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"I'm Dorothy Gale from Kansas"
we're not kids anymore.

shark vs the universe
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@partlyironic
rules for my blog
Halnaker Hamlet, West Sussex
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Dawn and Twilight bed by Emile Galle
two baddies
why are you always bitching about cis women having boundaries and not cis men who are the ones who are statistically far more likely to murder you? god forbid women don't spend all their emotional labor on centering you 24/7. go after the transphobic politicians or something, those are the actual fascists who want you dead.
those "boundaries" get us murdered lol. trans women who can't access women's shelters or other forms of housing because of cis women's "boundaries" are left on the streets to be assaulted and murdered
if you want trans women out of women's spaces, and the rationale for those spaces existing is to protect from violence, then you are saying that trans women don't deserve protection from the same violence despite being at an even higher risk of it than you
terfs have gotten crazy good at framing discrimination through the language of consent. systemic discrimination is not "boundaries"
the emotional labor of being asked not to discriminate against one of the most vulnerable groups of women
Chinese painter Yu Xiaodong, born 1963
Kaveh Akbar, from Martyr!
[Text ID: Love was a room that appeared when you stepped into it.]
SAM REID CALLING OMEGAVERSE "VERY URSULA LE GUIN"
PAUL MCCARTNEY in conversation with Paul Mescal, May 2026.
substack simulator
post 1: they don't want you to know that everyone is stupid and angry nowadays. and its because of covid post 2: ive tied together two social trends ive identified. and they are because of fascism post 3: they don't want you to know that everyone is stupid and angry nowadays. and its because of AI post 4: ive tied together two social trends ive identified. and they are because of christianity post 5: transmasculine joy is revolutionary post 6: i am the only literate cinephile left in a sea of cartoon watchers. and here are my thoughts about this critically acclaimed hollywood film post 7: no longer identifying as transmasculine and stopping T because the patriarchy exists is revolutionary post 8: ive tied together two social trends ive identified. and they are because of tiktok
Sophie Lewis looks back on Scapegoat to reassess the Andrea Dworkin's legacy, concluding that the current Dworkin revival is a "terrible ide
Scapegoat now states that women have no history but, if we did, it would be “a history of rape: the pogrom against the female body. The constant juxtaposition cuts short the breath that one would normally use to assess each claim, as it comes, before moving onto what follows. It turns my stomach in a way I suspect was not intended. A sudden comment on Chinese footbinding caps off, for instance, many paragraphs on the patriarchal oppression of women in Gaza. An abrupt swerve into Jew-on-Jew pimping follows many paragraphs on the pornographic core of National Socialism. A patronizing assessment of Palestinian women’s role in the resistance melts into yet another survey of state-sanctioned prostitution across the centuries. Dworkin has set herself the task to prove, inexorably—through a widening gyre of montage-based equivalences—that the “woman-hate” in men’s hearts really is everywhere, left and right. This hate will remain until women rise up across borders and draw new borders for themselves by seizing a homeland—an “Israel”—away from men. Her mission is carried out quite well. I just consider it fascistic, not least in its insistence on female innocence. Dworkin’s account of history is dazzlingly erudite and stunningly stupid at once: men have wrought it all. Even if your definition of “history” is strictly military, this is unpardonable stuff: armed struggles have always featured women leaders, such as, in the case of the Popular Front for the Liberation of Palestine, Abla Taha, Latifa Howari, Sarah Joudeh and Leila Khaled. Dworkin doesn’t mention these or any other Palestinian women militants and reckons that feminism is not currently possible in the Arab world: “in the sensibility of contemporary Arab women, the Palestinian male is the romantic figure,” not the Palestinian woman. Tellingly, the whole question of Palestinian women’s anti-Zionist struggle is dealt with only indirectly, merged with a discussion of “the heroism of Algerian women fighters” between 1954 and ’62 whose purpose is to ram home the lesson that national liberation movements always betray their women. Besides, when women participate in struggle, it’s “because they can be used and useful” and “get a temporary pass from complete servility.” Also, “the subsuming of the individual in the nationalist struggle is an easy process for women, who have little experience with a social reification of a singular identity.” These women are fodder for revolutionary movements, Dworkin misogynistically opines, because they have no self. All the litanies of rape-related facts in previous Dworkin books like Intercourse have palpably been dress-rehearsals for the remix in chapter three. “Rape,” she raps here mid-infodump, “is murder’s heartbeat.” It’s an undeniably dope line. What’s odd is how, while the wretched of the earth are always women, “Pogrom/Rape” rests on the leftfield assertion that “Israeli men get raped.” Dworkin alleges that “the rape of a defeated foe, soldier, male” is “part of the Arab code, coexisting with the obligation of the father or brother to kill the sister for sexual impurity.” She extrapolates further, on the strength of the book Arab and Jew (1987) by former New York Times Jerusalem Bureau chief David Shipler, that Palestinian men are engaged in a “revenge vendetta through male-male rape.” It is in fact purely on this basis—that is, unevidenced testimony cited by Shipler from a former Haganah paramilitary veteran (and, later, IDF/IOF colonel) Rafi Horowitz, recalling the Arab Legion systematically gouging eyes and mutilating genitals—that Dworkin delivers her chilling verdict: “the revenge rape of male Israeli soldiers in captivity is part of the fear, part of the hate, that drives the Israeli fear of annihilation.” It’s her concluding point, and given that rape, for Dworkin, is the supreme justifier of bloody preemptive defense, there can be no mistaking what is being justified here.
as new grifters relentlessly dedicate themselves to digging up radical feminism and attempting to toss the exhumed corpse onto the kitchen table for attention, i think it's worth reading sophie lewis' scathing takedown of dworkin's zionism and how it's inextricable from the rest of her politics
The Grotto of the Nymphs, from Pierre Louÿs’ The Songs of Bilitis by Willy Pogany (1926).
personally I am of the opinion that vegans who are like “the way our food system currently works under capitalism on a large scale is exceptionally cruel to all animals including humans and is not sustainable, so I’m doing what I can to make the most ethical choices available to me about what I eat and encourage others to do the same” are generally very reasonable people who I agree with in spades. but vegans who seem to think human beings are not themselves animals who are ultimately also part of the food chain but instead some kind of other paternalistic higher entity that can never engage in ethical and sustainable hunting practices (and especially the fringe I’ve seen who think other carnivorous animal predators are also evil and need to be eliminated) are people I regard as foolish at best if not actively anti-indigenous and racist
Louis & Armand in INTERVIEW WITH THE VAMPIRE | 3.01
Shane will NOT be caught without his Burt Bee
I love seeing content like this and that they have hundreds of thousands of likes. it warms my heart. its been too long
i really do need snipers to come out on behalf of every actor of color. it happens every fucking time. god forbid everyone actually love and appreciate and see the brilliance in a man of color—intelligent, charismatic, magnetic, attractive (and the sex appeal is acknowledged by white people), more talent in his fingernail than most people have in their whole body—and the world still can’t just let that exist without immediately picking it apart or trying to diminish it