner pen can fail. It dispenses the perfect amount of product, the tip is perfectly shaped and tapered to apply both a razor-thin and fashionably-thick line, and is buildable.
I don't know how they do it, but there is no annoying clicker on the end that you need to press in order to dispense the liquid - it just flows beautifully.
It is the perfect black shade - not too harsh, but opaque enough to give a dark line at first swipe. And if you're an eyeliner afficionado like myself, you know the difference between a soft black and a harsh black. This is a soft black, but most emphatically not thin, wimpy or transparent. It gives a strong enough line in one go so that it looks gorgeous and rich, without screaming LIQUID EYELINER. If you want a more intense effect, you can just go over the line again to increase intensity without it flaking or looking cakey.
I've used it to create a subtle, close-to-the-lashes look as well as a dramatic circa 1960 Edie Sedgwick eye. It is perfect for my signature cat-eye.
Here are a few photos of different looks i've achieved using this fabulous eyeliner:
Subtle and pretty day-time eye
Perfect cat-eye
Super-thin, subtle lash-enhancing line
Perfect smokey Bardot-eye
Most stores only sell LMdB Precision Eyeliner in black, but one of my favourite stores to buy makeup - Neiman Marcus - sells it in three colours!
You can also find it in "Bark", a pretty deep brown, only as a GWP online at Nordstrom - but it can also be found on Ebay on occasion.
This is currently my Holy Grail of felt-tip liquid eyeliners - and one of the only ones on a very short list indeed of liners of this ilk that i will deign to use - that's how in love with it i am. It never fails me.
I hope you enjoyed today's review - do stay tuned for a review of primers and matte foundations over the weekend!
xo
The Painted Lily
Review - Givenchy Teint Couture Long-Wearing Compact Foundation & Illuminator
No. 2 Elegant Shell (looks darker here than in person - sorry)
Over the weekend, I managed to get my hands on a brand-new powder foundation from Givenchy - the Teint Couture Long-Wearing Compact Foundation & Illuminator (SPF 10). I realize that's quite a mouthful, there - but then, the cosmetic world is seldom known for its' brevity...
It is so new, as a matter of fact, that they didn't even have the testers out on the display at Sephora yet. But i was drawn to the lovely photo on the display of the model with hair identical to mine, which certainly grabbed my attention - but also to the cute little strip of pink at the bottom of the pan and the positively HUGE mirror.
So, i grabbed a sales-woman and asked - no doubt with a sincere, puppy-doggish desperation gleaming in my eyes - if she could please see if there were at least one or two testers somewhere in the back for me to paw at, please?
She took one look at me and said - "You'll be the palest one, of course - let me go check!".
She came back with a tester for the first and second-lightest shade - Elegant Porcelain #01 and Elegant Shell #02. They were both quite satisfyingly pale - the #01 most certainly being a perfect match for my Winter/Fall pallor - however, a quick glance at the second-lightest shade told me i could, with my current "tan", almost certainly get away with it! Joy!
One thing that Givenchy is certainly good for are the super-pale foundation choices - but darker women will have absolutely no luck with this line, frustratingly. It seems foundation lines lean either one way or the other when it comes to the more extreme ends of the spectrum. Rarely both.
A quick swipe of the #02 over on the jawline/cheek confirmed my guess - it was a perfect match!
Not only was it a perfect match, but oh, my little Kumquats - the powder itself...!
Utterly divine.
This powder foundation is so finely milled, so buttery-soft! It smooths on like a dream.
The fact that it contains dimethicone probably has a lot to do with that - and for those of you who are avoiding silicones and/or talc, this foundation is not for you. For me, with my oily skin in the warmer months, talc absorbs the oil like no other "mineral makeup" ever will (and those often break me out like crazy, to boot). It's also the main ingredient in the ever-popular MAC Studio Fix - only this doesn't give me the circa-1986 powdered mask that the MAC foundation does. Instead, it imparts a soft, semi-airbrushed look that still lets the natural skin show through.
Many high-end companies use either mica or talc in their powders, so if either are a trigger for your skin, always be sure to check. I find that talc won't clog me anywhere near as badly as so-called "natural mineral powders" will.
Talc, by the way, is also a mineral...
And no, you're not putting asbestos on your face if you use talc. Seriously, people? This isn't the 1970's. With the FDA regulating the living Hell out of everything these days, rest assured you are not getting asbestos in your foundation. As with 70-billion other ingredients found in cosmetics, risks are inconclusive and test results are inconsistent, at best.
Try googling anything-under-the-sun and cancer and you'll find some study, somewhere, saying there is anything from "absolute" to "absolutely none" to "inconclusive" evidence.
I'm 40 years old and i'm certainly not going to start freaking out about my bloody face powder now.
Those with sensitivities to breakouts may or may not have problems with talc clogging pores - but this is one of those things that varies from person to person, even though talc is supposed to be a huge offender in the pore-clogging department.
Other types of mineral powders tend to clog/break me out - but personally i can use talc without that issue. Your mileage may vary, as always.
Now, where were we...
I wasn't so sure about the illuminator, attracted though i was by its soft ballet-pinkness. Oftentimes, they can make me look too shiny, defeating the purpose of the powder foundation. However, this one is completely matte, as well as very sheer and subtle. I applied it at the tops of my cheekbones, above my brows and under my eyes to brighten things up - the result was beautiful and subtle - but definitely there.
Even with the August Chicago heat as well as my currently over-the-top HORMONES making my face especially oily, large-pored and generally super-unattractive, this powder foundation made me look fresh and pretty without being a chalky, 80's-matte nightmare.
Now, because of the above-mentioned conditions, i fully expected my skin to just devour this powder and render me a disgusting oil-slick within the hour. However, even without my trusty summer-primer - Givenchy's Mister Mat Mattifying Primer - the breakthrough shine after an hour in my stuffy, 88 degree room was not nearly as bad as i would have expected. While there was definitely breakthrough-shine on my T-Zone, it looked much less disgusting and was much more subdued than usual.
Aside from my impossible T-Zone, i didn't have to touch up anywhere else for the entire day. With the primer, i'm sure it will be even better - i can't wait to try it again when my hormones have chilled out and the weather has cooled a bit (and i'll do another mini-review with the primer once i manage that).
About two hours into the wear (miraculous for me, trust me):
And after a quick T-Zone touch-up:
Another thing i really love about this foundation is how it doesn't look cakey or over-done after a couple touch-ups. You can still see the natural pinkish-tinge to my skin, yet it seems to blur over imperfections without looking too opaque or heavy. It's touted as having "medium, buildable coverage"; although you'll definitely need concealer for any scars or red blemishes. I have a couple blemish-scars that are fading but still quite red - this didn't totally cover them but definitely blurred them out. It made my tiny brown beauty-mark on my cheek almost completely disappear, however.
I find this applies beautifully with a thick, dense stippling-brush, but for touch-ups, the sponge provided is soft and servicable enough.
As you can see, the illuminator truly is subtle - but did a brilliant job under my eyes and highlighting my cheekbones.
Over all, i am adoring this foundation. Finally, a matte powder-foundation that doesn't look or feel heavy, break me out or totally fail my T-Zone completely. Yes, there was break-through as i mentioned; but it was a much more gentle breakthrough of oil compared to, say, my (now discontinued) Fresh Cosmetics powder foundation which made me look positively basted in oil on my T-Zone after only 1/2 hour in hot weather.
The illuminator is pretty and subtle, and simply cannot be over-done, so it's pretty idiot-proof (which i need when it comes to highlighters/illuminators, since i adore them but i'm so shiny this time of year anyway). It doesn't take a lot of product to cover the entire face, assuming you have pretty good skin to start with. I don't think this is a good foundation for truly troubled skin - in that case i'd recommend the Studio Fix for a good, heavy-coverage powder foundation.
Nor is it good for dark-skinned ladies - the darkest shade being a medium-gold tone - which baffles me in this day and age.
For me and my needs, however, this is perfection.
Basic Eye Tutorial - In Excrutiating Detail, with Pictures!
Last week, i was asked on my Facebook page if i could do a tutorial for a very basic eye-makeup look.
Oh, what a can of worms you opened up, my dear girl!
For i love to do detailed tutorials with LOADS of pics and many many words :). I realize it would most likely be much easier to follow if this were a video, but alas, my video camera is God-only-knows-where; and besides, i enjoy writing. So, hopefully, this will be clear and practical enough to follow, even for the most severely Makeup Challenged of you out there.
I asked Husband to read it through - thinking that if he felt HE could do this look afterwards, then i will have succeeded.
*waits patiently for Husband to email over perfectly made-up photos from North Carolina*
First, let's gather our tools.
The following are some basic tools you should probably have in your eyeshadow-brush arsenal in order to achieve the best result for most looks. Of course you can do your eyeshadow with your fingers (i worked with a Makeup Artist in Honolulu who did just that - it was amazing), or even those crappy little sponge applicators they always insist on giving you when you buy eyeshadow. But these are what i'd consider to be the most basic, useful brushes to have around. You can make do with what you've got available in the meantime.
