"I prefer to be paid in a single $100 bill. Always wanted to use one to light a cigar."
hello vonnie
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Sade Olutola
almost home

Love Begins

titsay

oozey mess

shark vs the universe
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Jules of Nature
will byers stan first human second

PR's Tumblrdome

#extradirty

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Xuebing Du
art blog(derogatory)
🪼
Three Goblin Art
trying on a metaphor

roma★

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@peltigaan
"I prefer to be paid in a single $100 bill. Always wanted to use one to light a cigar."
sata fandom (all four and a half of you) have my offering!
btw we do *get* that the worldbuilding of DE parallels the character's arc right? We understand that, right? That Our Guy commits all but a sliver of himself to the oblivion of amnesia in a moment where the only alternative he could see was suicide. And at the other end of that tragic attempt at self-annihilation he gets the chance to reinvent himself and overcome the longstanding, persistent habits that brought him to the cliff's edge to begin with. And that the world itself is presented as approaching an equally definitive precipice, with one of the richest characters in the cast even remarking that Capital is dead, and everything else being 20-odd years away from being swallowed by the pale
And we understand that the pale is forgetting, right? Right? It's informational entropy applied to the world, facts and events and places and memories being destructured and obliderated, reduced to an indistinct soup of whispers, past present and future. That it emerges from humanity's collective inability to imagine a future beyond moralist capitalism, and that this inability to see the horizon inevitably metastazises into Mesque's accelerationist nihilism that ultimately destroys the world. [starts shaking you] WE UNDERSTAND THAT RIGHT??
That the game's splash screen is a view from the bay of Revachol, from the deserter's island. And we know what it shows, right? Revachol, in the distance. And beyond that what? A horizon? No! It shows Pale. Because that's his perspective. Because he has abandoned all hope, lost all sight of the future and has committed to self-annihilation. For him the entroponetic collapse is imminent. We see that, don't we?
That the game is a thesis on hope. That the world has the chance to reinvent itself from the precipice of oblivion just like Harry does, and that the only thing that can do that is imagining the future. A future. Any future, and making it. Piece by piece, day by day, committing to it, and refusing to give in to despair and nihilism. We understand, don't we, that there must be no truce with the f-
you know what, nevermind...
happy pride month !
this is such a profoundly stupid thing to be mad about but. i periodically think about how banksy made one of my single favorite pieces of art of all time, and everything else he's ever done has sucked. man, how did you nail it once
It's this piece, titled The Banality of the Banality of Evil. Because on first glance, you're like. Yeah, okay, it's obvious what it's saying. Even nazis, even evil people can appreciate beauty, too. But then you learn its name, and suddenly the interpretation shifts a bit. The idea that evil is banal has in itself become banal. my first response to seeing a nazi on a bench is "oh it's about the banality of evil" and not "jesus christ there's a nazi on the bench."
and like. i dunno i think that's a really interesting way for a title to recontextualize a piece. it's finding nuance by tearing out the nuance you want to project onto it. it's not the greatest piece of art ever made, but i'd be lying if i said i didn't have a huge soft spot for it
Okay but I have to add to this
what I find really interesting is how the way this is drawn (especially considering who drew it) the art style seems extremely deliberate. This type of nostalgic landscape painting is very reminiscent of nazi art and specifically, Hitler's art.
Nazis were extremely judgmental of "entartete Kunst" (degenerate art). Bansky's usual work very well fall into this category! So for him to go for this style of painting in particular is another choice I find very interesting, because I can see some people react to this painting with some variation of "oh, I didn't know he could actually draw! I thought he is a hack but he is a real artist!" - and that is where they would agree with the Nazis.
I dunno I just find this piece very compelling
oh that is actually fascinating. in fact, to add on- a detail I omitted because I just kinda forgot to mention it. The reason there’s two signatures in the corner is because it was a painting in a thrift shop, Banksy adding the Nazi, and then returning it to the shop.
I think there’s something interesting about recognizing the lineage of this type of art and wanting to mess with it, subvert the intent, and explore the topic and legacy. It’s potent. I really like this piece
I was thinking this out in the tags but I think it deserves to be here.
So in summer of 2024 I was on an Alaskan cruise that ended up also having a gathering of 800+ Christian nationalist qanon people, no hyperbole at all. And it was one of the weirdest weeks of my life.
But one experience from it was this very strange feeling that this painting reminds me of. When you view this painting youre observing the nazi observing the landscape. When I was I'm Alaska looking at melting glaciers and massive untouched mountains and wilderness, I was also looking at nazis looking at it. And it made me wonder how they saw it, where their appreciation for the natural world sits.
I wondered if they knew that the landscape was only there because it was protected from mining and oil refinery. Or how they were taking in the visibly shrinking glacier without reflecting in horror about the effects on climate change. I looked and thought about the people whose land it was well before settlers, I sought out that history on our excursions, I know they didn't. When we all watched whales together I wondered if they cared, or if they were looking at sacrifices they were willing to make.
It was very surreal because I could hear them talk about how beautiful it all was. But I knew we weren't looking at the same thing, not really, and I wondered *what* exactly they saw.
Just like I wonder about what this nazi sees in this landscape, and how that vision aligns with his others for the world. If it's something he feels entitled to, something he sees as a sacrifice, something cold and aesthetic without any wonder or love for the natural world and the people in it.
Because if beauty and nature can't shift evil what the fuck can
KICK THE CAN!
Let’s play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
And yet somehow this is my first time kicking it!
KICK THE CAN!
Let’s play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
And yet somehow this is my first time kicking it!
This post is ancient and stupid but I still laugh whenever I see it
rest in peace to this diva
> turns on my computer
> disables a new AI feature that was turned on by default
> opens my email
> disables a new AI feature that was turned on by default
> launches a software
> disables a new AI fea
THE BUTCHER / THE BUTCHERED
When I first saw Alador's reaction to seeing Harpy Eda I misunderstood and thought he was into her .
they're inventing new ways to install ptsd in your brain
dance and cavort!