To commemorate my 1000th post, I decided to embark on an essay on the limited Ford and Mabel bonding in the show!
Among some of the shortcomings in the show (including Wendy being chaffed as a main character), there aren’t as many moments for Ford and Mabel to bond over, compared to Ford with Dipper. Well, it’s also due to the short runway we have from A Tale of Two Stans to Weirdmageddon, but for rather odd reasons, Ford didn’t get a lot of screentime and often holed up in his own lab. Even Roadside Attraction did not even drop any mention of Ford. As a mutual lamented to me, it’s likely the case of Ford, like Wendy, being another character whom the writers had a purpose for (as the answer to the mystery of Stan and the Portal), but didn’t know how to write outside that purpose.
Of course, some argued that, for plot reasons, this is so that Mabel gets duped by Bill since she didn’t know about the Rift from Ford. Or that Ford just overlooked her when he offered Dipper the apprenticeship. As such, there is a main misconception that Ford didn’t care about Mabel at all compared to Dipper. Or, in some ridiculously extreme cases, that he hates her. While I guess this was extrapolated from what we might have gleaned in the show, I don’t agree with such extreme views.
People forget that Mabel was actually the first twin he interacted with, and it was largely positive. When Mabel stated that his six-fingered handshake was one finger friendlier than normal, Ford laughed and said he liked her. Given how much he was shunned by many others for his extra fingers, it probably warmed him to hear someone saying something positive about his anomaly. It seemed initially set up that Ford and Mabel should get along fabulously. Even Mabel went as far as to knit finger puppets for Ford and while he sounded rather hesitant in Journal 3, we later glimpsed a scene in which both bonded over something similar (a hand turkey).
Which brings me next on Ford’s journal entry about Mabel. (I also noted he interviewed, or wrote about, Mabel before Dipper). His interview with Mabel sounded largely positive given he remarked how he was “instantly charmed” by her “enthusiastic” personality. Ford also considered her as an “odd specimen” (almost certainly a compliment), and also hoped to seek her help to repair his own coat.
I suppose this interview probably shaped some initial impressions for Ford about Mabel. “Overall positive but somewhat ambivalent/not-really-comprehending how she ticks necessarily” is much of how I would define Ford’s attitude toward Mabel - he likes her, but doesn’t especially identify with her because the traits he admires in her are almost inversions of some his own.
At this stage, one could also take that with his remark in Dipper’s initial assessment about how he “possibly takes after Stanley” as Ford initially trying to identify with Mabel the way he ended up identifying with Dipper, such as him enthusiastically commenting about her sweet tooth and hair curls being a Pines trait. Of course, as it turned out in the show and in Journal 3, his perceptions of the twins shifted and he found himself relating more to Dipper especially when he looked back on Dipper’s entries and additions, and the events of Dungeons, Dungeons and More Dungeons.
I have to admit that when I first read this part, I thought he remarks he himself needed further psychological testing and not Mabel. For some light-heartedness, I rather think of it that way, but there’s something deeper in this for the two’s psychological profiles. First off, the tests were flawed, given Rorschach testing blots should be less definitive, but it probably reflected Ford’s possible lack of comfort with ambiguity, and the preoccupation he had with death and destruction for so long. As for Mabel, it shows a certain degree of wilful misinterpretation, trying to see things through a particular positive lens and has a sort of fear of unpleasantness that manifests in a possibly neurotic drive to control reality around her, which finds its ultimate expression in Mabeland.
This is rather important as something I would delve into deeper later on in this essay, which gave Ford an impression that Mabel’s psychology, while odd, was overall positive and not much to be concerned about. He clearly recognized Mabel’s social ability as a valuable skill, and may see her lack of cynicism as something of an asset too, as we later see in The Last Mabelcorn. I suppose Ford neglected to do a deeper dive into her psychology given the fallout we would see in Dipper and Mabel Vs the Future. He might claim to have 12 PHDs, but I doubted one of them is in psychology.
We move on to the Last Mabelcorn, which is where we see Ford interacted more with Mabel and offer a bigger insight into how he feels about her. First, he agreed with Mabel when she stated she was probably “the most pure of heart in the room” and entrusted her with the unicorn mission, even knowing that the unicorns were difficult (and frustrating). As such, he equipped her with Journal 1 and a crossbow for the mission. Obviously this was for her safety, as well as trying to give her as much help as he could regarding unicorns, even though he himself had little success (Ford mentioned of an arm-wrestle with a unicorn in the blacklight edition which I doubted went well).
At the end of that episode, he directly told her that she is a good person, even without being aware of the struggles she had gone through with her morality moments prior. And after the episode he even regarded her as an expert on unicorns given she managed to defeat one, and allowed her to write an entry in Journal 3 about unicorns. I needed to note that Mabel was the only person who wrote in Ford’s Journal after Dipper returned Ford the Journals (and before their recovery in Weirdmageddon). This rather showed how much Ford really trusted Mabel, especially when he regarded his Journal as his “important scientific documents”.