I use and adore Hakuhodo brushes, and also have a few MAC and Sephora brushes as well. In my opinion, the Sephora brushes are the lowest on the totem and the cream of the crop are Hakuhodo. MAC has generally decent, servicable brushes that are a good investment if you want brushes that will last you a bit, provided you care for them. However, many of the Hakuhodu brushes are comparable in price to MAC - but they are ever so much softer, denser and of such all-around better quality that it's worth it to me to have to order them online instead of popping into a MAC counter for ultimately sub-standard brushes.
I'll do a post on my all-time favourite brushes in a following tutorial, but for now, let's just get the basics down:
In order of appearance -
The Large Laydown Brush: this should be a flat, rounded brush that will cover your lid-space quickly and efficiently. It's used for laying down your base colour. This one is a Hakuhodo J220G.
The Crease/Blending Brush: This brush is domed, rounded and tapered at the end. It's perfect for laying down colour in the crease because it fits into the crease-space perfectly unless you have hooded lids - in which case it can help you create the illusion of a crease; it also works well as blending out your eyeshadows to blur any harsh lines of demarcation (so you don't look like you just did a colour-by-numbers on your eyelid). This brush is a Hakuhodo G5517BkSL.
The Medium Angled Laydown Brush: This brush is smaller than the Large Laydown Brush, made to fit in that space from the lash-line up to the crease or orbital bone. On my eye, it fits perfectly into this space, and the angle makes it super-easy to put down colour on the mobile-lid (the blinky part), right up to the crease. You can sort of just swipe in on in a windshield-wiper motion for a quick application of colour. This one is a MAC #275.
Smudge/Shadow Liners: Both of these brushes can be considered smudgers/liners. The one on top has a pointed, tapered tip to help with getting a more precise line, as well as working in the "V" area of the lid. It just sorta gets right in there, making applying shadow in the V a snap. This one is a Hakuhodo B5338kSL.
The second, flatter looking brush is really good for laying down and smudging colour right along the lash-line. Perfect for smoking out shadow, too. This one is from Sephora, and conveniently had no number written on the brush. But you can just ask about smudge brushes an use this photo as a guide when you're looking.
Is it necessary to have both? Not REALLY - if i were to pick one, i'd pick the Hakuhodo one on the top, simply because it can, in a pinch, perform both functions reasonably well. The flat smudger isn't as good for getting into the V area (if you don't know what i mean by the "V", hold yer horses - i'll get into that in a bit).
You can also use it to smudge out your pencil liner - just by lightly buffing it over the line to get a more...well...smudgy, less defined or harsh line.
Now that you've got the tools you need, let's move onto actually putting on makeup, shall we?
The very first step one must always, always take when doing one's eye-makeup after gathering one's tools is to prime the eyelids. Prime, prime, prime.
You must prime.
The reason for this step is that without it, your oh-so-carefully applied eyeshadow and eyeliner will slide off your lids within mere hours, disappearing into a smeared, faded mess almost as if it never existed, rather like that guy you dated in college who ended up having a double life involving multiple wives on a ranch in Utah.
The primer i use currently is the ubiquitous Urban Decay Primer Potion, which looks like so:
Applying it is easy enough - just squeeze a bit onto your finger and gently pat and blend it over your entire lid, from lash-line to brows. I like to blend mine in with a round-domed concealer brush, but fingers work too. How much you use depends on the size of your lid-area - but you want just enough to apply a thin layer.
Then you're ready to go!
Since we're doing a very simple, basic tutorial - i'm going to use a very neutral palette of eyeshadows. I think when you're just starting out and/or don't have a lot of confidence or experience with eye-makeup, it's best to start off with pretty, neutral colours. They're hard to screw up, and they look good on everyone.
I recommend that everyone get themselves a nice, basic neutral palette of eyeshadows to play around with, because all the colours you need are right there, and they all go together so there's no guesswork involved.
An obvious choice would be the Urban Decay Naked and Naked II palette - neither of which i own, however (shhhhh).
So instead, we will be using one of my all-time favourite neutral quads - Prelude by Chanel.
This is a perfect quad for doing a nice, neutral eye. You can keep it simple and light by using just the three lightest two or three shades, and the darkest shade can be used to line the eyes, or smoke things out by carrying it into the V and up into the crease.
Today, we're keeping things SUPER simple and using only the first three shades for a daytime-appropriate look.
The first thing we do after applying our primer is to lay down a base. This is generally a lighter shade which goes all over the entire lid, from the lash-line up to the brow. The way i like to do it with this quad is to use the very lightest shade. It gives a nice even wash of colour, and once the entire look is complete, it will serve as your highlight shade (the light shade that goes under the brows).
We start by taking the Large Laydown Brush and pressing the lightest colour all over the mobile lid. I like to press the shadow in as opposed to swiping it on, because you get a better laydown of pigment that way. Once it's applied all over the mobile lid, you can sweep it upwards to the brows using the same brush, like so:
Pardon the blurry pics - my hands are shaky and my tripod is in North Carolina...
When you're done with this step, you will have something like this going on:
Right! Next, we take our Medium Angled Laydown Brush (or you can reuse whatever brush you have on hand after cleaning it up a bit on a piece of tissue), and with the medium taupe shade from the second row in the Prelude quad, apply across the entire mobile lid, from lash to crease. Press the colour in, then use a swiping motion to blend out.
You can see how the taupe shade adds depth, without being too scary-dark or contrasting against the lighter shade. It's OK if it blends a bit up above the crease, just don't take it ALL the way up to the brow! Diffuse lines are good.
Still with me?
*listens to lonely sound of crickets singing*
Next, we're going to take the second-to-darkest shade in the quad (remember, we're ignoring the very darkest shade for this tutorial anyway, so don't worry about that one) and apply it to the V, and then a bit onto the upper and lower lash-line as well using the Pointed Smudge Brush.
Where is the V, you ask?
Why - it's right here:
See where the brush traced and where the dark shadow is? That's the V. Generally, you'll use a darker shade to that area to add depth and shape. You just follow the upper lash-line, trace along to the outer-corner of the eye, and then, using your brush as a guide, feel where your orbital bone is...feel it there? That's where you'll smudge the shadow in.
Using short strokes, you can apply and blend inward towards the center of the eye. You don't need to take it all the way to the center of the mobile lid - i just sort of smudged it in about a 1/3 of the way. To blur it out a bit more and blend it in, i use my fluffy Crease/Blending brush and just sort of buff it lightly over the darker shadow, tracing the line of the orbital bone as well to blend very lightly up into the crease:
If unsure, then blend a little bit more! It won't hurt, and will make your eyeshadows look more tied together and polished.
Then, take that same darker colour and your Pointed Liner/Smudger brush and blend it right along the lower lash-line - starting at the outer corner and using feathery strokes, carry it towards the inner-corner. This will insure the darkest, most pigmented area will be the outer -corner, while the centre and inner-corner is more diffuse.
And now, we're ready for eyeliner!
Don't be scared. I promise you won't poke your eye out.
You have a couple options here - for this look i will start you out with a simple pencil. Afterwards, i traced over the pencil liquid felt-tip eyeliner as well...but let's not get ahead of ourselves just yet.
Get out your pencil eyeliner - here you can see my short, almost gone NARS pencil eyeliner in Black Moon.
I'm using black, but you can use any colour you wish - brown is certainly acceptable, or navy blue...just use something relatively dark for this look.
NARS pencils are quite good - and i also use a lot of Urban Decay 24/7, Rouge Bunny Rouge, Makeup Forever Aqua Eyes, Pixi and Chanel liners (to name a few...*coughs*). The main thing you want in a pencil is creaminess, so you're not dragging across the delicate skin of the eyelid. The older you get, the worse that sort of thing is and the harder it is to line the eyes.
I find all the pencils i mentioned to be very creamy and pigmented, with great colours and minimal drag on the lid.
And so:
Starting at the centre of the lid, press your sharpened pencil right into and along the top of the lash-line; starting with short, feathery strokes, you are going to move towards the outer-corner, making as thin a line as you can. Just like you're doing a pencil-drawing that requires detail - you don't start with strong strokes. Once you have a thin line from centre to outer-corner, you can move your pencil over to the very inner corner, and repeat the process until you meet the centre line. Remember, just make a very thin line (which is why you need a sharpened pencil) at first.
Get that pencil as close to the lashes as you possibly can, right into and OVER them. We aren't doing a tight-line today, so leave the under-the-lashes - or the waterline - alone for now. You're just drawing with short, thin strokes right above and even between the lashes. If you are using short strokes, you can wiggle that pencil between the lashes and above them. Take your time.
Then, you're going to go back to the outer half of the eye and thicken up the line just a bit as you go over your original line, this time laying the pencil a big more horizontally against the lashes and drawing a bit of a bolder line - going over the line again will also darken the line and make it more opaque:
Thinnest at the inner-corner, thickest at the outer-corner
As you can see i drew in a little tail extending beyond the outer-corner, using my liquid liner to go over the line. If you don't know how to do this, then just stick to your pencil for now - and stop at the outer-corner! No biggie.
DO NOT WORRY if this is messy and uneven the first few times you do this. It's like learning how to write or draw - the only way to get better at it is to screw it up, erase it and start over again. Starting off with a pencil will definitely make things easier and more mistake-proof.
It helps to have some Q-Tips and makeup remover at hand when doing this. I STILL keep mine close by, because i still mess it up on occasion.
