Midnight Cowboy (1969) dir. John Schlesinger
he wasn't even looking at me and he found me
Cosimo Galluzzi

Origami Around

JVL

❣ Chile in a Photography ❣
noise dept.
tumblr dot com
Peter Solarz
No title available

blake kathryn
PUT YOUR BEARD IN MY MOUTH

Kaledo Art

if i look back, i am lost
No title available
dirt enthusiast
Misplaced Lens Cap
Today's Document
I'd rather be in outer space 🛸

shark vs the universe
Three Goblin Art
seen from United States

seen from T1
seen from Germany

seen from Malaysia
seen from T1

seen from Türkiye
seen from Türkiye
seen from United States
seen from Türkiye

seen from Germany

seen from United States
seen from Japan

seen from United States
seen from Brazil
seen from United States

seen from Netherlands

seen from United States

seen from Netherlands
seen from Malaysia
seen from Argentina
@plutommo
Midnight Cowboy (1969) dir. John Schlesinger
“I’ve taken Mohammad Reza’s notebook by mistake. / Why weren’t you more careful?”
Where is the Friend’s Home? (1987, Abbas Kiarostami)
cinematography by Farhad Saba
Yume no Hashibashi, The Ends of a Dream, Yume no Hashi Bashi, Yumeno Hashibashi, 夢の端々, 零碎的梦 by sudou Yumi.
Moscow Does Not Believe in Tears (1980)
Casablanca (1942) - Michael Curtiz I remember every detail. The Germans wore gray, you wore blue.
I don’t know where to put things, you know? I really do have love to give…I just don’t know where to put it.
- Magnolia
PILLION (2025) dir. Harry Lighton
blue ブルー (kiriko nananan, 1995)
Linda Linda Linda (リンダ リンダ リンダ) (2005) dir. Nobuhiro Yamashita
Comrades: Almost a Love Story (1996)
Director: Peter Chan
"The message is... bye bye."
"The summer had turned, the summer had gone; the autumn had dropped upon Bly and had blown out half our lights. The place, with its grey sky and withered garlands, its bared spaces and scattered dead leaves, was like a theatre after the performance - all strewn with crumpled playbills."
-- Henry James, The Turn of the Screw
“We eat the year away. We eat the spring and the summer and the fall. We wait for something to grow and then we eat it.”
— Shirley Jackson, We Have Always Lived in the Castle
merricat by angie hoffmeister / merricat by william teason
The reader and I thus mingled will constitute something living, that will not be me, because I will be dead, and will not be that person as they were before reading, because my story, added to their mind, will then become part of their thinking.
—Jacqueline Harpman, I Who Have Never Known Men (trans. by Ros Schwartz)
He's a Woman, She's a Man (1994)
A singer is so desperate to meet a famous record producer and his singer girlfriend that she disguises herself as a man, resulting in a wild love triangle, script co-written by Leslie Cheung.
JANE EYRE (2011) Dir. Cary Joji Fukunaga