Dipper and Mabel vs The Future is more contentious in this regard. We see how plenty of fans often using this episode as proof that Ford doesn’t care about Mabel just because he only asked Dipper to stay in Gravity Falls, and waved off concerns that Mabel would be all alone in California. However, we need to relook some bits of this in context.
Dipper: There’s also Mabel. She’d be all alone in California.
Ford: Mabel will be fine on her own. She has a magnetic personality. I watched her become pen pals with the pizza delivery man in the 60 seconds he was at the door.
From this, we can see how Ford cared enough to observe Mabel’s social skills with the pizza delivery guy, plus probably witnessed plenty of instances of Mabel handling herself without Dipper’s help. I guessed that was further underlined by her success in the unicorn adventure, and thus he genuinely believed that Mabel could take being without her brother outside of the summers.
Dipper: Gosh, we’ve never really been apart before.
Ford: And isn’t it suffocating? Dipper, can you honestly tell me you never felt like you were meant for something more?
This is another contentious bit, I admit. It sounded like Ford considered Mabel as a stumbling block in Dipper’s future. Well, I concede Ford isn’t perfect. Again, this is one of those times Ford was projecting his issues with Stan onto the younger twins after finding out how similar he thinks Dipper is to him (possibly aggravated probably by Stan blatantly aligning Mabel with himself, ex, telling Dipper that he belongs upstairs with “me and Mabel”). At this point, he was just extremely clueless about the nature of her and Dipper’s relationship, and how it was much healthier than his was with Stan, probably even at that age.
Nevertheless, to say that he didn’t care about Mabel at all is simply a misguided oversimplification. He cared about them both so much. His traumatic experience with his own twin just tainted how he saw the twins’ bond being something that could be potentially suffocating. He did sort of have a point though; Dipper and Mabel couldn’t force each other to stay glued at the hip forever or it could potentially stifle their individual dreams if handled badly. But the twins were only 12 and had a lot of growing up to do together. It wasn’t a great idea to separate the twins at this point, which was something Ford forgot.
Mabel wasn’t forthright about her feelings about leaving Gravity Falls and growing up until she blew up at the end of the episode. We see how she maintained that mask of optimism throughout the show, even when she was worried about the Grunkles’ falling out and the parallels she found between her and her brother back in A Tale of Two Stans. That mask began to slip when she realized growing up wasn’t as great as she thought, and Ford didn’t know how badly Mabel would take it.
Ford thought he was doing Dipper a favor by giving him a head start on his studies. This is probably a bit too charitable of an interpretation, but one could, I suppose, see Ford's “something more” remark as “Dipper more than just half of a set” instead of “implying that Mabel is in some sense inferior than her brother.” As said earlier, he even believed Mabel would be fine and thrive on her own, too. That the two could have reached a compromise if needed.
We can probably conclude that Ford actually did not disregard Mabel or see her as the "inferior twin", but he just found trouble trying to connect with her despite his initial positive impressions. At the same time, due to Mabel's outward outgoing personality, he overestimated Mabel's confidence in being on her own, and also (subconsciously) projected his own issues with Stan on the younger twins. Not to say Ford was a bad person by any means, but he was misguided in some of his assumptions and impressions.
On a tangent, I say the recent fan episode Return to the Bunker tried its best to imagine how Ford and Mabel might go on an adventure together. However, it instead exaggerated too much of his flaws (e.g. his trust issues) and it became more of a Ford bashing episode. Yes, we know Ford isn't perfect by any means, and he might be unfamiliar with interacting with others like Mabel.
Yet, as we also saw from the canon (the show supplemented by Journal 3), he could get along well with Mabel, especially in such a desperate situation like confronting a Shapeshifter (how he dismissed the others' suggestions is really beyond me). We even saw how Ford was willing to give up himself to Bill in WMG when Bill threatened to torture or even kill the kids.
I supposed the writers of that fan episode did read J3 but took the wrong lessons. While definitely an attempt to show Ford's flaws, the episode instead went the other extreme. Ford could sometimes be insensitive (like the remark he made about "suffocating"), but not anti-social or downright unpleasant.
There is definitely potential for more positive Ford and Mabel bonding moments that could further underscore that Mabel could cope well on her own (from what we saw in The Last Mabelcorn). From what @hkthatgffan also told me (and on Reddit), when Lost Legends was coming up, everyone thought, from Hirsch's hint through his emojis, that we might finally get a Ford and Mabel bonding story but instead we got an (admittedly) half-hearted attempt to redeem Mabel from her role in WMG.
I supposed another angle could be Ford and Mabel also coming to terms with their roles, given Ford is partly responsible (and even took some blame himself), and both can overcome the trauma together. I don't doubt these are already concepts being explored in various fanfics and fanarts. And here are some other ideas from Reddit.
Let me end off with some parallel scenes between Ford and Mabel, which show how similar both are. We need to also remember that it's not exactly Dipper-Ford and Mabel-Stan, but rather Dipper and Mabel paralleling each of the Stans in different ways. That is probably another essay for another time.
