My 2014 in a nutshell
Although 2014 had lots of controversial shit, letās not forget about the massive wave of kajiu movies we got and will get.
Monterey Bay Aquarium

shark vs the universe
šŖ¼
d e v o n
Keni
No title available
TMBGareOK. The Official They Might Be Giants tumblr
RMH

tannertan36
almost home

Game Changer & Make Some Noise

oozey mess
No title available
Cosimo Galluzzi
noise dept.
let's talk about Bridgerton tea, my ask is open
Mike Driver
sheepfilms
The Bowery Presents
Lint Roller? I Barely Know Her
seen from Türkiye

seen from Türkiye
seen from Brazil

seen from United States

seen from United Kingdom
seen from Germany

seen from Albania
seen from United States

seen from Saudi Arabia

seen from United States
seen from United States

seen from Brunei
seen from United States
seen from Germany

seen from United States

seen from United Kingdom
seen from Kenya

seen from United Kingdom
seen from Malaysia
seen from United States
@podzilla-podcast-blog
My 2014 in a nutshell
Although 2014 had lots of controversial shit, letās not forget about the massive wave of kajiu movies we got and will get.
This is big fucking news. So Hideaki Anno, creator of Neon Genesis Evangelion, will be writing and directing the new Godzilla film by Toho in 2016. The special effects will be directed by Shinji Higuchi- who also worked on Evangelion and did the special Effects for the Gamera trilogy and is directing the new Attack on Titan films. I am GOING INSANE OVER THIS NEWS THIS IS THE BEST THING. PLEASE BE REAL
So we just heard that the new Godzilla film began shooting? *SQUEEEEEEEEEEEEEEE*
So we just heard that the new Godzilla film began shooting? *SQUEEEEEEEEEEEEEEE*
Lol Yes
Godzilla vs King KongĀ by Charlie Layton / Store
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Creator's Edit: Due to an issue with part one, it can't be uploaded at this time, rather than dropping the episode entirely, we give you the usable chunk of the review. Hopefully it will be with you e
And here we are, much delayed because of things and what nots. But now we have Jurassic world to look forwards to ....or well, part 2...As noted in the episode brief. We canāt get part 1 working at this time, but we shanāt deprive you of an episode. So enjoy this while we work to get you part one!
So it seems we can get part 2 online before part 1! Which means you can listen to that episode first. So if youāre a fan of the River Song principle of out of order story telling, go listen to that episode! If not, hang tight and we will try to get the episode online ASAP!
Seems we are having a few teeny issues getting the latest episode online, as yet we donāt know why. But weāre working on finding out. Seems Soundcloud canāt quite process the file. Whoops!
These are a few pictures I hadnāt shared of Hector Arceās custom made Godzilla statue! The pictures originated from Facebook, but sadly I have no link. Hereās what he had said about the statue before he fully finished it-
āHey everyone. Hereās a look at the final paint job I did for this big guy! Iāll have more professional looking pics, including pics of his LED light up spines soon. For now check it out and chime in below! Sculpted by myself and Ernie Galvez in chavant clay. Molded and cast by myself and Ernie Galvez. Size: 3.6ft tall or 106.68 cm tall. About 7-8 ft from head to tail.ā
First post here, before he finished the LEDs
After he finished adding the LEDs
There was a few more pictures, but it seems they have been taken down. Oh well.
Please Standby...
Hey Hey folks! Sorry for being so quiet for almost a month. Due to a messy mix of moving home and tech issues itās been troubled time to keep stuff going up online. Iām happy to say however that we now have a new episode of Dear Air hitting the Soundcloud very soon.
Podzilla has never been good at working to a fixed schedule. Sadly John and I live and work at totally opposite ends of the country, and I work day shifts, John mostly works nights. This means while the show isnāt regular, itās something we still want to produce material for and of course, keep you guys laughing and enjoying to see how badly I fail to predict movie plots.
We do hope to have more content for you soon. Trust me, no one is more aware that it sucks because we cant give you what we enjoy making. While the show is better known to the producers as The Irregular Show. Itās always something weāre striving to make better with each episode, improving our content and how fast it gets to you. Eventually we want to aim for a monthly system. While I know itās not much, it does mean you can at least expect something from us at some point each month. Weather it be a Dead Air, or a Podzilla episode. Thankfully it will be a new system we can all enjoy.