Now, you have a bit of continuity with the lower lash-line because you already applied the dark shadow-liner there earlier. If you want to use some liner on the lower lash-line as well, i recommend feathering it on at the outer-corner, then using the smudge/liner brush to blend towards the centre of the lower lash-line. Or, you can just let well enough alone and just keep it the way it is with the darker shadow serving as your lower-lash eyeliner.
If you are still with me, then you deserve some kind of medal of Valour or something. Congratulations, because we're almost done!
All there is to do now is apply your mascara - i didn't take photos of that, and i probably should have. But you basically want to work the wand horizontally into the base of the upper-lashes, wiggle a little bit back and forth to really work it into the base of the lashes; then sweep the brush outward to the tips of the lashes. Rinse, repeat. For the lower-lashes, just take the tip of the brush, holding it vertically to the lashes, and lightly sweep back and forth. You're less likely to have blobby mishap this way.
Then you're ready to clean up any excess shadow-fallout or mascara mishaps with your eye makeup remover and Q-Tip if necessary. If it's not too bad, just take a fluffy brush and sweep under your eyes to get rid of light fallout - and then you're ready to put on your foundation, blush, et al!
When you're all done, you will have a relatively simple (simpler than i made it look, in any case), elegant, pretty neutral eye:
Please let me know how you liked this tutorial by leaving a comment below.
Do you have any questions or need clarification on this Beast of a tutorial? If so, please don't hesitate to ask!
XO
*Check in tomorrow for my review of the new Givenchy Teint Couture Long-Wearing Compact Powder Foundation & Illuminator!
Novocaine Beauty - How My Makeup Held Up at the Little Shop of Horrors
Today, my little Kumquats, was a dismal day indeed for me. Once again, i had to steel myself for another installment in The Teeth Chronicles. My teeth and i, you see, are at War.
For various and sundry reasons (including poor diet, years of seizure medication and a long and unfortunate stint of entirely Too Much Wine which is now thankfully over), my teeth are falling to pieces. In some instances, quite literally.
However, thanks to being blessed with incredibly generous in-laws and a husband who is willing to go to bat for me in such matters, i am getting ALL THE THINGS done in one fell swoop.
I'll be paying it off until i'm 108, but if the rest of the women in my family are any indication, i may just make it to that age...
In any case, one cannot face a long and invasive trip to the dentist with a bare face.
So, despite waking up with a burgeoning migraine (which of course transformed into a full-blown Migraine with capital letters, bells, whistles and flashing lights once under the drills) and being in a Terrible Rush, I decided to test out a few products for their chops under extreme circumstances.
Such as, bright-ass lights shining in your face, drooling, novocaine, uncontrollable eye-watering, blood and possibly explosions. I didn't have time for a Before Dentist photo with the finished result, but i did take an After (see how brave i am? Or maybe it's the drugs...)
Lopsided, half-numb-faced grin
There's most definitely a bit of wear going on here after an hour in the dentist's claws - but i think overall, things held up admirably.
What i used:
Face:
Chantecaille New Stick foundation in Cream buffed only into the red-bits - i.e., the eye-area, including above the brows, and around the nose and chin. Because who are we kidding? Any more than that and it's going to get wiped off during the torture dental procedure.
Laura Mercier Loose Translucent Powder
Cheeks:
Rouge Bunny Rouge blush in Delicata
Eyes:
Chanel Prelude quad - the lightest colour all over the lid, from lash-line to brow; the third darkest, taupe colour pressed into lash-line and buffed upwards into crease.
Le Metier de Beaute Amethyst in the "V" and along upper/lower lash-line.
Le Metier de Beaute Nylon Stocking under the browbone.
Chanel Stylo Yeaux Waterproof eyeliner in Ebene along upper lash-line only - because if you are putting eyeliner under your eyes prior to major work at the dentist, you've obviously never had major work done at the dentist before...
Rimmel ScandalEyes Mascara in Extreme Black
Laura Mercier Brow Pencil in Fair Blonde
Lips:
Chanel Lipliner in Praline D'Or
Laura Mercier lipstick in 1960's Pink
As you can see, the eyes were the most long-wearing - although there was SO MUCH eye-watering and wiping going on that i did have to clean up a little bit in the outer-corners afterwards - and there was a bit of mascara-transfer under the lash-line as well. But not NEARLY as bad as i suspected! The eyeliner didn't budge. A moment in the bathroom to clean things up a bit and i was as good as new.
Pretty good, i must say.
My foundation didn't move much since there wasn't much to begin with. The powder is long gone, however - and of course i applied the lipstick afterwards (on a half-numb face - try that sometime just for kicks) because obviously we don't wear lipstick to the dentist. That's just rude.
My only complaint is how dismally the powder held up - because frankly, it was shine-fest before i even got to the dentist. However, i'm currently between primers so that is definitely a factor. A mattifying primer would have been ideal here, but, Er...it's a long story.
As in, during all the chaos of packing up the husband and myself for the move, i can't find it. Er.
I did find my Le Metier de Beaute Precision Eye Liner, though! So i'm bound to find my primer...someday.
Well, that was quick and painless - unlike my dentist appointment. Although, truth be told, my dentist is kind of a Wizard with the pain-control, and it could have been oh, so much worse. Plus, she had me laughing the whole time.
I think she might be the Tooth Fairy.
XO
PS - stay tuned for tomorrow's Basic Eye tutorial for my pal, Bri!
La Fee Verte - Green Fairy Eyes
This morning i felt inspired to do something fun and whimsical with a good, old fashioned liquid liner cat-eye. Probably because i'm cranky - and a good cat-eye with punk-rock BLACK liquid eyeliner always puts me in a better mood.
This crankiness is, of course, due to having unpleasant dental work done last night - i'm still bleeding from my gums, PLUS (wouldn't you know it) i'm hormonal, and have killer cramps.
There's just entirely just too much blood involved in my day today.
But, there is a silver lining (even if it is just an eyeliner) - I have this gorgeous green eyeshadow i've been dying to play with, and it turns out that today is a green eyeshadow kind of day. I imagine it's some sort of subconscious desire to cancel out all the red...
Anyway.
So i don't know about you, but when i'm having a cruddy day, i have certain clothes and makeup i like to wear to make me feel better. A particular dress, a certain lipstick - or something new and fun.
Today i was missing my old favourite green dress; a diaphanous, fay little thing that made me feel like a dryad, it eventually fell to pieces a while back because i wore it so often.
As it turns out, it was almost the exact colour of this eyeshadow. So, in lieu of my makes-me-feel-good-no-matter-how-crappy-today-is green faerie dress, i used makeup! A pretty green eyeshadow, my trusty liquid eyeliner and a favourite lipstick.
My gums may be aching and bleeding, my hormones may be raging - but at least my makeup looks pretty!
It's actually pretty astounding that i managed to wield a pointy object drenched in black pigment so close to my eyes without inking a retina or scratching a cornea, especially at such an Ungodly hour in the morning...
I'm sure you can appreciate the delicacy of the situation - there are just mornings when one shouldn't be waving a needle-pointed instrument near one's eyes.
However, not to be thwarted, i girded my loins (er...or brains, really) with multiple cups of strong coffee and soldiered on.
Because i needed a little extra hand-holding with the liquid liner, i used my trusty Chanel Stylo Yeaux pencil in Ebene to put down a base, first.
Now you don't ever again need to feel bad about "cheating" with a pencil, first - i've been doing this for 25 years and i still need to do this on my shakier mornings.
Then, i went over it carefully with my L'Oreal
A little close-up to show off my handiwork:
Pardon the crappy, inconsistent lighting on these. It was just a bit after sunrise when i shot these and the light was rapidly changing...
Now, i'm not sure why - but while the green seems to be showing up just fine, the lid-colour i used is just not translating very well to the camera. It is, granted, a very delicate colour - however the nuances just aren't really there...
You can see it fairly well in the above photo - but in this one my eyeliner-tail is wonky. Oh well. It's just one of those days, innit.
Wonky eyeliner wot needed several attempts before it was perfect aside, this look was easy to do. I used three eyeshadows, liquid liner, mascara, and that's it.
On the entire lid, i laid down a base of Inglot #393 (after the requisite Urban Decay Primer Potion, of course).
From lash line blended up into the crease, i used this absolutely gorgeous, yet for some reason today, highly un-photogenic Fire Tailed Sunbird by Rouge Bunny Rouge. It's an iridescent peachy-pink gold that is fantastically beautiful and delicate, but i think the crap lighting and general un-cooperative nature of the day simply didn't do it justice.
Below, another shoddy attempt at showing it a bit better:
Finally, for the green accent, i used Pistachio by Le Metier de Beaute from the Melange de Couleurs palette.
Because i'm a lazy, cranky sod, i was a bit blasé with my foundation - i just buffed on the teesiest bit of my Chantecaille New Stick in Cream on the red bits and just let the summer freckles and whatnot show through.
I did, however, use powder so i wouldn't be cranky, hormonal, gum-bleedy and an oil-slick to boot.
My brows are Laura Mercier brow pencil in Fair Blonde.
On my lashes, we have Rimmel ScandalEyes in Extreme Black.
