Keni
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Misplaced Lens Cap

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Claire Keane
cherry valley forever
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PUT YOUR BEARD IN MY MOUTH

bliss lane
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Doug Jones

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@picksmeupputsmedown
white people please just purchase native artwork and jewelry from native people i keep seeing idiot white people be like “waaah i wish i could support native creators but its cultural appropriation” girl why would beaders sell you their earrings then. just dont get a medicine wheel or a thunderbird then like damn it is that easy
http://www.beyondbuckskin.com/p/buy-native.html?m=1
If Native folks are making it to sell to white people with the approval of their tribe, it’s not “appropriation”–its support and appreciation! So yes, buy that native-made dream catcher, but not the mass produced fakes made by white people. Like, you can go to a pow wow and buy native crafts there, too.
here are some places to get native/indigenous goods and merch online if you can’t find something local or if physical access is an obstacle:
https://sweetgrasstradingco.com/ https://nativeharvest.com/ https://byellowtail.com/ https://www.salishstyle.com/ https://trickstercompany.com/ https://hutxh.com/ https://www.thentvs.com/ https://urbannativeera.com/ https://www.oxdxclothing.com/ https://kotahbear.com/ https://www.totemdesignhouse.com/ https://ginewusa.com/ https://eighthgeneration.com/
and the only native-owned comic shop in the world: https://redplanetbooksncomics.com/
i get so gay off that rumination and regret
I’ve been going on for weeks about how insidiously AMC’s chosen to race-bend Armand. Here’s a character whose beauty, charm, and desirability are extolled by everyone in the narrative, even when he’s done pure madness. Yet, they cast a stunning Bengali man in Assad Zaman only to have him derided for his sexuality, perceived failures at masculinity, and human lifetime of sexual abuse & trafficking, all of which make him undesirable to the (mostly white) men who won’t claim him.
Then, I go see The Odyssey with another character—Helen of Troy—that’s known to have an appearance that moves people to stunned inaction. Their nature cannot offend such an obviously supernatural beauty. But in Nolan’s more ‘grounded’ version of this epic, for which he appropriately cast Lupita Nyong'o as Helen, she’s now disfigured and brutalised by at least one character who deemed it unthinkable in the source material.
Is this it? Is this progress? Just a bait & switch to more of the same? Instead of letting audiences see darker skin fully occupy desirable and cherished roles, they’d rather demote and strip the roles bare. Only to coincidentally rediscover the usual tropes and violence reserved for people with these actors’ identities. Therefore, destroying the (profitable) hope & excitement of the latter group, and satiating the cruelty of bigots who created undue controversy over their casting.
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
this person has so many all timers it’s insane
btw dating sucks as a concept.
meeting up with someone with the explicit goal of figuring out whether or not you want a relationship with them spoils the dynamic. it sucks. it's terrible. fall in love with your friends like normal people.
as expected this one is a hit with the autism website
Whats up tunblr basically i just wrote this book with tons of dope fan fiction trope buzz woeds and gay characters fucking & sucking each other the entire book U will like it automaticaly i think since it has those blaze ths shit imediately🔥🔥🔥
call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?
i get so gay off that rumination and regret
I'm going to fix everything in the next three hours everyone wish me luck. if i dont then probably ill dig a hole and lie down in it for a bit in the rain/sun/whatever outside looks like these days
the hole isnt even that bad
I don't like it when people are trying to (even sympathetically) explain why teenagers can sometimes have emotional volatility as "well they're just biologically stupid and angry and bad because of their hormones and underdeveloped brain" with no mention to be found of the fact they're also still trapped in an incredibly oppressive environment 24/7.
working 12+ hour days for school without pay or the right to "switch jobs" to something better, often working a real job on top of that, still the legal property of their parents, can't even dye their own hair or use their own name or have a door to their own room in many many cases. yeah I would be at the end of my rope too, especially when dealing with the adults in my life who are enacting and/or facilitating the abuse! it feels pretty glaring to ignore this dynamic when talking about the strained emotional capacity of teenagers. did you forget? what it was like to not have the right to your own life yet? to be hurt 24/7? and then to have your (extremely reasonable!!!) emotional reactions dismissed as pure hysteria?
purely anecdotally, I'm also not convinced that teenagers are "biologically" more prone to volatility in a meaningfully distinct way tbh. thinking back to the people I knew as a teen vs the people I've known in adulthood, in both demographics there have been people prone to lashing out, and people who were completely stoic, and the differences between the two groups have always seemed to be split not along age or hormonal makeup but along life experiences and who had better support structures. (but again this is anecdotal, and somewhat besides the point. because even if there is a non-pseudoscience biologically provable difference in teenagers' brains that make them universally moodier across the board, perhaps they could better manage their own moods if they weren't being crazy abused as an entire class with no legal ability to escape.)
not to drive the implicit point home too hard but I also can't think of literally any other instances where it's been good or helpful to say "[class of people] are all universally bad and stupid because of their small brains and crazy hormones". so idk why we think saying it about teenagers is the one exception to the rule. even if you're tacking on a "so this is why we have to be nice to them. because they can't help having small dumb brains." who does this rhetoric help?
i love reading very very late at night because that’s when the lines between reality and fiction blur and everything becomes a fever dream and you can properly disappear into the pages
i love reading very very late at night because that’s when the lines between reality and fiction blur and everything becomes a fever dream and you can properly disappear into the pages