As for the blog and text posts here, we are also ware itās been pretty bare. This again is pretty much because of the same above mentioned issues, but also finding the time. My own professional work has been keeping me from actually making any kind of text movie reviews and other work. But it will all be coming back very soon, we want to have a weekly text post, as well as monthly episode. Meaning more content for you to enjoy as time goes by. This show is a blast making, but itās still rough getting off the ground, a year in and weāve made just under 20 episodes. Not the whirlwind success full of caviar and gold plated diapers we predicted. But we know you enjoy our work, and thatās the main point.
So, to re-iterate. Weāre sorry we havenāt been producing more material. To make up for this. Weāre making more material to a better time frame. In the mean time. Keep groovy kids.
Childrenās media is often dismissed as sentimentalised and condescending tripe, and in many cases this is entirely true. The heroes are as pure as the finest Colombian marching powder, driven towards benevolent ends by unselfish motives and bearing only the most superficial of flaws, ripe for a teachable moment or two. The villains are theatrically cackling menaces, skipping along the tightrope between irredeemable depravity and appropriately G-rated mischief. Good guys win, bad guys lose, and as always, England prevails! Ahem⦠These are literally infantile morality plays of the kind that I have previously denounced as insulting to the intelligence of anyone over the age of twelve. I personally abhor being spoken down to and kidsā television and films are often prime examples of this irksome tendency. This preamble has been a clever exercise in misdirection because I am about to defend exactly this stark good/evil dichotomy, and why this can be valuable to us as emotional and only partly rational beings.
As is my custom, a few definitions and distinctions must be noted before going any further. The terms used going forward are largely colloquial, and are not to be taken as strict definitions in any kind of logical argument. My case is not logical or necessarily rational but rather emotional, and thus it may be unconvincing to most people. The fact that emotions are non-rational does not diminish their importance to us, and per my last piece on the objective-subjective distinction, subjective matters may be simultaneously crucial and indefensible. It should also be made clear that I am referring to an abstract kind of good vs. evil story, wherein the only stakes are those of a fictional scenario, and no real world parallel is intended. This is for a very simple reason: the world in which we live is not one of black and white issues, wherein any situation can be reduced to this kind of bifurcation. To do so is offensive precisely because it fails to respect the intelligence of the audience and the complexity of the situation. Though five years have passed, James Cameronās Avatar remains at the top of my list of least favourite movies, precisely because it commits this cardinal sin. Acting as a clear metaphor for modern American foreign policy, or whichever colonial catastrophe one wishes to mention, it attempts to reduce real history to the level of a pantomime. The following examples do not do this; any resemblance to real events or persons living or dead is purely coincidental.
The 1990s were the decade of the televised superhero team. This was the era of Teenage Mutant Ninja Turtles, Biker Mice from Mars and the mighty Samurai Pizza Cats. Ā More specifically it brought the shows of Saban, a company adept in the Americanisation of Japanese tokusatsu shows, bring us VR Troopers, Masked Rider, and Big Bad Beetleborgs. But the king of these programmes was one that continues to this day, and which is so ingrained into the consciousness of my generation that the first three words of the theme song will elicit a spirited singalong: Mighty Morphinā Power Rangers. All of the necessary elements are present: comedy, action, romance, giant monsters, giant robots, and a main cast so diverse and stereotypical that everyone could easily pick a favourite. The titular heroes would regularly foil the machinations of Rita Repulsa and Lord Zedd, two villains with charmingly convenient evil monikers. It was all so simple. A monster would wreak havoc, the Rangers would defeat the creature and, crucially, they saved the world. To a child this is a glowing example of the power of hard work, friendship and a pure heart overcoming any adversity. To an adult this is a bittersweet reminder that we once believed that it was as easy as that. The only threats to humankind can be overcome if we only try our best and saving the world is as easy as vanquishing a personified evil presence. To watch this now is to experience a kind of jealousy at the world that Power Rangers presents. Huge monsters ravaging the abandoned warehouse district may be a legitimate threat, but we have people we can rely upon the stop them, and these special people are capable of making a real difference and bringing peace to the planet. This is uncomplicated and incredibly endearing, and as a form of escapism functions personally. For just over twenty minutes I can almost believe that the darkness is powerless before the light, sink into a disconnected ethical simplicity, and find a little peace.