On my cheeks, a touch of Trish McEvoy blush in Peony Pink (looks scary bright-arse pink in the pan, but is sheer and gorgeous on).
On my lips i'm wearing MAC lipliner in Hip n' Happy, and also MAC Cream Cup lipstick.
I hope you like today's look! I'm really liking it - whenever i see my reflection, i turn into stone get a little kick looking at that pretty flash of green.
Some days, it's the little things. And that's kinda what makeup is for anyway, amirite?
Cheers :)
xo
Brigitte Bardot Eyes - and a little rant on LMdB technique
Ah, Brigitte.
Fifty-odd years and counting later, and we're still enthralled by your beauty.
And your makeup...
Bardot and her smokey eyes
If you've been reading this blog at all, you know how obsessed i am with black eyeliner, pretty, natural blush and nude lips. And Ms. Bardot was the Queen of this look. Whenever i tire of my ubiquitous cat-eye look, the 60's Bardot smokey-eye is my next favourite .
But i have to be feeling extra-confident to do that whole dark-liner-ringing-the-eyes-and-in-the-waterline thing, because i feel it makes me look all squinty if i'm not looking my absolute best.
A good 8-hours of sleep is a definite pre-requisite.
But on her, it seemed so natural and looked so good, her makeup almost seemed like an extension of her. Her image is inextricably tied up with her signature makeup look - and i'm STILL trying to nail it.
Bardot - so gorgeous it makes me kinda ill
The key, of course, is to balance out that fully-lined and shadowed eye with a fresh, glowy face, natural-looking blush and a pale (but not corpse-pale, ditch the concealer lips, people) lip. Not many women know how to find that delicate balance between sultry and girl-next-door. Bardot not only owned it - she tied it up, branded it, knocked it on its ass and then sat on it, lighting up a cigarette.
So today, i found myself with a little extra time on my hands in the wee hours of the morning (to me, that's 6 am) - and a whole pile of makeup just sitting there...staring at me.
I'm already adept at the glowy skin and pale lip thing - it's my go-to look, so that part was easy. And smokey eyes are a dime a dozen. But could i nail the Bardot smokey eye? That perfect balance of peachy-pale and smokey eyeshadow with heavy black eyeliner?
At 6 in the morning??
I gazed deeply, lovingly into my current favourite palette - Le Metier de Beaute's Melange de Couleurs - and decided to try the layering technique i've been going on about recently to achieve the look i was going for.
Unlike yesterday's EOTD, this needed to be a nice neutral look - no obvious jewel-tones, mostly taupes and creams. However, to achieve that, i used some colours one might not expect.
Allow me to meander a bit off the main point for a moment, here.
Say what you will about the LMdB Couches de Couleur blending-technique being merely a marketing gimmick to get people to buy more eyeshadows, leaving one with a muddy mess on the eye; i think with a little common sense, creativity and willingness to NOT follow their technique to the letter, you can make it work for you. And work beautifully.
Many people in the blog-o-sphere opine that, when using the basic four-colour palette LMdB recommends, they end up with the Mud. But it just takes a bit of tweaking, i've found.
It gets easier to know where to stop when playing around with the layering - sometimes, three shadows blended together looks amazing - but you add that fourth, and voila, mon cheres - Le Muck.
It's sort of a trial and error thing.
It stands to reason that if you mix together too many colours, you are going to get...well...sludge. As much as i adore LMdB, i find that - sometimes - their blending recommendations are a little too too...
Which is why we end up with mud.
Try it with paint: mix together two or three contrasting shades, you can come up with something lovely. Add in one too many, and you have a sludgy mess that only Oscar the Grouch would love.
This, my little Kumquats, is where artistry comes in.
And you can do it!
The key, i've found, is to just play around a bit to see what works with what for you.
And for the love of Common Sense - if you've already blended like three shadows on your lid and it looks pretty, then STOP! If you want it to be a bit smokier, then use those really dark shades only against the lash-line - blending it out NOT all the way up to the brow, rather smudging it in so there are no obvious lines of demarcation.
Alas, we are not all painters - but we shouldn't have to be in order to pull together a gorgeous look with these shadows. So, play around with it - and you, too, will find that happy balance between Beauty and Muck.
The good news is, is there is no RULE that says one must use every shade that comes in one of their palettes on the eye at once, or that one must use their Couches de Couleur technique. If that isn't working for you - then don't do it. It doesn't mean the palette is useless, it just means you can get MORE LOOKS OUT OF IT.
And so, with no further rambling adieu, the Brigitte look:
Not a muddy eye in sight!
This look was inspired by Ms. Bardot, of course - but also by poring over the technique charts provided by the lovely Beauty Professor on one of her LMdB posts and swatching/blending a gazillion different colour combinations to see what i could come up with; i swatched on my hands 'til there wasn't an inch of flesh left bare.
What i learned is that if i use a blend of traditional eyeshadow technique and placement along with the LMdB technique - sort of modifying it to suit my needs - the end result was ideal. At least for me.
So - a couple close-ups, then i'll talk about which shades i used (and how i used them):
I ended up thickening the eyeliner a bit after seeing the closed-eye shot, actually - which is why it looks too thin in here, compared to the rest of the photos
Obviously, this is hardly a muddy mess. It's very nude, shimmery and pretty. It even looks as though i put a slightly darker shade in my crease, but i assure you i did not. It's just the way my eyes are shaped, i think - it casts a bit of a shadow under the bone.
This time around, i used three LMdB shadows and one Rouge Bunny Rouge shadow to achieve the overall nude, taupe-y, shimmery end result:
The first two shades used from the palette, Beige (#1) and Rose (#2) i applied one atop the other - pressing the pigment into the lid, right against the lash line with a medium laydown brush and blending upwards right up to the brow bone, packing most of the pigment near the lash line so by the time it was blended out to the lid, it gave a nice ombre effect. I also used these on the lower lash line.
The pic here is rather dismal, but the Beige is definitely leaning a bit warm, while the Rose is a pure pink shade.
Next, i took Rouge Bunny Rouge Lilac Reef Curassow eyeshadow single and lightly dusted it over the entire eye area.
Company photo - i'm too lazy to get the camera out again
Finally, i used the third shade in the palette - Mauve (#3) just against the lashes with a smudge brush, blending it out just a bit so there were no obvious lines.
For the eyeliner, i used my Solone Smoody gel eyeliner pencil in Wine along the lower lash line and in the waterline, and on the top i used my trusty Chanel Stylo Yeux Waterproof pencil in Ebene.
For the rest of the face, i've got on my Chantecaille New Stick foundation in Cream (my summer colour), buffed out to a sheer finish with my Hakuhodo foundation brush, and Rouge Bunny Rouge blush in Delicata.
On my lips is the quintessential Bardot shade, Belle du Jour by NARS.
And, voila!
My Bardot Hair-Toss pose - sans the hair....
I do hope you all enjoyed today's post. This look, as i mentioned, is one of my favourites, and i hope you like it too!
XO
Couches de Couleurs with Eyeliner
Yesterday i waxed rhapsodic over my Le Metier de Beaute Melange de Couleur palette, and promised another look using the Couches de Couleurs technique, LMdB's "proprietary" method of applying eyeshadow. I use the quotations with a touch of smarminess because truly, makeup artists have been blending, layering and smudging colours on the eyelid to achieve a wash of complex gradient colour since - well, since i started as a makeup artist, which was back in the Time of the Dinosaurs (the late 1980's).
H0wever, before LMdB, no makeup company brought it into the light, embraced it and incorporated it into their company image the way LMdB has.
And they rock the Hell out of it.
And what they did for me was to remind me that makeup doesn't have to make one look like one has a "walking art installation" (thank you for that one, Mikey Castillo of LMdB) on one's eyelids to be fresh, unique and creative.
Now, i love a creative, Siouxie Sioux inspired eye as much as the next girl - even if a dismally depressing number of these people don't even know she's the public figure who single-handedly, with her black-painted talons glistening, brought the look into popularity back in the early 80's. And of course, she was in turn inspired by the Egyptian eye-makeup from back before even my time...
But i digress.
My point is, as much as i enjoy seeing all these eye-looks with the glitter and 7 blocked-out primary colours and 3 different eyeliners (i really do), and as fun as they are to do, i think women - especially women Of A Certain Age, or women who need to be able to spend less than an hour on their eyes and have makeup suitable for a Functioning Adult with a Job for that matter - need to see looks that are both creative AND wearable. AND relatively easy to achieve.
Thusly, today's FOTD:
Now, i used a black liquid eyeliner for this look, because i wanted to test/review this specific product with today's post, but pencil or gel will certainly work - and would perhaps be more appropriate for many women for day/office. That's easily done, and feel free to improvise as you will. Another option, the IDEAL option in my book would be the LMdB Precision Liquid Eyeliner in Noir, as it has a lovely soft finish that is impossible to really describe very well, but is simply amazing and appropriate for any look, day or night as it's build-able and amazing like that. However, i don't have mine with me at the moment because i packed some of my makeup (along with most of my other possessions) and sent it off with Husband when he went on ahead to Black Mountain.
Sadnow.
But, upwards and onwards!