This essay is written with assistance from @jacky-rubou (who already provided an initial essay for me to work from) and @callipraxia who is able to offer more insights.
Not long ago, there was a discussion thread on the r/GravityFalls subreddit on which is the “worst episode” of Gravity Falls. Now, to put my two cents on this question, personally, I have no strong hatred for any of the episodes, including Roadside Attraction – the fandom’s most riled episode like how Fly is very lowly-regarded in Breaking Bad. For me, Roadside Attraction lowers the stakes and brings us outside of Gravity Falls for a while before what is to come. My favourite part of that episode is Dipper trying to be more confident of himself, even if I agree perhaps the flirting subplot is rather unnecessary. Still, it's a nice break from all the rather momentous episodes, and improves the relationship between Stan and Dipper.
I would actually argue that the preceding episode The Last Mabelcorn is actually the episode that’s out of place, given it was intended to be a space for a low-stakes Wendy-centric story the writers never managed to crack. But that would be another discussion for another time.
I’m deeply amused, nevertheless, when Escape from Reality is mentioned as the worst. Now, before my rewatch, I only had a ‘meh’ impression of that episode. But after rewatching the episode to verify those claims, I now have a newfound appreciation for the episode. In fact, I will personally rate it above its preceding episode – Weirdmageddon 1: Xpcveaoqfoxso.
There are some ‘problems’ the critic of the episode has highlighted, notably how the episode “cuts entirely the rythm [sic] and the tension and rythm [sic] of the entire finale” and shows “the lack of character of development of Mabel Pines” who is “NEVER held accountable for anything she did during Weirdmaggedon”. To check through these claims, I decided to rewatch the Weirdmageddon arc – from Dipper and Mabel vs the Future to the finale, before forming my own conclusion. And I say, the rewatches gave me deeper insights which I think plenty of us overlooked.
Let’s start with Dipper and Mabel vs the Future. I must watch from here, otherwise, the rest of it wouldn’t make much sense given Gravity Falls is a continuity-based cartoon.
It's a fantastic penultimate episode from start to end (I call it penultimate before WMG). Goofy at the start like many of the Gravity Falls episodes, and we explore both the siblings’ arcs. One with Dipper and Ford to find the adhesive to seal the rift in the UFO, and Mabel trying to prepare for their 13th birthday party at the end of the summer.
Mabel's subplot really hits the feels. I still recall how it hits me when a holiday is ending. And while the episode starts off with optimism, Mabel soon realises the harsh realities of growing up. And she also realises her summer friends (Grenda and Candy) won't be with her to celebrate their birthday and see them off. This gradually crushes and peels off the positive ideal Mabel holds, and thus she realises that the future after the summer is not what she wishes to face.
Stan comes in, and offers encouragement that Dipper would be by her side. And that scene, likely overlooked by many, hits hard too, especially when he said “not everyone can say that”, referring to his falling out with his twin Ford (and even Stan realising he would be out of the Shack soon, even if he hasn’t said that aloud). And then when she heard Dipper's willingness to take Ford's apprenticeship, that one hope she held was gone and broke the straw on the camel’s back.
So why am I reviewing all of these? We need this context to understand what happens after. There are claims, especially from Mabel’s critics, that Mabel knew about the nature of the rift and just willingly handed it over. However, from the episode, Mabel only has a vague idea that whatever Dipper and Ford plan to do is to “save the world or whatever”. And Ford keeps the rift when Mabel comes in to check on her brother. So she's unlikely to link that to whatever Ford and Dipper were planning to do to save the world. In fact, neither told her about the rift, even in the previous episodes. Ford even stated in Journal 3 that it’s something he must keep a secret.
At the end of the episode, Mabel is in her most vulnerable emotional state – the world is falling apart around her, especially the prospect she has to face the hard future alone. And she fears that history will repeat itself, her deep-seated fear, established since A Tale of Two Stans, that she and Dipper would grow apart quickly and become hostile like the Stans. The twins have been each other’s source of strength, and they still have more time to mature and grow together. It is unimaginable for her, just at the age of 12, to be separated from her twin for a long time.
And the Bill-possessed Blendin arrives. I also note critics saying she should have known better and not trusted him given “he tried to kill her and her brother not long ago”. Let me reiterate that, since the end of Blendin’s Game, the twins and Blendin are on better terms, given the twins decide to exercise mercy on him and let him go. Anyway, even then, she does not know that it’s Bill Cipher she’s talking to, and in that extremely vulnerable emotional state, she’s in no position to think anywhere close to rationally. Blendin offers her a tantalising offer that seems to address her problems.
We need to relook this scene from Mabel’s perspective. Bill only shows her in a holograph the object Mabel has to pass over to him and dismisses its significance as “a little gizmo (that) he (Ford) won't even know it's missing." So in short, no, she doesn't know what she’s handing over and what she’s in for. Bill is exploiting her emotional weaknesses to get the rift. Swayed by Bill’s persuasion, Mabel thinks the rift is some ‘small gadget’ that will somehow grant her ‘a little more summer’, not a permanent loop without end. And she also thought he was Blendin, someone whom she thinks she could trust, and with the goggles, it’s hard to tell Blendin was being possessed.