In comparison to films and TV shows, video games hold a unique advantage. You can both witness and participate in the action, by your own hand determining success or failure. This is what makes games a distinct and valuable medium, and why they deserve a place in the pantheon of the arts. Of course some games are more worthy of this status than others, and I am not here concerned with any game I would call a work of art. The interactive aspect is the important component of my point. Thus, my subject is another nostalgic creation, familiar to anyone familiar with the ā90s: Sonic Adventure, the blue blurās first true 3D outing on Segaās doomed Dreamcast. As with Power Rangers, there is a surprisingly jovial criminal mastermind planning to take over the world with a giant monster. But in this case, we get to take control of a group of superheroes in order to take him down. Minor conflicts abound, yet running through the middle of this game is the same moral dichotomy, and undiluted satisfaction that one is on the side of the angels. Moral choice systems have been a feature of video games since before the age of dialogue wheels, but they are noticeably lacking in this game, and it is better for it. The experience contains precisely that which I earlier lamented that Power Rangers could not give us: a chance to save the world. A computerised world, composed of nothing more than a few lines of code, but a world nonetheless. For the vast majority of us this is the closest we will ever come to the real experience, and a fictional facsimile of feeling is better than no feeling at all.
The charge of hypocrisy looms large over my comments. Surely this is a privileging of feeling over thought, of sentimentalism over rationalism. Is ignorance really bliss, and knowledge an unbearable burden? Ought we to value happiness over reality? Better a beautiful lie than an ugly truth, right? Well, no. What I am extolling is the feelings that such works can ignite in us, but also the recognition that this is escapism. The world is an enormous, complex and frightening place, and it is beyond the capability of most humans to face brute reality with no buffer at all. Even the most rational, nay cynical, of us need to take some time out with a novel, a film or a game, to take a break from the āreal worldā. To be absolutely clear, this can only ever be a temporary respite. To take this too far is to flirt with irresponsible delusion and an unwillingness to treat life with the weight and importance it deserves. I do not really believe that I can leave the world in the hands of superheroes, or that I can personally solve every problem with a clever gambit or righteous battle. All I can do is try to leave the world as a better placed than I entered it. But in the meantime, there is nothing wrong with stepping back and finding something simple that you can enjoy. To paraphrase Carl Sagan, love is the only thing that allows finite creatures such as us to cope with the enormity of the universe. This love can take many forms, among which I hope I have illuminated the love of these simple stories of heroism and the impossible dream that good can, once and for all, defeat evil.
If I did it my way...The Phantom Menace
So after watching Episode 1 from start to finish for the first time in years. I got thinking, with a large amount of alcohol, (which should always be present in watching any of the prequel films.) Along with a friend who I had totally not blackmailed into watching the film with me (It was totally John) we began to spit ball ideas on how this film could have been so much better.
Iāve tried not to delve into the expanded universe for this. Because honestly, a lot of it is trying to fix the mistakes that where present in the film. So letās dispense with that. (Besides, now that Disney has paved over the EU itās helped clear things up. Cannon is a funny thing, the looser it is the more chance you are going to have of breaking things more than you are going to fix them.) You shouldnāt have to rely on an expanded universe to fix the mistakes in your broken ass movie. What this will be is less of an essay, or my own film, but rather a thread of ideas loosely thrown together, they probably donāt all gel together perfectly. And would most likely take a much more skilled hand than mine to make into something that could work properly. But what the hell, itās not like Iām making money from this. So, without further ado, letās get this party started.