The main focus of this post is the LMdB eyeshadows and the Couches de Couleurs technique i talked about yesterday. Now,this technique is actually ideal for women who are pressed for time and/or have limited tools to work with. One can feasibly do the entire eye with two brushes - a laydown brush and an eyeliner or push-brush for the lower-lid. And it's so easy, anybody - and i mean anybody - can achieve this look in just a few minutes with minimum experience, time or effort.
Who doesn't love that?
Plus, it's super-pretty on anyone, but in particular for women with aging lids. You aren't messing about with crease or V work, you can use any colours you want, and the end-result is soft, gorgeous and brings attention to your EYES, not your eye makeup.
So. Let's begin.
I used three colours today from the Melange de Couleurs palette:
To start, i lay down a base of a soft gold shadow. I used Gold (#1), using a medium-sized laydown brush, pressing the pigment into the lid right at the lash line and lid, so the shadow is packed most densely at the lashes. Then, when the colour is good and pressed in, take that same brush and blend upwards to the browbone. This will create an ombre effect that is really gorgeous, almost giving the illusion of using two different gold eyeshadows.
Then, apply at the lower lash-line using your smaller brush.
Me in all my no-foundation, no-eyebrowed glory...
Next, i took Amethyst (#2) and repeated the entire process. The result is surprisingly soft, beautiful and beautifully complex:
As you can see, by the time you've brought the shadow up to the browbone, it's so diffuse as to look like a highlight colour!
And just to be different, i took the third shade, Rose (#3), and just blended really well it right at the occipital-bone - i.e. just on the bone of the crease, buffing it up to the browbone.
And then, we're ready for brows and eyeliner! For this look, i decided to go with a bit of a dramatic cat-eye; but you can, as i mentioned, use a softer look, just lining the upper-lids and lower with a pencil, leaving out the wing altogether.
Today, i used L'Oreal 12-Hour Infallible Super Slim liquid liner in Black. I've had it on for a few hours now, and aside from a bit of transfer to the waterline (not necessarily a bad thing, it just gives it more of a smokey look), it's stayed absolutely put with no fading or peeling. The tip is ultra-fine, tapering into a thicker brush towards the base so it's easy to get a really thin line on the lower-lashes, but can be built up and thickened out to a cat-eye with ease. The brush is a bit longer than i'm used to, but it wasn't untenable. It's ultra-black with a slightly glossy finish. Very pretty.
On the lashes, i've used Rimmel ScandalEyes Lycra Flex mascara in Extreme Black. I'm really loving this mascara - the brush is a bit of a monster, but it's easily build-able and gives an almost fake-eyelash effect. It's also not budging, which is good because my eyes water a lot and mascara and i sometimes have...issues.
Finally, on my brows i used my MAC brow automatic pencil in Fling.
And...Voila!
Perhaps i'm being a bit too Precious, but i think this eyeshadow looks like a bloody sunset on the lids! It's just beautiful. And SO easy. No contouring, no highlighting. Just layering colours and packing on/blending upwards.
I happen to like the dramatic liner, but i have the sort of job which allows me to do my makeup however i bloody-well please, which makes me lucky. It's easy to make this look a bit more conservative, as i mentioned earlier. Then it would be easy enough to whip on a more dramatic liner for evening, if you wanted.
Now for the rest of the face, i went with my trusty RBR blush in Delicata, then a layered nude lip - following the whole Couches de Couleurs technique, i applied two contrasting shades on my lips to create dimension and softness:
The lip colours i used are NARS Belle du Jour layered over MAC Lavender Whip. Pretty, right?
MAC Lavender Whip & NARS Belle du Jour
And there we are! Since i'm looking so damn good, i do believe i'm going to go out and enjoy the nice weather today.
Later, Kumquats!
XO
It's A Le Metier de Beaute Kinda Day
August is already here, and i'm in the mood for some Fall colours, damn it. Not that i don't love summer and all, but it's been a scorcher here, and frankly i'm sick of seeing TANS everywhere.
As a Tubercular Irish Wastrel with the pallor of a laudanum addict, i object to such displays.
Also, i can't tan. I just turn beet-red and then peel for two weeks and then go back to ghostly-white.
So today, i used some rich jewel-tones using LMdB's couches de colours (video) technique - which is a specific way they teach of blending their eyeshadows in combinations of both cool and hot tones to create an ostensibly endless palette of colours to work with, and to balance out the overall end-result.
The Beauty Professor generously provided their face charts, featured looks and techniques in her post here! They emphasize that one mustn't necessarily follow their techniques precisely - that it's all about creativity and having fun, which is exactly what i did!
I used the absolutely gorgeous palette from this Spring, Melange de Couleur. I know, i know - i'm an evil temptress; i realize the palette has been sold out since about April or so. However, the resourceful amongst you can still occasionally find it on Ebay, or find a similar match to many of the colours used in their permanent, full-sized line.
LMdB Melange de Couleur palette, Spring 2013
The palette comes with 18 penny-sized shadows, all of which are of superb quality, like one would find with their full-sized shadows. And this isn't one of those palettes where a company's colours go to die; no, this is a real gem and i'm lucky to have gotten my grubby little paws on it.
Now, there have been a couple bloggers who posted regarding dupes of many of these colours to be found in the LMdB permanent line - but Ilse at theultimatemakeup.com did a fantastic one here, which will tell you about the best/closest matches she could find in her LMdB collection.
A bit more about this palette before i get to the tutorial - there is quite literally something for everyone here - and although the shadows are small, they are VERY pigmented, and i don't see myself hitting pan on these terribly soon.
On to my FOTD -
Rowr...
So, as you can see it looks like i've got quite a few shadows on, but for this look i kept it fairly simple (tomorrow i'm going to go a little more all-out, whee!) to give you all an idea of how beautiful these shadows are, and the possibilities you have with this line.
As a makeup artist, i've always played around with blending colours together to create more dimension and depth and interest, but i think we tend to forget that we are allowed to do this on a daily basis, and still have something wearable and pretty.
This one's a wee bit over-exposed - sorry
As you can see, the colours just meld and blend together so beautifully, there are no harsh lines of demarcation, no "safe" monochromatic "matchy-matchy" here (btw i LOVE how Mickey Castillo in the video is also fond of that phrase).
Below, i've marked out the shadows i used - and i'll go through how i applied them.
For all over the lid and along the lower lash line, i used Nylon Stocking (#1), pressing the colour in as opposed to swiping it on, for maximum pigmentation. This is a pretty, neutral-beigey shade which makes a perfect base.
Next, i used Dark Chocolate (#2) along the lash line (upper and lower), in the V and blended up into the crease and out across the upper-lid. This colour is extremely pretty - it's a cool-brown base with gold flecks.
Finally, i blended Rose (#3) across the upper lid, blending it into the Dark Chocolate and then carrying it along the lower lash line as well.
I love how these colours are meant to be layered, one on top of the other. The result is so complex and pretty - and the end result is that the shadows shimmer and change according to the lighting and angle.
Just beautiful.
To finish it off, i lined the entire upper-lid and 3/4 of the lower-lid (emphatically NOT doing a cat-eye today) with Urban Decay's 24/7 pencil liner in Demolition, and Rimmel ScandalEyes Flex mascara in Extreme Black.
On my brows, i used Laura Mercier brow pencil in Fair Blonde, a nice, taupe-blonde shade.
Because i was putting most of the focus on my eyes (as usual), i kept the rest of the face simple:
On my skin, i buffed on a little Chantecaille New Stick in Cream, just along the T-Zone because it was too hot today for a full-face of foundation.
On my cheeks, we have Inglot blush in #37 - a pretty rose with flecks of silver and gold (to kinda go along with the Hot & Cold LMdB thing).
On my lips, i lined first with Chanel lipliner in Praline D'Or, and the lipstick is Tom Ford Blush Nude.
Why so SERIOUS?
I think the people at LMdB are right - this technique really makes my eye-colour look amazing!
If you haven't yet tried this company, i highly recommend you do - their shadows are absolutely beautiful - and i can't wait to try a few other things in their line! But i'm on a no-buy right now, so that'll have to wait :)
I hope you enjoyed today's look! Have a great weekend, everyone.
xo
Confederate Blue & Gold Eyeshadow and the Insomnia Blues
At this writing, my Husband is blazing through the winding roads of Black Mountain, NC - fueled on energy drinks and waving the Confederate Flag out the window in honour of our new home.
He left at 9pm and drove through the night like a crazed bat-out-of-Hell (aka Chicago), sustained only by Red Bull and an intrepid spirit!
Hunter S. Thompson, eat your heart out.
And yes, gentle readers - Yours Truly is still in Hell Chicago, tying up loose ends and completing my obligations here in the city before i hop a Greyhound to join him in a few weeks. As you can imagine, i didn't sleep much last night - envisioning my adventurous husband driving through the night in unfamiliar territory, Deliverance music playing ominously in the background, stalked by bears, without Moi to nag him about all and sundry and telling him to eat and ask for directions.
So, my little Kumquats, this post is in honour of my husband, Dan and our new Mountain Home - as well as yet another tutorial on how to look human when one is feeling like Microwaved Death...
Let's walk through it step-by-step, shall we?