The last we know about Mabel is that she got knocked out when it all started. So that brings me on to Escape from Reality.
But let me also do a quick review of WMG1. It’s not bad, though rather slow. It sets the stakes well, but takes some substantial time just for Dipper to figure out what he must do. But it’s indeed distressing for him, who just lost his mentor and the three journals and he is unable to figure out what he should do. A major plus for this episode, nevertheless, is Wendy being more involved and being his guide (wendip fans rejoice) and we also get to see Gideon’s transformation for the better to turn against Bill.
Escape from Reality is wonderful. In fact, this episode is an important turning point – a friend even commented this is “the emotional and thematic climax of the series”. I agree it might be a little jarring in tone, since we were “shoved” into a “sugarcoat land”. But I welcome variety, and actually if you realise, Mabeland is a juxtaposition of the dark and surrealistic nature of Bill's world with Mabel’s worldview. It’s not as clear compared to the previous episode, but you still get peeks of Bill’s touches of what seemed to be an ideal fantasy world. Mabeland’s lack of rules sounds exactly like Bill's "join me" sales pitch to Ford in the subsequent episode. As he claimed: "I'LL REMAKE A FUN WORLD, A BETTER WORLD! NO MORE RESTRICTIONS, NO MORE LAWS!"
I agree with Bill that he has created “the most diabolical trap” he's ever created. It’s a gilded cage, designed to fulfil Mabel’s wants and desires. As it is a prison, the ultimate purpose of everything in Mabeland is to prevent Mabel from leaving by keeping her trapped inside what is essentially a waking dream. Really, Mabeland was just a massive, literalized Sweater Town. Bill believes the bubble to be inescapable because he knows that he would not be able to escape it, and because these “mortal meatsacks” are so inferior, there's no way they could be capable of something he isn't.
Let me also address some pieces of criticism, that Mabel “admits she knows she is in a fake world, she sees what's going on in Gravity Falls multiple times but doesn't even react or show concern”, and instead, she throws all of Dipper's unconditional love and support for her back in his face by not just creating Dippy Fresh, but also sending him to a trial where he will get kicked out into the apocalypse if he doesn't convince her to come out by giving up the apprenticeship. She shows absolutely no remorse over anything she did and very less admits it, and acts as if she had nothing to do with it.”
First off, there's nothing in the episode that shows Mabel is fully aware of what's happening outside. Remember, I said Mabel was knocked out when it all started. She said to Dipper: “But then I woke up in a place that gives me exactly what I wanted: an endless summer where we'll never have to grow up!” And it seems, as Dipper suspected, that Mabel was entranced and hypnotised by all the magic, almost completely caught up in the delusion. She’s not at all aware of what’s happening outside, and Dipper hasn’t so far told Mabel what’s going on.
Bill exploited Mabel's deep-seated insecurities and crafted the fantasy in such a way so that Mabel would remain trapped in her fantasy forever. Indeed, the prison is pretty diabolical and insane like Bill himself, and Bill even said it would take “a will of titanium” to break out. The depiction of Mabeland really expresses the depth of Mabel's almost pathological fear and denial, showing a very underlooked side of Mabel that really paints a terrifying picture of how broken deep down she was. It's easy to brush off the surface of the world as Mabel's selfish denial for growing up and wanting to keep things as they are, but it also can be looked at someone who is wanting to be seen and fit in, in a world that is continuing to no longer care for her way of life.
I admit Mabel's biggest personality deficiencies are her lack of will and self-awareness. When Mabel woke up in the bubble, she would have still been in the same mindset she had at the end of Dipper and Mabel vs. the Future – that her brother was leaving her forever. Mabel's mental state in that episode and leading up to it really paints that picture; a child who's losing grip and control of the reality she was so accustomed to, and without anyone there willing to take the time to stop and listen and help guide her, finally snapped.
Mabeland was her last attempt to maintain the reality she was so used to, to try and let go of the impending reality of truth. An unhealthy way of dealing with it, but the product of the mental state Mabel had fallen into. What Mabel wanted more than anything in the world at that moment was for her brother to be there and comfort her, just as he always has been up to this point. So, that's what Mabeland tried to give her – Dippy Fresh, the fandom’s most hated character. But he turned out to be a twisted fun-house-mirror reflection that's more like a male version of Mabel herself than it is like the real Dipper. I’m sure that Mabel knew this was not her real brother, but it's the closest she was going to get to him during that time of deep emotional vulnerability.
There's also two top Mabel-moments here. Actually three. I think this is actually one of the greatest episodes centering on Mabel. First, Mabel, in her good nature, actually offered to share the fantasy with Dipper and the rest when they first arrived, when she’s not yet aware of the darker side of her world. Second, when Dipper is about to be banished for mentioning the real world, Mabel doesn't want to throw him out right away and is willing to listen to what her brother has to say through the trial.