Naboo. My first problem with this planet, setting aside the fact that they have a democratically elected Monarch, but the planet was wasted potential. So the trade federation are blockading itā¦.okay. That would be aboutā¦what? 50 ships. Fair enough, seems a lot of energy and effort for a planet that has nothing on it. Iās apparently trade disputes but the line is tossed aside so quickly that you donāt care. The opening crawl in this film is a mass of exposition dump as no one cares about trade rights or Occupy Naboo. We want laser battles and robots exploding dammit.
How could this have been fixed? Well, one idea could be make Naboo a planet of value. Setting aside the Gungans for a moment. Letās just imagine this is a lush planet that people have come to colonise, and then mine the crap out of. It would make perfect sense to have a planet blockaded if it was worth something. If the planet was a massive galactic resource pool, full of raw minerals for making hyperdrives and star ships, they you have decent motivation. So there isnāt a royal family. But instead, Amadala, the child heir to the Naboo mining corporation, potentially worth a lot of republic credits and is a young head of the company in training.
So, the Trade Federation, the Naboo mining corporationās biggest rival decides to use scrupulous means to erect a blockade around the planet using less than decent means. It is however a delicate situation as both companies provide a massive amount of raw goods that are used all over the galaxy. So in order to try and sort this out, the council on Coroscant, decides to send two Jedi to handle the negotiations on having the trade Federation remove their blockade of the planet.
So okay, with me so far? Itās not too far off from the original plot, but already thereās reasons for things to be happening. But while the larger details are interesting, letās look at the smaller ones as well. Those damn battle droids. They look so freaking cool. And yet they are given such damn stupid dialogue as āUh Coroscant, that doesnāt computeā¦I Uhā¦youāre under arrest!ā Itās annoying because these are some pretty cool and unique looking henchmen for the films. One of their best moments is actually when the are literally being unfolded at the end of the film for the final battle. They are a mass produced army of huge numbers. Sometimes itās not about strength, but sheer numbers. These robots where made to look so inhuman, taking advantage of the then new digital technology to make these villains interesting. So why not make them sound cool as well? Given that they are machines they wouldnāt really need to talk. After all, we have machines now that can ātalkā to each other with no need to actually produce sound. There have been various fan edits that have made all of the grunt level droids totally silent. I say get creative at this point. Make them alien. Their long sweeping heads and thin skeletal bodies make them look very insectoid. Make them just that little creepier, and instead of silence, give them this inhuman clicking sound, or chirruping, like an R2 unit, but a kind of horribly offsetting sound. You could actually make them creepy!
Now we get to the Trade Federation trying to kill these two Jedi. To be perfectly honest, while Neason and McGreggor deliver performances so bland you could cut them in half and count the rings, their presence in this film doesnāt offend me. So they mostly get a free pass, so they can escape this rant with only minor wounds.
So after a failed attempted at killing these two Jedi with very obvious gasā¦Seriously? Cloudy gas? I could name several methods that would kill these two in 30 seconds or less.
Vent the air from the room, holding your breath will only kill you faster.
Pump in carbon monoxide. Itās odourless and colourless and kills pretty quickly in high enough quantities.
Or if you donāt mind having to do a little clean up. Blow out the window, they get thrown off into the deep space never to be seen again.
Or if you really donāt mind trying to go to an extreme. Have a non trade federation ship pull a John Harrison and shoot out the room from space, making it look like a third party attack and either they get shot up, or they get sucked out into space. It also means itās harder to trace the crimes back to you as you could even hire a bounty hunter to do it.
Now that Iāve displayed the skill that says I could run both SPECTER and the Sith Empire without breaking a sweat. We can get back to the plot. So, Obiwan and Qui Gon arrive on Naboo at the mining facility. Thankfully meeting no one on their way. No one. At all.