1. Wake up - if one can call it that - after getting a staggeringly useless 2 1/2 hours of fitful sleep.
2. Stumble heavily out of now far-too-large bed, bang shins on footboard.
3. Curse colourfully.
4. Stagger downstairs to get coffee from yesterday out of fridge to nuke before shower.
5. Find house-mate has helpfully tossed out my coffee.
6. Curse colourfully.
7. Find coffee in coffee-maker, house-mate instantly redeemed!
8. Upstairs, shower - i now have 45 minutes before i must walk to bus.
9. Stare helplessly at massive palette of eyeshadows.
10. Pick out Confederate-blue peasant blouse from closet in a fit of Irony.
11. Decide to go all matchy-matchy with eyeshadow - because i'm all about irony. And because Confederate-blue & gold eyeshadow, yo.
12. Finish eyes in record-time, narrowly escaping gauging eyeballs out with pointy eyeliner-brush.
13. Slap on a bit of stick-foundation on red-bits, blush/powder/lipstick GO!
Not too shabby, if i do say so myself!
Now, the key to blue eyeshadow is to just accept the fact that you're wearing blue eyeshadow - in all its' circa 1970's tacky glory, and GO FOR IT. Especially if you're doing if for patriotic purposes. Ish. Also, the colour wakes my complexion up a bit, especially mixed with a bit of gold. Oddly enough, blue and gold were my school colours in my nightmare of a Catholic secondary-school. Subconscious telling me something...? The mind simply REELS with the potential for untapped psychological damage...
But enough of this nonsense. On to what i did here:
I laid down a neutral-light base - Inglot #393 - all over the lid, then took Urban Decay Haight blue eyeshadow from the UD <3 NYC palette and worked it into the lashline, V and crease - blending the living Hell out of it. As you can see, the blue looks more or less darker/lighter and more diffuse depending on the angle, which is kinda nifty. Then, i blended UD Maui Wowie shadow from the same palette across the lid from lash to crease, again blending it all out to soften. Finally, i lined with my by-now-boringly-repetetive Bobbie Brown Gel Liner in Shimmering Ivy on the top lashline in a cat-eye, and smudged softly into the lower lashline. Then, obviously, mascara and brow pencil, blah blah blah...
Gimme a break, i'm tired, here.
On the face, i used my I'm in a terrible rush and can't be bothered with liquids Chantecaille New Stick foundation just on the bits that need it - i.e. the T-zone and eye-area, blended with my trusty Hakuhodo foundation brush. Then i slapped on my Nars Belle du Jour lipstick and lurched off to the bus.
In case the first photo wasn't stunning enough for you:
And, full-frontal "artistic shot":
North Carolina, i've got you. I'll fit right in.
And Dan - if you're reading this, this is for you. :)
xo
Hey, Blondie! Colouring Your Hair Like A Pro
I get a lot of questions regarding my very blonde hair colour - and so i decided to do an in-depth post about what i do and the brands i use to keep my hair looking bright, shiny and professionally coloured.
Me in my goldie-locks phase - before chopping it all off
I've been colouring my hair for a looooong, long time. I believe i haven't seen my natural colour, other than roots, for about 20 years. I've been a brunette, a redhead, a raven-haired seductress, a golden-locked girl next door and a platinum ice-queen.
For me, it's easy - i trained as a hair colourist many years ago and i keep up with the latest trends. Most importantly, i do not use boxed hair dyes.
Let me say that again, as it bears repeating - i do not use boxed hair dyes.
Boxed hair dyes tend to contain more ammonia, have shite shade selections, and in the long run will cost you more if you want to colour like a pro and use a mix of more than one shade. It is more damaging to the hair and the results are unpredictable. This is especially true if you're going blonde. Trust me, the cool, platinum shade of blonde on the box of L'oreal is NOT going to be the result you get - more likely you'll be a jolly shade of orange.
Girl, i know you can afford to not look like a Brassy, Hot Mess!
These days, it's easy to get professional hair colour on the internet - many offer good brands like Goldwell Topchic (arguably the best of the best - their colour selection is stunning, and it's in my top three, for sure). Another brand i really love is Davines Colour Mask, and Redken is stellar for reds and browns. You can - fairly easily -find a reputable seller on ebay, or buy from places like Killerstrands.com, beautyencounter.com, brightonbeautysupply.com and sleekhair.com. I've successfully ordered from all of these, and Beauty Encounter will often have sales on their professional colours, saving you a TON of money if you colour your hair regularly.
I'm going to put up some pics of me in my different Blonde Incarnations, with a bit about each shade and what i used. But first, a little about the Level System in hair colouring; it's important to know this stuff so you can have some idea of where you're starting from in relation to how blonde you want to go.
I got the following charts from Haircolorcode.com and Killerstrands.com - which is a GREAT resource for those of you who need a little education and assistance going blonde on your own. You need to match your NATURAL colour-level (or level of lightness/darkness) to the chart, and you'll know where you are on the spectrum, and what your underlying pigments are. This is important when choosing hair colour.
For instance - i am a natural level 7/8. Many people fall somewhere in between the scales, and i'm one of them. My roots are a solid level 7, but once they grow out several inches, the shaft of my hair is more like a level 8. This is normal - generally speaking one's roots will always be about a level darker than the lengths and ends.
Now, on the 2nd chart, the levels 6 through 9 look almost identical, at least on my monitor - but the first chart is pretty accurate, and you can google The Hair Colour Level System to find many charts. It's good to study a few.
Anyway, as you can see on the chart, my underlying pigment, that is the colour my hair will "bleed through", so to speak, when i'm lifting it with colour or bleach, is gold. Now, MY hair is naturally a bit on the strawberry-blonde side, so i will get more of a very light orangey-gold when lifting. So, if you've ever taken an art class, you'll know that BLUE cancels out orange - and violet cancels out yellow. And red cancels green, etc. This is crucial information when picking either a hair colour or toner, if you're bleaching.
It all depends on what you're going for.
Let's start with bleaching.
Contrary to popular belief - not everyone needs bleach to get a very light shade of blonde. If you're a level 7 or above, you can use a high-lift colour with 40 or even 30 vol. developer and get a nice, ultra-light shade. More on that in a bit. But if you want to be white-blonde, or platinum, you will need the bleach.
Now, most people don't want Tweety-Bird yellow hair - an unfortunate mistake a lot of people make when bleaching hair out. But you might want something with a bit of a nice gold-undertone. For someone with a bit of the ginger in their hair, like me, your hair is going to be pulling a lot of gold to begin with, so you'll need to neutralize the yellow a bit, even if gold is your desired end-result. ALWAYS TONE YOUR HAIR.
I happen to enjoy going a bit wild with my hair, and in the above photo i used bleach to get my hair extra-light - i bleached it until it was the colour of the inside of a banana peel (light yellow). Then, i mixed a neutral toner with a bit of gold toner for a nice, light-gold shade.
Then we have the ever-coveted Platinum and Silver:
Wella Color Touch 8/81
If you want to go all the way and be a silvery, platinum-blonde like me in the photo above, you'll need a silver toner after getting your hair to a nice, light yellow shade with the bleach. La Riche Directions carries one, and works quite well (and conditions your hair)- but it fades relatively quickly.
What i found to be the absolute best silver toners are Davines 11S, Goldwell Topchic 11SV (technically not toners but high lifts mixed with15 vol. as opposed to 30 vol. developer), and Wella Colour Touch in 8/81. The Wella will make your hair S-I-L-V-E-R. The Davines is more subtle and "natural", i suppose - and can be used for that white/platinum end result. I ended up using it as both a high-lift colour with 30 vol. developer and then to refresh as a toner using 15 vol. This is something that works for ME, because my natural hair is so light to begin with.
Results in below photo with Davines 11S when used as a toner on pre-lightened, bleached hair:
Davines Mask Colour 11s. Pardon the horrifying red, shiny face. It was like, 1,000 degrees out that day
If you are a level 7 or above, you can probably achieve that with a 20 vol. peroxide and bleach - but you may need to do it twice. Unless you've got stubborn or ginger hair, in which case you will probably have to use a 30 vol. Generally, i hated having to bleach twice, as the mid-shaft of my hair is stubborn AND ginger-y - and instead opted for the 30 vol. I watched it carefully, used PROFESSIONAL CREAM developer. Cream developers have more conditioning agents in them and you're less likely to fry your hair to kingdom come.
However, if you're a level 6 or below, you'll definitely need a 30 vol. developer, and if you're a level 3 or below, possibly even a 40 - although i don't recommend that for first-timers. AT ALL. It's extremely strong and can literally burn off all your hair. I have used it once or twice with high-lift - NOT BLEACH - and it still fried my hair in the end.
If you have dark hair, the 30 vol can most likely get you really light - definitely into the gold-yellow stage. You just need to be very patient. If your hair is a level 3, for instance, you won't achieve a platinum blonde in one go. You'll have to bleach it, tone it, then let it rest for a month. Then the next time bleach it again, at the roots, then at the very end of processing-time, run it through the ends for a VERY short time, preferably right before you jump in the shower so you can wet it and emulsify the bleach though your hair until eventually you've reached your desired shade. After that, only bleach the roots. Repeated bleaching-overlap will fry your hair.
And always, always TONE your HAIR, for the love of God!
Toners: these are my favourite part of the whole process of lightening hair. Even if you're doing a high-lift as opposed to bleach, you'll still likely need a toner to cancel out any residual Tweety-Bird from your strands.