Dipper: Are you really gonna let them banish me?!
Mabel: No! Of course not; that’s my brother, guys! There’s gotta be another way.
So no, sending him to a trial is not for him to be kicked out into the apocalypse, but offers Dipper a chance to plead his case.
Sure, the court is rigged. But remember this whole thing is crafted by Bill, and Mabel holds an illusion she has control over their world. Mabeland tries to throw out Dipper’s case, but Dipper then shows her there's a better way to get through it than denial, and that's with help from people who care about her. While Mabel raised two past examples of them being bullied, Dipper also shows how the two stayed together thick and thin throughout their childhood. These memories showed that they both work together to better themselves, which, again, furthers the fact that they are co-dependent. “It's how we've gotten through our whole lives.”
The courtroom scene played out extremely well, incorporating a ton of symbolism in regards to the duo's respective individual thoughts. It's touching to see Dipper reminisce about the past with Mabel only to convince her that the future may not be as grim as she perceives it – a precedent laid out by most of the Mabel-centric episodes that forward this very scene. Dipper, her own brother, has always been the only person who could ground Mabel in reality and pull her out of Mabeland, for better or worse. Mabel, on the other hand, knows how to get her brother to take himself less seriously and chill out a little bit by acting intentionally dumb and goofy. The “yin and yang” Wendy mused to Dipper back in WMG1.
Seeing Dipper's love for his sister brings her back from the abyss is really heartwarming. Their sibling bond wins over, and Mabel accepts to return to reality out of her own will. If Mabel is that selfish as what some haters claim, she would have rejected leaving no matter what Dipper tells her. Mabel isn’t a rational thinker, and Dipper must be the one to lay out his case that convinces her. Dipper is the only one who can get through her and understand and address her insecurities. I find it unrealistic and out of character to expect Mabel to just snap out of it herself. I know Mabel is flawed. But the most important thing is, she still chose to go back to the real world with Dipper.
I like to think that what in the end made Mabel wanna face reality was not Dipper saying he'd go back home with her, but hearing him say he understood her fear; admitting he too was scared of growing up. Perhaps hearing her own brother admit that was what she needed to hear; that she was not alone in her fear and that Dipper understood it too.
I'm not sure if it's an intended parallel, but the bond between twins (later Stan and Ford) is what eventually leads to Bill's demise. Like how the cementation of the twins’ bond (sincere sibling hug) eventually ended the fantasy. (In fact, tbh I’m going crazy over this part – it’s a neat development from ‘awkward sibling hug’ from the first episode).
“Aw, man, I never noticed how bright this place is, ugh! Have I actually been listening to the same song for an entire week?”
It was when the spell breaks that Mabel fully snaps out of her trance and has further clarity of what’s going on. As the whole thing unravels as a nightmare, Mabel actually helps them out by summoning giant Waddles and they break out.
And after they emerge into the real world, it is Mabel's first proper look into what's actually happening, and horror sets in.
It’s also of note that as they emerge from the bubble, Mabel says to Dipper that she wouldn’t “get into her brother’s way” if he chooses to take Ford’s apprenticeship. Nevertheless, Dipper decides to stick with his sister when he recognises the cost if he were to take it up.
Actually, Dipper was already hesitant about the offer at the start in the UFO. After that, given the adrenaline of rescuing his Grunkle and overcoming another obstacle (facing without fear), to him it seemed like a rational decision that he can step up to be Ford's assistant, albeit shortsighted. He was riding the high of rescuing Ford and didn't think about how this would hurt Mabel, Grunkle Stan and his parents. And when Mabel ran away and he joined Ford, Dipper also had second thoughts about the decision and started to think with his heart.
I don’t think it’s realistic at all that Dipper should really take up the apprenticeship since he realises the serious implications if he takes it up. The turning point for Dipper's character arc is the realisation that he needs his sister in his life, too. The fact that he attained Ford's approval and consequently the right to be his apprentice himself is undeniable, though in terms of being a human being, that's where he needs her. I personally believe that Dipper would have fully changed his mind right then and there even if things were to go as planned.
Even at this point, I don't know why anyone expects Mabel to take responsibility for causing WMG there and then. I think her being imprisoned in her own bubble is already a sufficient consequence of what she has done. Plus, neither Dipper nor Ford has not blamed Mabel at all since he thought the rift might just accidentally broke. Neither witness what Mabel has done, or even aware what Mabel actually did. As far as they knew the rift must have broken accidentally “The rift must have cracked inside her backpack.”
At this point, it's not a time to play the blame game, as their main focus is to take down Bill. I would think perhaps beyond WMG, and when the Pines discussed what happened, would only Mabel be able to piece together what has actually happened. Mabel’s recognition of what she has done would only be clear after the series.
I decided to wrap this review off with my view on WMG3 and I say… This hits really quite hard. Even for an hour-long, it goes through a roller-coaster of emotions. Excitement, anticipation, dread, sadness and also nostalgia at the end.