So after revealing that they are going to have their planet invaded. Well the jedi suggest to get the higher ups of the company out and get their asses to Mars- I mean Coroscant. In the process the invasion begins and in the confusion much of the planet is taken over. Amidalaās parentās killed leaving her as one of the few surviving members of the company.
While feeling the planet, the ship is struck and nocked badly out of control. With their route to the core planets blocked, the escaping crew can only flee to the outer worlds and hide out on a barren planet to heal their injured and do what repairs they can.
While on planet, Qui Gon and and Amadalaās body guard, (replacing the role of hand maiden.) Is sent to assist Qui Gon, since Tatooine is a bit of a crap hole and the better protection they have the better. He agrees because heās not an idiot.
At this point I should dicuss my own idea of what kind of person Jinn is. Personally, I see him as a very morally centred sort of Jedi. The kind of person who would be sent of this mission to help negotiations because of how he thinks, he plays fair and strongly believes in the code of the jedi.
Now thatās not saying heās never killed someone in self defense, heās not some sort of closed minded hypocrite. But itās an interesting situation that was never explored in the film. A proud and powerful Jedi Knight having to resort of under handed dealings, gambling and deception in order to win the parts they need to get off planet. It would have been one scene, just with him having to deal with what heās doing. And how wrong it feels, because of course, when you have the power to move stuff with your mind, predict the future and influence others, no doubt the temptation to screw with shit in your favor is going to be strong. And I donāt just mean in combat. Think of how exploitive the Jedi mind trick really is. Imagine being to do that all the time. Seems like a pretty big temptation to be honest.
So letās talk about him. We all know we where getting to this partā¦this root canal of a character. And several others in a little section I like to call.
I was drinking and even I and my blackmailed friend could come up with better characters than you can Lucas.
Little Anni. Or perhaps a little bigger. Sayā¦a cocky mid teen? Makes sense when you think about it. The council brush him off as āToo oldā in the film. Really? Because we see the producers children *ahem* I mean the younglings in the next film, and they canāt be more than a few years older than himā¦but still.
A teenage Anakin makes more sense to me. Aside from fixing the creepy age gap between him and Amidala. It also puts him in that age range that would make his character a little more believable. Heās got skill, almost natural intuition, and he shows off a bit. But really isnāt a bad person at heart. Just like most teens. His construction of a Pod also makes more sense when you think about it, heās what? 10 in the film? Dammit when I was ten I wasnāt allowed to use sharp knives. And they give this kid something with jet engines. And he build 3POā¦?
So how about Watto? Well letās just side step the horribly awakardā¦well you knowā¦the voiceā¦and the money grubbing. Iāll just keep moving.
Actually, in the film, he has a lot of potential on his own. Heās not an unkind slave owner. Heck, heās actually pretty kind when you consider he does pay Anakin. He just seems to have these really inconsistent moments. At one point, he seems to be a fairly decent person running a business, to turning into pretty much a Disney/Captain planet villain. If he was kept to a more, cruel, back stabbing and cheating it would seem a little bit more in keeping with the nature and concept of slavers.
Sebulba! Bet you didnāt see that coming. Actually, Sebulbaās character interests me. Because of the way he walks. Hear me out. See, his stance and the way he walksā¦is odd. Nature may have given us the platypus, but itās never going to create something with a messed up spine like Sebulbaās. So why does he walk like heās part of Circus Soleil? Well, pod racing is dangerous. More than likely heās actually compensating for being crippled. Thing is with this guy. He cheats. Always cheats. But if he was so good. Why would he need to? Why would anyone with any kind of exceptional talent need to resort to underhanded methods?
What if he was wronged in a race that crippled him? Could another cheating racer have maybe just tossed a tool into his engine and let him crash? And after this he was so infuriated at this that the only way he could make it feel fair or right was that if he started cheating as well. Everyone does it and itās a hard game to play. While cheating isnāt he only way to play. Sebulba sees it as the only way he can play it. Because in his mind, nobody plays fair.