An old stand-by is the ubiquitous White Lady from Wella. I used to use it, but frankly there are so many better options that are less damaging to the hair than this one. It calls for a 20 vol. developer, for one thing - which can just fry the hell out of your hair if you've just bleached it.
From my high-school days, i still like Virgin Snow by Manic Panic, or the White toner by La Riche (very similar to Virgin Snow). It conditions as it tones, and your hair will be WHITE. However it does fade quickly.
La Riche Directions White toner on pre-lightened (i.e. BLEACHED) hair, with an aqua-blue/green streak
Redken Shades EQ is fabulous - if you mix the 9g with the 9v in equal parts, you'll get a nice, balanced, neutral-cool tone. They also make a 9T and 9S, which are cool metallic shades. I have not tried these yet.
My current go-to toner/blonde colour in general is a newish line out by Wella called Illumina. Killer Strands just started carrying it a while back and i was one of the guinea pigs that tried it out first.
I LOVE. This. Hair colour.
It makes your hair SO shiny, it's unreal. It's claim to fame is that it will leave your hair "like virgin hair". This is pretty accurate. Below is a photo of my hair after my most recent retouch; now, i no longer bleach my hair, but the very, very tips - say the last 1/2 inch or so - has old bleach on it. Then i began using a high-lift, which is on the majority of my hair - and finally, the last inch of growth is just a level 9 Illumina shade, processed with 30 vol for one hour. It gave me incredible lift, INSANE shine and beautiful colour - but that was a bit of trial and error at first.
Look at the freakin' SHINE - especially in that top photo!
As you can tell in these two photos, the tips are pretty damn white. I'm not going for WHITE anymore, however the very ends don't grab tint terribly well. Except with Illumina. They turned VIOLET. Like, grey-violet. Not cool.
But it's FINE. o_O
In the end, i had to remove the tint with ION's colour-remover - a non-bleach remover that won't kill your hair. If you've made a mistake - USE THIS, do not use a colour-remover with bleach, for God's sake! Color Oops is a drug-store version of this, it just smells worse. Then i mixed a level 9 neutral shade instead of a violet - which is something i HIGHLY recommend if you have over-processed, over-bleached hair. There is a delicate balance that bleached hair maintains, and once you've bleached it one-too-many-times, it tips that delicate balance, and that violet toner which made your hair so PERFECT before will now turn it into a lilac mess. Unless you want lilac hair, which i've done and loved but only when it's ON PURPOSE, you want to avoid this.
For the most part, though, the colour is INCREDIBLE, even for hair that is both bleached AND high-lifted on different parts of the hair - with the very roots not even high-lifted, just a level 9 violet-neutral Illumina blonde.
Right now, it's so perfectly balanced that it looks more or less neutral-gold in warm lighting, and cool/platinum in cool lighting. Which is my ideal shade and what i seem to look best in.
I've achieved that perfectly-balanced tone with only a couple products:
With bleach: Manic Panic Virgin Snow; Directions White toner; Davines 11s; Illumina 10 Gold-Violet mixed with 10 Neutral; and finally, Redken Shades EQ in equal parts 9V/9G.
If you're already a dark-to-light blonde level 7 and above: With high-lift or just using a level 9 or above and 30 vol. developer, again i've achieved that perfectly balanced neutral, close-to-platinum with Illumina 9N mixed with 10 Gold Violet; Davines 11s; and Goldwell Topchic 12SB (silver-beige).
After-care: Now that you've lightened your hair to resemble some Anime character or Marilyn Monroe, your hair is VERY DELICATE. You'll need some good products.
Shampoo - I only shampoo maybe once a week - and i use something gentle, made for coloured hair. Kerastase Chroma-Care line is AMAZING. My hair feels wonderful after i use it. Pureology makes a line for platinum hair, both conditioner and shampoo are very nice. The shampoo has a bit of greenish-blue tinge to it, which isn't as strong as a regular colour-depositing shampoo but works well for maintenance. Also, look for shampoos with a high content of Argan oil. I also recommend a colour-depositing shampoo, especially if you have cooler-toned hair. It will cut down on how many times you need to tone your hair in between touching up your roots. I believe you can still find my very favourite L'oreal Colorist, formerly ArtTec, at Sleek Hair - and you can always find it on ebay. I like to mix the Lemon Flower and White Violet to get that balanced, neutral blonde i'm so crazy about. I learned about mixing them as a colourist-student - it works beautifully. At Sally's, you can get Shiny Silver if you are just using violet. Golden blondes will definitely benefit from a gold colour-depositing shampoo as well. It will keep your hair gold, not brassy. Davines makes an entire line of coloured shampoos AND conditioners.
Conditioner - Even if you don't shampoo every day, you MUST condition every time you wet your hair. I mentioned my favourite, Kerastase Chroma-Care. That's the HG of conditioners. Davines also makes some very good ones ( i like the Momo line), as does Pureology - the Pure Oil and Nano Gold as well as the Platinum are all really amazing. Redken is also excellent - their All Soft is what i'm using now.
Treatment - Redken's Extreme line is your best friend. It has protein, which your hair needs. Don't use protein every day, though - once a week is good. Any more than that can actually backfire and snap your hair off. But you need it in moderation. Other days, use the Butter Treat. Also very good are Goldwell's leave-in treatments for colour-treated hair. Pureology makes great leave-in treatments from their Platinum line. And of course, Kerastase leave-ins are all really good. Just look for colour-treated/damaged products.
It can be labour-intensive, but if you want really good blonde hair, it's possible with a little education, common sense and quality products.
I hope this post wasn't too confusing! But feel free to ask if you need any help getting blondified. :)
Any questions?
Why 40 is awesome - clear skin and killer cheekbones ;)
Pretty on the Outside - Beauty for Sick Girls, Pt. 2
Yesterday, i talked about how to make oneself fit for human eyes when one is sick as a cat. Today was a real challenge, too - like a sick cat, i wanted nothing more than to crawl under an El Camino and die. BUT - i had Things to do! Final perfume orders to pack before the Lab gets shipped down to North Caroline (eek!), errands to run, yet MORE bubblewrap to acquire, et al.
And a girl simply CANNOT greet a day like today with a green face, my dear.
And so, i drank coffee & showered myself into some semblance of sentience and pulled myself together - with a little (a lot, let's be honest) help from my friends - if one can count cosmetics as friends. I know I do. >_> And also Husband - who went out and got the coffee AND drove me to the Post Office, which is only two blocks away. <3
Today, i tested out my Guerlain Parure de Lumiere foundation - by which i mean i needed to see how matchy-matchy it is with my skin now that i've got a bit of colour underneath my sickly pallor - and i wasn't too sure if it would be too pale.
Alas, it was.
However, this foundation oxidizes ever-so-slightly and so blends in almost perfectly after about half an hour; so, while not ideal, it certainly looked good - even very good, which is what one would expect from this foundation, after all.
Now, after trawling my already-weary-at-10-in-the-bloody-morning carcass out of the shower, i realized i had to get it together fairly quickly (am i not always in some kind of terrible rush?). And, also like yesterday, i have limited energy to devote to my beautification process; but deal with it i must, if i am to confront the world sans the green face.
Today, i wasn't in the mood for doing any dark eyeshadow at all and wanted to have a nice, clean, pastel sort of thing going on to balance out my black cat-eye liner.
You may be wondering why i bother with the cat-eye business, after all isn't it a bit labour-intensive? But i've been drawing a cat-eye for so many years, i can practically do it in my sleep. With one hand tied behind my back. In the dark.
Plus i feel naked without eyeliner - and that simply won't do. But as for the eyeshadows, well - it's a Hell of a lot easier (and pretty much mistake-proof) to work with pastel/light shadows when you're in a terrible rush and also feeling like Cat Sick. There's nothing worse than a slovenly shading-job on the eyes because you're all light-headed from inhaling 50 different perfumes and wrapping them all up in 5,000 yards of seemingly endless bubblewrap for the last three hours.
I even got fancy and used three eyeshadows - because it was just that damn easy.
On the lid - Urban Decay SWF - a light, shimmery pink - on the inner 1/3 lid and silvery-grey Inglot #501 blended from the centre to the outer-corner and up into the crease.
Under the brow - lightest shade from the Chanel Prelude quad - a pearlescent beigey-gold.
Eyeliner - Chanel Stylo Yeaux Waterproof in Ebene.
Mascara - MAC Zoom Fast Black Lash.
Brow - MAC brow pencil in Fling. Let's have a moment of silence for all my former insufferably-WAY-too-orange blonde brow pencils - because THIS is a true ash-taupe blonde. HUZZAH!
Super-easy and pretty - and i LOVE that silvery Inglot #501 ! It's so pretty - and the texture is so buttery and smooth.
I'm telling you, it's like BUTTAH.
With the eyes done, i now move on to my problematic Green Face. The horror. As i mentioned yesterday, these autoimmune flare-ups really do a number on my skin. It's patchy and dry, but also clammy and oily within an hour of applying any foundation - which seems to just slide right off after the two hour mark, anyway (this ONLY happens when i'm sick. Go figure). I look grey under most light, with the exception of the inexplicably red-bits around my nose and cheeks. To add insult to injury, powder just seems to sit on top of it, exacerbating my deathly pallor like some poor cabaret-dancing trollop straight out of a Toulouse Lautrec lithograph.
