Eiko Ishioka’s costuming for Coppola’s Dracula just goes to show that a woman’s touch can turn a masterpiece into a two hour spiritual experience
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Eiko Ishioka’s costuming for Coppola’s Dracula just goes to show that a woman’s touch can turn a masterpiece into a two hour spiritual experience
La voglia di lottare che avevo si è spenta un po’, lo ammetto.
Non è più fuoco, è brace. Ma tiene ancora caldo.
E anche se non urla, continua a far muovere le cose.
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