If I could do girlhood again, I’d ask
to be scarier. Less whimpering—more pyromaniac
urges, more flirting with kerosene.
— Sally Wen Mao, from “Drop-kick Aria,” Mad Honey Symposium

★
ojovivo

blake kathryn
Monterey Bay Aquarium
dirt enthusiast

Andulka
occasionally subtle
Sade Olutola
One Nice Bug Per Day
I'd rather be in outer space 🛸

@theartofmadeline
Lint Roller? I Barely Know Her
h

PR's Tumblrdome
will byers stan first human second
todays bird
Sweet Seals For You, Always

Origami Around
Show & Tell

JBB: An Artblog!

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@saphirus
If I could do girlhood again, I’d ask
to be scarier. Less whimpering—more pyromaniac
urges, more flirting with kerosene.
— Sally Wen Mao, from “Drop-kick Aria,” Mad Honey Symposium
Leila Chatti, Night Lament in Hergla
Our girlfriend looks so pretty from outer space
chavarri 'mushroom' top texture achieved by draping silk georgette and pinning the fabric close together to mimic gils
Olena Kishkurno - Time Together, 2025 - Oil, marker, oil pastel on canvas
(x)
I made some little fairies out of pressed flowers 🌷
Keanu Reeves in ‘Bram Stoker’s Dracula’ 1992
ITALY. Rome. October 1994. A dinner setting. Steve McCurry
Michelle Phanh | © Erika Long
by Andreas
Ogawa Kazumasa Morning Glory c. 1894 From Some Japanese Flowers Chromo-collotype Hand-colored photograph Photo copyright Dulwich Picture Gallery
Robert Mapplethorpe, “Heart and Dagger”, 1982.
“Frithrah” and “Excessive Negligence” by Laura Benson. Creatures of Self Series.
both approx 5x7 inches, gelli-plate print in solder frame, 2022.