I’m so embarrassed. I’m not a real person yet.

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NASA
Noah Kahan
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pixel skylines

roma★
Three Goblin Art

oozey mess
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tannertan36
official daine visual archive
d e v o n
Show & Tell
Misplaced Lens Cap
h
art blog(derogatory)

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occasionally subtle
Mike Driver
hello vonnie

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@plum-child
I’m so embarrassed. I’m not a real person yet.
Anna Valdez
Zebra Succulent - oil on canvas. 48 x 62 inches. 2013
RIP never forget.
This is my favorite picture on the Internet
*slams fists on table* THIS IS THE CONTENT I’M HERE FOR
For more than thirty years, Kerry James Marshall has been creating art to inspire important conversations about African American history and identity. His paintings follow the grand traditions of Leonardo da Vinci and Michelangelo, but with new narratives in which black people are the central figures. While Marshall initially began his career as an abstract artist, his dramatic shift to figurative painting occurred in the 1980s when he realized that African American artists and subjects were being excluded from major art museums and galleries. Marshall decided he would use the techniques of the Old Masters so revered in those institutions to create a new dialogue, in which black perspectives are given greater visibility within the art history canon. See more on HiFructose.com
Recent events.
image / twitter / facebook / patreon
Camping essentials
Planters by ebenotti on Etsy
• So Super Awesome is also on Facebook, Twitter and Pinterest •
lil reminders
woah i haven’t been on tumblr in 4EVR and kinda need to see this which is at the top of mi dash!
Hans Vandekerckhove (Belgian, b. 1957), Pen-y-Fan, 2007. Oil on canvas, 190 x 190 cm.
Carlos Alfonso (Colombian, b. Popayán, Colombia, based Brussels, BE) 1: Saturno, 2012 2,3,4: Fragments Of An Abstraction: A series of 100 drawings, 2012 5: Tapicería (Tapestry) (Probably A Magic Carpet), 2012 6: Abre La Jaula Y Peja Escapar El Secuestrado! (Open The Cage And Let Out The Kidnapped!), 2012 Drawings: Ink on Canvas
sock
How To Appear Wise by Vincent Mahé
Brett Whiteley (Australian, 1939-1992), The Split Second Summer Began, 1979. Gouache and collage on paper on composition board, 101.5 x 76 cm.
Becca Stadtlander