Despite their best efforts, the Pines' lives were again on a thread, and Stan's sacrifice really packed a punch. I was also relooking to note the swap between Stan and Ford. What's also rather emotional is Stan and Ford discussing how their siblinghood had deteriorated, and how and why their grandnephews are still able to work together. From all of these riveting experiences of the summer, they've both grown tremendously, so much so as we, the audience, to have absolute certainty that they'll not turn out like the older duo. I note Mabel still plays her role in her story, rallying and encouraging the people to stand up to Bill, and also her grappling hook skills to help the groups navigate the Fearamid.
I still support the decision for Stan to recover enough to be able to send off the kids at the end of the summer. The goodbyes at the end are really deeply emotional. The finale really wraps up the show in a tiny neat bow, ending many of the characters' arcs in the most satisfying way. Of course, it’s not exactly the end, since the twins still have a lot of growing up to do, but the story ended on a very high and promising note.
This is my entire review of the entire WMG arc from Dipper and Mabel vs the Future to the finale. It’s something that I’ve put off for a long time even though I know the episodes are fantastic. And I’m glad actually that post calls me to review this rather underrated episode.
I conclude that much criticism of Escape from Reality is rather baseless, overblown and overexaggerated and stems from the person’s own biasedness toward Mabel. Thanks to them, Escape from Reality has now become one of my favourite episodes of the show (I’m sorry, but Tourist Trapped and Weirdmageddon 3 still take the top spots). I can understand some of the animosity especially if you think the episode doesn’t fit the general tone of the arc. But when the episode is viewed as a whole now I think it plays great – and really is the culmination of Dipper and Mabel's siblinghood. The priority is settling the twins’ problems before the real shit goes down in WMG3. Also all the callbacks, big and little, are great.
If you haven’t rewatched the entire WMG arc, I suggest doing it and judging for yourselves. I understand everyone has their own preferences and opinion when it comes to characters in media, but hate or harm towards a fictional character, or anyone else, is never acceptable. It is important to remember that fictional characters are not real people and should not be the subject of hate or harassment.
I love this analysis so much because it's spitting facts and it's making me want to rewatch Gravity Falls (Escape from Reality is one of my favourite episodes!)
Yeah yeahhhh I know they have canon eye colors, but grey-eyed Leo couldn’t leave my mind. Raph has the longest eyelashes out of his brothers because I said so✌️
Made myself emotional over the “Leo and Donnie chose to be twins” headcanon.
———
“By the way, it’s Leo and Donnie’s birthday next Thursday. You’re coming, right?”
Draxum looked up from his work organizing next week’s lunch schedule to look at Michelangelo, sitting on the counter and swinging his feet. Celebrating individual birthdays wasn’t a thing that the yokai did, but Draxum had been forced to accept that the boys could not be dissuaded from this human tradition. He’d been to two birthday parties now, for Michelangelo and Raphael respectively, eating cake and presenting them with some small trinket he purchased.
He’d known that he would have to go to more birthday parties at some point. But he wasn’t expecting two at once.
“Why on the same day? I can’t imagine the blue one wanting to share.” Actually, he couldn’t imagine Donatello wanting to share, either.
“Oh,” said Michelangelo with a laugh. “That’s ‘cause they’re twins!”
Draxum stared at him. “Twins? What kind of nonsense is that?”
Mikey tilted his head. “What do you mean?”
“They’re entirely different species, for starters,” Draxum pointed out.
“I mean, we all are, but we’re still brothers.”
“Yes, by virtue of your shared DNA donor and the circumstances of your raising.” Draxum waved that off. “But “twins” refers to a situation where two children are born at once, especially as the result of a split of a fertilized egg. Which is absolutely impossible in the case of Leonardo and Donatello. Even if I were to be charitable and simply consider them “twins” for having the same hatch day, I can tell you they do not.”
“Uh, okay,” said Michelangelo, unimpressed. “But they’ve always been twins, so I don’t think it matters to them.”
“Why not? I would think it would matter to Donatello especially, since he claims to be scientifically minded.”
Michelangelo laughed. “Not everything is about science, Barry. Not even to Donnie.”
“Then his decisions about when to apply science and when not to are inconsistent and confusing.”
“Well, it’s their birthday, so they get to pick.”
“I am certain that is not how birthdays work.”
“It’s how it works for us!” Michelangelo slipped off the counter. “We’ll see you on Thursday, right? It’ll mean a lot to them if you come!”
Draxum was fairly sure Leonardo in particular would prefer he didn’t, but that didn’t matter. Now he had a mission: he had to correct this strange incongruence.
“Yes, I will be there.”
“Yay!” cheered Michelangelo. “Okay, see ya Dad!”
He squeezed Draxum around the waist on his way out. Draxum was finding he didn’t mind that as much as he used to.
———
Leonardo and Donatello’s party was just as loud and obnoxious as the other two. Blue and purple decorations covered every inch of the old subway station, strange music blared from unseen speakers, and a horrendous amount of junk food was spread out over a table. It was the same group of people present today as there ever was, the eclectic mix of humans and yokai that the boys considered family, but it felt like a crowd three times the size with the amount of noise being made.