And so, the challenge is to even out my skin tone and give it some life, and to keep the bloody foundation on my face. Usually, my Guerlain Parure de Lumiere does a bang-up job of making me look flawless for many, many hours. But we are not dealing with usually right now. It's Twilight Zone time for my makeup, kiddies.
I'm still looking for a foundation that will step up and do the job on my Green Face days. Currently in the line-up are two that i'll be repurchasing - Chanel Vitalumiere Aqua Compact and Vincent Longo Water Canvas. I've used them extensively before and, because they're both water-based, seem the most likely candidates to be able to deal with my ultra-weird, snobby skin.
I'll report back here with results once i've had a chance to pick them up.
Meanwhile, here we have my skin about two hours into the day - you can see the "clamminess" on my forehead and my nose, and under the eyes - which also now have these little fine lines that seem to show up when i'm sick. Fabulous! Also, i didn't have my YSL Touche Eclat on, and it really shows. My dark circles are pretty brutal, even under concealer and foundation. Do not ask me WHY i didn't put on my trusty Touche Eclat, - parce que je ne sais pas, mon cheres. Only that, due to all the packing, everything here is chaos.
This is why we can't have nice things.
On my cheeks, i'm wearing (like yesterday - only more heavily applied) Trish McEvoy Peony Pink blush - one of my favourites for counteracting the sickly sallow thing.
The lipstick is MAC Creamsheen Cream Cup - one of my all-time favourite pinky-nudes.
Because when you feel like Cat Sick, it's aaall about comfort and familiarity in the makeup department. We don't need any unpleasant surprises right now, do we? Not when we're struggling with basic things like foundation.
Despite powdering liberally a couple hours ago and the unseasonably cool temperature today, i'm far shinier than i would like.
As i said - all the usual rules don't apply to my skin at the moment.
What you cannot see in this pic is my husband, who was mugging insanely at the camera like the weird little monkey he is - unfortunately in all those shots, my eyes were half shut or crossed or a bug flew across the lens or what-have-you.
Below, i re-powdered with a luminizing powder, with the idea that this would negate the whole Toulouse Lautrec Cabaret Trollop thing. This is just to give you an idea of what my skin is supposed to look like, were it behaving like a rational entity.
And there we are! Another quick-and-dirty FOTD for when we are ill and have the Green Face.
I hope this was useful to you! Have a great weekend, and i'll talk to you all soon.
xo
Sick & Pretty - Makeup for Chronically Ill Girls
Today's post is about how to make oneself fit for human eyes when in the throes of an Autoimmune flare-up - or maybe just a really bad cold.
Which is how this started out, to be honest.
The thing with having an over-active immune system is that it comes and goes in waves - and something as simple and lame as a nasty cold or too much stress can trigger it.
Much of the time, nobody would guess i'm dealing with chronic illness/pain.
I've learned to hide out on the really bad days as much as possible (i'm lucky that my job allows this), and when i can't, i make damn sure i am looking as good as possible so nobody is asking me "are you feeling OK??"
There is nothing that a Chronic Illness Person despises and dreads more than the Are-You-Feeling-Ok questions. We feel crappy, and suspect we look crappy. That question just confirms it.
Perhaps you would think this means spackling on inch-thick foundation, piling on blush and painting my eyes a la Elizabeth Taylor in Cleopatra. But no. In fact, in a situation when one's skin is pallid and weirdly dry-yet-clammy, and one's eyes are prone to puffiness and redness, the last thing we want is to slather on the Warpaint.
Maybe this weekend...
Just as the extremely young can get away with unseemly amounts of makeup and still look good, the opposite holds true for the sick person.
Paint needs a smooth, fresh canvas to look decent. And during my "flare-ups", my canvas tends to be - as i mentioned - flaky yet clammy and singularly unable to hold onto foundation very well at all. Not to mention the bit about having absolutely no energy and being in all-over pain and generally feeling crappy.
These things are hardly conducive to a full-on face of makeup. In fact, that can make you look even worse.
So, i have a System in place for days like today.
I know i need to keep it simple, and that my skin needs to somehow look less sallow, my eyes less sickly and tired. I have limited time in the morning, not to mention stamina, and need to make the most of it.
A nice, warm shower will liven up my pallor a bit - i use a cleanser with peppermint in it if possible in order to sort of wake things up, but i skip even the gentlest of exfoliators because a) my skin is super-sensitive and painful right now and b) it can make any redness i have going on worse.
My skin is a histrionic beast right now and must be handled accordingly.
Then, i make sure to moisturize well. I use a good serum - lately i've been really liking Lancome's Advanced Genifique. I don't know what it does, but whatever it is, my skin really likes it. It livens up my pallor, makes my skin look smoother and less grey, and does a beautiful job underneath foundation.
Then, i swipe on a good concealer, paying special attention around my eyes and nose (which, for whatever reason, always looks a bit red when i'm unwell). The dark circles are intense when one is ill and in pain, so i don't go crazy trying to make them disappear - i just try to diffuse the situation a bit, lest i end up with reverse-racoon eyes - which is arguably worse.
So, i begin with bit of well-blended, creamy-opaque concealer around my eyes and wherever else i may need it - preferably by the likes of Le Metier de Beaute or Chantecaille because they cover well without drying out or caking on unhappy skin, thus making one look made-up like the Whore of Babylon.
And then - and this is crucial - YSL's ubiquitous Touche Eclat.
I swear by this stuff - it's been fooling people into thinking i feel great for YEARS. I love it and you will pry it out of my cold, dead, manicured hands.
While my skin is dealing with the serum/moisturizer, i leave it be and go ahead with my eye makeup, making sure to Visine the living Hell out of my bloodshot little peepers before i start putting anything pointy near them.
This is where eyeshadow duos are a bloody Godsend. When you're not at your best, both mentally and physically, the last thing you need to be doing is messing about with 5 different eyeshadows. Just your basic light/dark palette, in some variety of neutral tones, is best. You know exactly what to do with it and it takes hardly any time at all.
For this look i used Nars' Tzarine eyeshadow duo - a nice, creamy light shade paired with a pretty, dark grey, both with little flecks of colour shot throughout to keep it from being a Bobbi Brown nightmare.
And define your brows, for the love of God. Nothing looks more slovenly and peaked than an unruly or invisible (like mine) brow. Blondes in particular can look washed out and sickly without a proper brow. And if you ARE washed out and sickly, you'll look like Night of the Living Anemic without it. I don't go crazy, i just fill in over my extremely light and thin excuse for eyebrows with an ashy-taupe blond pencil and move on.
Pardon the low quality of these pics - i'm tryin', here
Next - a simple, clean tapered quasi-cateye with waterproof pencil up top - i'm addicted to Chanel Stylo Yeaux Waterproof in Ebene, at the moment - and a light, diffuse grey on the lower lashline will open up the eye with minimal effort.
One definitely wants to stay away from any red-tones, even undertones, in the eye makeup when one is sick. You already most likely have redness around the eyes and you don't want to look like an 18th Century Tubercular Irish Wastrel dying of Consumption.
Now do you?
Right. Next, we use a nice stippling foundation brush and work in a sheer-as-you-can-get-away-with foundation. This is simply because a full-coverage foundation will, counter-intuitively, perhaps, emphasize your peaked, greyish pallor.
If you're like me and have a Winter as well as a Summer foundation (Pale and Slightly Less Pale), don't make the mistake of looking at your skin, which is probably somewhat tanned but somehow looking extra pale anyway, and just going with the lighter foundation to try and match your unhealthy pallor. Instead, mix the two together and blend in sheerly, taking care to conceal on areas that need it and leaving it at that. I used my RBR Coconut Milk & Chantecaille Cream - using the darker, Summer shade of concealer in my stash - i.e. Chantecaille New Stick in Cream.
Next, you want to use a little blush. I recommend blush as opposed to bronzer, only because ashen skin looks even more obvious with a face-ful of bronzer. Instead, reach for something more in the pink-toned range. Be it peachy-pink or a more cool-toned pink. Since my skin leans more cool the paler i am, i used a pure, ultra-happy PINK shade a la Trish McEvoy Peony Pink - but sheerly applied. I used a stippling brush to apply and blend it in, which gave my face a nice, Fake-Healthy bit of colour without overdoing it.
Finally, a quick outline of nude-pink lipliner and bit of moisturizing, not-too-opaque (because if you're ill, bright/opaque shades WILL look garish, trust me) pink lipstick - here i used Laura Mercier 60's Pink - a dusting of translucent loose powder to set things and Voila! No more Night of the Living Dead Girl!
But i DO look cranky...perhaps i should smile at the camera?
Right- although my hair could use some work, you'd never guess i'm actually a zombie!
And there we are. Not exactly going to win any Ms. America contests today (especially with that post-rainshower HAIR, for the love of God), but at least i look fit for human eyes and the ashy, peaked, red-eyed monstrosity i woke up with is gone.
Hopefully this post was useful to you all - even if you aren't dealing with chronic illness, everyone has sick days - this is how i deal with mine and it seems to work pretty well.
Thanks, and see you all soon!
xo