So with that in mind, letās get to the race. While it would be the same fair. I think Sebulba should have died.
Picture the scene, itās the final straight. And as Sebulba tries to ram Anakin, their pods lock and one of the energy binders overloads causing both pods to be showered in this pink lightening. Both pods are now locked together and unable to free themselves, heading towards a massive clump of boulders. If they donāt separate soon theyāll both collide and surely die. Enraged and panicked that a teenager is doing better than him Sebulba picks up a tool form his pod and tries beating Anakin away.
Instinctively Anakin raises his hand to protect himself from Sebulbaās blows. Afraid at what is happening, terrified that heās going to die and fail his friends, and angry and Sebulba, so very angry. Something happens. In the midsts of the energy binders engulfing the two pods. Another arc of energy is seen, just for a split second from Anakinās palm, a mighty blue thunderbolt. And itās hard to tell if it struck Sebulba or not. Something seemed to have hit him. It could have been the lightening from Anakinās palms, or it could have been the energy binders, numbing the pilot into unconsciousness and causing both pods to break free. Sebulba sadly spiralling out of control and into the rocks. Engulfed in a massive explosion. With no way of telling if he was dead before he hit the rock.
And this, this would be something that would eat at Anakin. Did he just do something that killed this man? Or was it the energy binder? Surely it was the energy binder. No one can shoot lightening from their hands. And so he wins. Trying not to think weather he killed someone to obtain that victory.
And this little mistake can come back to hurt Anakin in so many ways. Imagine in the next film if someone managed to get ahold of the footage. When you consider it, Anakin would become something of a celebrety, according to the film, not many (if any at all) humans podrace, so a young slave wins the Bonta Eve race? And then becomes a Jedi? He might actually have a bit of hero worship going on there. Something that could easily be exploited in a second story.
However, you might have some who are a little skeptical about Anakin. With the reveal that he became a Jedi, some might think he did in fact cheat to outdo Sebulba. While it would doubtless annoy Anakin, it would hardly be something he would kill over. Or would he?
See, even today we have people who go over frame by frame of footage of planes taking off claiming they see chem trails, or say that the mole on the back of their neck is a mind control chip put in there by the reptilian government.
So what if someone got really curious about the Sebulba race? We know there are some slightly morbid folk who like to watch crashes of F1, so imagine mixing that with a little conspiracy theorising, and perhaps that paranoia pays off. After all, Sebulba always wins, and suddenly a teen takes him out?
So they look at the footage, tirelessly working through every frame. And they see it. Something in the energy binders. Itās not pink energy, itās blue. Of course, how Anakin would deal with such a revelation is better left to a look at attack of the clones. (thankfully that film isnāt as big a disappointment as Phantom Menace is, but we shall get to it eventually.)
But we shall get to what happens to Anakin in the later films and the rest of this film soon enough.
The waters are no longer calm listeners. Something stirs bellow the icy grey waves. Something bellow, a terror from the deep. But what could it be? It's this movie of course! With wacky hijinks, Naz
Still waiting for tonightās episode of Dead Air?Ā Why not take a trip into the way back machine and watch the episode that almost killed us both. EBORA, HORROR OF THE DEEP!
The Blu-ray covers of the Showa-era Gamera films.
True Perfection Has to Be Imperfect ā Gamera 3: Revenge of Irys (1999)
Spoiler warnings for Gamera: Guardian of the Universe, Gamera 2: Advent of Legion and Gamera 3: Revenge of Irys.
Kaiju make for lousy heroes. Generally superheroes and supervillains are distinguishable by their differing regard for collateral damage. A powerful good guy with no interest in preventing innocent casualties, contra Zack Snyder, isnāt a far cry from his dastardly antagonist. Giant monsters have limited options in this area. When you weigh hundreds of tonnes and stand several storeys high, the best avoidance strategy for damage is to stand really still. Hardly practical or ā frankly ā entertaining. So these are the horns of our dilemma; if our huge beast does nothing, they will be safe but ineffectual and tedious; if they try to act, they will certainly cause considerable death and destruction among friend and foe alike. The best heroes are neither impotent nor catastrophically dangerous. Whence cometh the heroic kaiju?