Draxum stood off on his own for most of it, his slim birthday present already delivered to the table stacked with gifts. He’d been a little shocked when Donatello and then Leonardo came by to say hello, since he’d been prepared to be ignored by both of them. It was… nice, maybe, that they did that. Even if Leonardo just wanted to make jokes at his expense.
For most of the party, the two birthday boys seemed to be competing with each other for attention. In fact, the longer he took it all in, the whole affair seemed like a clash of ideas. The purple decorations were neat and tidy, geometric patterns and hard angles. The blue decorations were whimsical, uncoordinated, and haphazard, and there were places it seemed someone had deliberately covered up some of the purple with the blue. Leonardo wanted to play rock music and Donatello wanted to play techno. The cake was a mess because they’d both requested different themes for the decorations. There were arguments between the two of them every few minutes, and according to the human girl April this was “typical behavior.”
But why? They weren’t really twins. They didn’t have to share this day.
Hopefully Draxum’s plan would fix all this nonsense.
When it was time for gifts, Leonardo loudly declared that he was going first, sparking an argument. They squabbled for a bit before agreeing to play rock-paper-scissors, which was apparently what they did every year.
Leonardo won the game and celebrated obnoxiously while Donatello scowled at him. Then he gestured at the gift table - which Draxum, in his efforts to stay out of the main throng, was closest to.
“Hey, Barry! Grab me a gift! Make it a good one.”
Draxum sighed but reached over to take one of the blue packages, checking the tag to make sure it was for Leonardo. “This one is… to Leo from Donnie,” he read.
“Oh no, not that one. Our presents to each other are always last.”
“Because they always get sappy about it,” said April with a laugh.
“Do not!” yelled Leonardo at the same time Donatello hissed, “You take that back!”
“Uh, yeah you do, and you know I’m right.”
Draxum ignored the petty argument to look back at the gift table. If they weren’t going to be satisfied with his choice, he might as well give them his own gift.
He lifted it, in its sensible brown packaging, off the table and handed it over.
“Why not start with this? It’s to both of you from me.”
“Both of us at once?” asked Leonardo. “Oh man, you’re throwing off our whole system, Barry.”
“Yes, but he’s giving it to you,” Donatello pointed out, “which means my turn is still next.”
“Uh, no, if it’s for both of us then it counts for both of us, which means it comes back around to me!”
“Ooooh no, you do not get to loophole your way into opening two presents in a row-“
“Ahem!” Draxum loudly cleared his throat, getting their attention. “Would you please just open it?”
“Yikes,” said Leonardo. “Touchy.”
“Some people just don’t understand the sanctity of opening birthday gifts,” said Donatello with a sniff. But he leaned in to watch as Leonardo tore off the wrapping paper and opened the box.
They were both silent for a moment, staring at it. Then Leonardo said, “Uh, no offense, Barry, but what is this?”
“It’s a… scientific study on how twins are formed during the gestational period,” said Donatello, pulling the paper clipped thesis from the box. “Oh, there are more in here… Also about twins.”
“Uh…” Leonardo blinked at it, clearly bewildered. Well, he was always a bit slow. “Thanks…? I think?”
“Not that I don’t appreciate the scientific literature,” said Donatello, “but this isn’t really my area of study and Leo does better with training manuals and textbooks than research papers.” He looked up at Draxum. “Is there something about this we aren’t getting?”
“Yes there is,” said Draxum, sweeping his hand around at the entire party. “I am here to correct your mistaken assumption that you are twins.”
The room fell silent. Donatello set the paper back in the box, staring at him. Leonardo’s brow creased in anger.
“We are twins, though,” he said, setting the box aside like it was burning him.
“No, you are not. There is simply no way that the two of you could be twins. It is biologically impossible.”
“You think that I’m so stupid I don’t know that?” Donatello demanded, getting up from the chair he was sitting in. “Are you doubting my intelligence?”
“Yes, if you honestly think you are twins with him, then I am.”
“Uhhh, Draxum,” said Michelangelo quickly, stepping between him and the now furious Donatello, “this was a… funny joke, but you can stop now-“
“This is not a joke. I am simply explaining the facts.”
“Yeah, well,” now Leonardo was on his feet, too, “the facts are that me and Donnie are twins. Always have been, always will be.”
“You are not,” Draxum insisted. “And given what I have seen here today, I’d think you’d both be relieved, since you clearly don’t enjoy being twins!”
Both boys looked like they’d just been slapped in the face. The rest of the room had gone completely silent, like everyone was collectively holding their breath.
Donatello broke first, turning on his heel and marching out of the room, his hands balled into fists and his shoulders hunched up as high as they could go. “Dee!” called Leonardo, and then he was scurrying off after him. There was the sound of a heavy door slamming, then silence.
It didn’t last long.
“Draxum!” roared the rat, actually getting up from his chair to get in Draxum’s face. “You come in here and upset my boys on their own birthday!?”
