[forestgreenlesbian]

Singloves, Lee Dong Ho

[pairs-studio]

[xaoca]

Untitled (6:50:01pm), 2019, laser toner on paper, unique, 11 x 8 1/2" - Marsha Cottrell

[dailyrothko]

[dailyrothko]

Mark Rothko, Panel Five from The Harvard Murals, 1962

105 1/8 X 117 inches, egg tempera and distemper on canvas.

Fogg Art Museum, Harvard University Art Museum

© Kate Rothko Prizel and Christopher Rothko/ARS

[shefeld]

5M experimental housing (1962/3) gloucester st, sheffield. june 19

[baddreamland]

Cemetery in Tikiġaq (Point Hope, Alaska). It is fenced with bowhead whale rib bones, with some, the tallest, used to mark the graves of whale boat captains.

[milksockets]

‘goose feathers carefully stripped down one side bent over and held to the ground with thorns’ helbeck, cumbria 1983 in a collaboration with nature - andy goldsworthy (1990)

[ortut]

Dorothy Cross 1. Chiasm (Poll na bPéist [The Wormhole] Calm Weather, Inis Mór, Galway, Ireland), 1999 2. Chiasm (Poll na bPéist [The Wormhole] Stormy, Inis Mór, Galway, Ireland), 1999

[snstitre]

“Understanding is Love’s other name.” Fire of Love (2022) dir. Sara Dosa

[meetmurdermyangel]

[zegalba]

Issey Miyake: Utilized Textiles (1984-1987) Designed By: Makiko Minagawa

[arsvitaest-deactivated20260111]

Andrew Wyeth, Dryad, 2007, tempera on panel

[scarious]

[theories-of]

Jennifer Rose Sciarrino  North Facing on December 21st, 2014, water-jet cut concrete

[2023110820231108-deactivated202]

[paintedout]

Alexander Cozens

[baddreamland]

Bob Law’s Field Works. Drawings made on-site, between the late 1950s and early 1960s, in the Cornish landscape of St. Ives.

“The early Field drawings were about the position of myself on the face of the earth and the environmental conditions around me: the position of the sun, the moon and the stars, the direction of the wind, the way in which the trees grew, an awareness of nature’s elements, an awareness of nature itself and my position in nature on earth in a particular position in time. I was finding myself, and the map that went with myself. I was transcribing it graphically into charts” — Bob Law, 1974.