As far as I am aware the best exploration of this concept can be found in the 1999 classic Gamera 3: Revenge of Irys, the stunning conclusion to the Heisei Gamera trilogy. Ordinarily the point at which summoning a colossal and catastrophic monster to resolve a crisis seems reasonable is referred to as the āGodzilla Thresholdā, but I wish to start a movement to have this rechristened in honour of Gamera. Godzilla, at least since 1975, has rarely risen above the level of merciless force of nature, while Gamera remains a steadfast agent of good, and far more deserving of status as a hero, albeit a hero who regularly demolishes buildings. Revenge of Irys goes where few kaiju movies have gone before or since, into a world of consequences, sacrifice, and thoroughly human reactions of living in a world where huge reptiles are a recognisable threat.
As a young teenager, you are unfortunate enough to be living in Japan at the onset of the age of the kaiju. As such, it comes as something of a shock the apartment block your parents are standing is suddenly collapses under the onslaught of a tremendous fire-breathing turtle, killing them both. Given this formative experience it is entirely understandable to bear some hatred against this creature, regardless of any later heroics. This is the genius of the Heisei Gamera films: events have consequences. In this third installment, the surge in the Gyaos population is the result of the extreme lengths to which Gamera was forced to defeat the alien Legion, Sendai is still a smoking crater after its destruction by the Legionās explosive seed pod, and the driving force of the plot began years earlier during Gamera: Guardian of the Universe. This is not just a film set, it is a living world in which life must go on in the wake of events both tragic and triumphant. In addition, a realistic world often involves making the choice between a terrible situation and a worse one. Allowing Gamera to co-exist with humanity is a constant risk, but to look at what his absence would entail, his presence is certainly the lesser of two evils. Though Sendai was destroyed, Sapporo and Tokyo would also lie in ruins. Humanity, if they had survived the predatory Gyaos of Earth, would have been further annihilated by the alien Legion. Thousands have died, but at the expense of millions.
Gamera 3 is an almost perfect reversal of the plot of Guardian of the Universe. A huge creature appears, causing death and devastation. Luckily, there is another creature who emerges, forming a close, mystical bond with a young woman, and growing in power to take down the former monster. This is carried to the point where Gamera himself looks more bestial and terrifying than he has previously, now sporting a spiked crest and darker colour scheme ā looking positively demonic in Ayanaās memory ā while the new monster Irys looks much more traditionally āgoodā. Baby Irys is frankly adorable, and its grown form looks almost like a phoenix in vivid colours with only its tentacles, a classically sinister attribute, hinting at its true nature. Any film worth its salt will feature more motivations than a simple good vs. evil dichotomy, and here we are treated to a very able example. Ayana is justifiably furious at Gamera over the death of her parents and behaves entirely understandably when given the power to carry our her vengeance. Irys seems to be exploiting Ayanaās negative feelings and gaining power from their connection. Ā Mayumi and Asagi, and to some extent Gamera himself, recognise the threat that Irys poses, and realise that Gamera is a necessary evil in the face of the Gyaos population explosion. Asukura and Kurata are happy to use Ayana to destroy Gamera, believing him to be a harbinger of doom. Some of these motivations are relatable, others are not, and the split does not lie along the simple split between good and bad.
Monster movies, like so many things, tend to fall on a bell curve. Most are good. A few are terrible. And some transcend the genre to become genuinely great films. The whole trilogy of ā90s Gamera films is well worth seeking out, but the final instalment brings all the threads together to become one of the best kaiju flicks ever made. If you want your audience to accept the absurdity of a huge, pyromaniacal turtle, you need to keep the rest of your fictional world very grounded, and Revenge of Irys pulls this off beautifully. To return to the beginning, in the real world, sometimes we need to accept that our heroes are less than perfect, and that thankfully perfection is not a prerequisite for acting for a better world.