“Seriously not cool, Drax,” said the human April. Cassandra shook her head in shared disappointment behind her.
Draxum pushed Lou Jitsu back, scowling at his accusers. “I was only explaining reality! This is really the rat’s fault for letting their delusion go on so long.”
“Delusion!?”
“Barry!”
“Rat!?”
“Ooookay,” said Raphael suddenly, stepping his way into the middle of the fray and starting to herd Draxum back toward the exit. “That’s enough of that for now.”
“I am simply trying to explain-“
“Trust me, hoss, you wanna step away from this one,” said Raphael, and his tone was angry but surprisingly measured. “Come on.”
They retreated to the sewer tunnels outside the subway station. The smell was much worse out here, and Draxum wrinkled his nose.
“Alright.” Raphael heaved a sigh, folding his arms. “So here’s the deal. Mikey likes you, and I guess I kinda do too, so I’m gonna try to help you before you completely torpedo your chances with the rest of the guys. Which, you kinda did already, but maybe we can turn it around.”
“I still don’t understand why they’re so upset,” said Draxum. “Surely it was obvious they aren’t twins.”
“Uh, yeah, they know they aren’t twins by bio-whatever,” agreed Raphael. “They ain’t stupid.”
“Hmm.” Draxum turned up his nose. “Donatello isn’t stupid, maybe.”
“Leo ain’t stupid, either, he just pretends like it.” Raphael pinched his brow. “Listen, that isn’t the point - the point is they already know they didn’t come from the same egg or hatch the same day or whatever. They’re just twins anyway.”
“But how? That doesn’t make sense!”
Raphael sighed again. “Alright, look. Dad didn’t know when we hatched, right? But we all wanted birthday parties like we saw on TV, so he let us pick.”
“Yes. And for some reason Leonardo and Donatello chose the same day.” Draxum could figure that much out on his own.
Raphael nodded. “I was the biggest and oldest, and Mikey was the littlest and youngest, and Leo and Donnie were just kinda sandwiched in the middle. I think at first they just wanted a thing. Somethin’ that set them apart from me and Mikey, ya know?”
“Not really,” said Draxum. Raphael glared at him, and he sighed. “But go on.”
“So they picked the same birthday and called themselves twins. I think Pops just so glad they were actually getting along that he agreed to it. And I think he thought once we got to the day, and they realized they were really gonna have to share it, they’d both demand their own day instead. I know I thought that was gonna happen.” He smiled at the memory. “But the day came, and… they fussed the whole time just like they do now. Arguing about what kind of cake they wanted and who got to open their present first. But they didn’t ask to split. They kept it the same day, and they kept calling each other twins and it just stuck, until we didn’t question it anymore.”
“…They are both stubborn,” Draxum pointed out, and Raphael laughed once.
“Yeah, guess they are. But that’s not what this is.” Raphael shrugged. “They chose each other back then. Maybe at first it was just to have a thing, but then it became real. And every single year they keep choosing each other. That’s why they’re twins.”
Choosing each other as twins… Draxum furrowed his brow. “It’s not normally a choice,” he pointed out finally.
“Yeah, well, our family doesn’t get a lot of choices, so just let ‘em have this one, okay?”
“…Fine,” Draxum finally relented. “As long as it’s noted that this is purely a social designation, and not a biological one.”
“Uh, sure, whatever.” Raphael rolled his eyes. “Glad we got that cleared up, though. Think you can come back to the party and behave?”
Draxum wrinkled his nose at that phrasing, but nodded. “Yes. I will not bring it up again.”
“Good!” Raphael’s smile abruptly transitioned into something much more dangerous. “Because if you make my little brothers upset on their birthday again, I’ll remind you what it was like when we were enemies.”
Then the smile was back. “Now let’s go in!”
He walked back to the subway station, leaving Draxum to follow on his own. Draxum couldn’t help but sigh wistfully.
Raphael would have made a great general for his army.
———
The boys had already returned by the time Draxum got back. They were opening more gifts, and he noted they were wearing hoodies now - though they had apparently decided to swap their signature colors. They were smiling and chattering, and any hint of their earlier upset was gone.
Until Draxum stepped into their line of sight, and both of them went rigid, wary of him.
Apparently just talking to the red one was not enough. Draxum would have to do more. What a pain.
But he didn’t want the boys to hate him. So he sighed and launched into it.
“I… am sorry. I shouldn’t have said you aren’t twins.”
The boys looked surprised at that; slowly, their posture loosened back up.
“And… to make up for my present, I will… take the two of you wherever you want to go in the Hidden City.” The next words were painful, and he ground them out. “My treat.”
Leonardo and Donatello shifted their gaze from him to each other. They were silent, but it didn’t seem like they needed to talk to have a conversation.
Then they finally looked back at Draxum, slow grins growing over both their faces.
Eerily matching, very evil grins.
“Oh,” said Leonardo, happily menacing. “I think we can think of something.”
“I concur,” said Donatello in the exact same tone.
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