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Photos by Lawrence Sackman for “Get Thee Behind Me, Satin,” Esquire, May, 1974.

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Colour illustrations of Scraps, the patchwork girl, by John R. Neill for L. Frank Baum, “The Patchwork Girl of Oz” (The Copp, Clark Co., 1913).

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Character portraits by John R. Neill for L. Frank Baum, “The Patchwork Girl of Oz” (The Copp, Clark Co., 1913).

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Scarecrow and Scraps by John R. Neill for L. Frank Baum, “The Patchwork Girl of Oz” (The Copp, Clark Co., 1913).

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More illustrations by John R. Neill for L. Frank Baum, “The Patchwork Girl of Oz” (The Copp, Clark Co., 1913).

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Painting by The Brothers Hildebrandt in Omni, vol. 2, no. 4 (January 1980). Published across two pages.

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Cover art by Frank Robbins for The Shadow #7 (November 1974).

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Arthur Hacker (1858-1919): 1) “The Drone” (1899), 2) “Punting on the Thames” (1901), 3) “Lost Parasol” (1902), and 4) “A Morning Walk” (1902).

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Personal work, c. 1980, by Jeffrey Catherine Jones.

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Nikolai Konstantinovich Kalmakov (1873-1955), “Tamara and the Devil” (1917), watercolour and gouache over traces of pencil, 110 x 75 cm.

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Jan Cornelisz Vermeyen (1500-1559), “Judith with the Head of Holofernes” (c. 1525), oil on panel, 47 x 65 cm.

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1. Thrilling Wonder Stories, vol. 23, no. 1 (October 1942), with cover art by Earle Bergey depicting a scene from Oscar J. Friend’s story, “The Molecule Monsters.”

2. Black-and-white interior illustration, uncredited and unsigned, but presumably also by Earle Bergey.

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Michael Leonard (1933-2023)

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“See-Saw” illustration by Armand Vallée, published in La Boheme Art Quarterly vol. 1, no. 1 (Winter 1927).

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Two more pages with illustrations by Armand Vallée, published in La Boheme Art Quarterly vol. 1, no. 1 (Winter 1927).

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Two pen-and-ink drawings by Boris Vallejo: 1) “Woman in Boots” (1978) and 2) “Self-Portrait” (1977).

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1. Dod Procter (1890-1972), “Girl with a Parrot” (c. 1925), oil on canvas, 87 x 134 cm.

2. William Beckman (b. 1942), “Portrait of Diana II (Pink Dress)” (1973), oil on panel, 132.1 x 223.5 cm.