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Plastic Bags - Pascale Marthine Tayou
2013
plastic bags
Height: 10 metres
"Pascale Marthine Tayou: Plastic Bags." CollabCubed. February 19, 2013. Accessed October 08, 2018. https://collabcubed.com/2013/02/19/pascale-marthine-tayou-plastic-bags/.
Soundsuit series - Nick Cave
1992 -
NGV, 2018
fibreglass, cotton, shell, glass, metal, plastic buttons, beads, feathers
Image 1: unknown dimensions (image taken by me on January 28, 2018)
Image 2: 230.0 × 122.5 × 76.5 cm
"Soundsuit | Nick CAVE." National Gallery of Victoria. Accessed October 07, 2018. https://www.ngv.vic.gov.au/explore/collection/work/118979/.
“we have an art object, which will probably crumble to dust in a hundred years, whereas the packaging, which has no status, will last forever... There’s this skew between the disposable and the permanent.”
“with sculptural processes so much is decision followed by procedure, especially when you’re bringing in a lot of different ways of making... I like that sense of a job-like quality. There’s thinking around the work, the decision to make the work and then a certain amount of things that are quite procedural, before you draw back and re-engage again.”
"Studio Visit: Eva Rothschild." ELEPHANT. March 15, 2018. Accessed October 07, 2018. https://elephant.art/studio-visit-eva-rothschild/.
The sacrificial lair - Eva Rothschild
ACCA, 2018
Polyvinyl chloride
Two dissecting curtains: 500 x 1323 x 12.5 cm; 500 x 1212 x 12.5 cm
Image taken by me on September 27, 2018.
What Does It Do - Dan Lam
2015
Polyurethane foam, resin, acrylic on wood panel
287 x 35.5 x 17.8 cm
“What Does It Do.” Dan Lam. Accessed October 4, 2018. https://www.bydanlam.com/current-work/man-eater-yl4le-z8msx-we27p
“[Hesse’s] practices of both drawing and sculpture may have been in some definitive sense the products of unconscious processes - and as such among the means she used to come to terms with the loss of her mother.”
Wagner, Anne M. "Another Hesse." October 69 (1994): 74. Accessed October 3, 2018. doi:10.2307/778989.
Cited from:
Walsh, Maria. Art and Psychoanalysis. London: I.B. Tauris &, 2015.
Untitled (Three Nets) - Eva Hesse
1966
Paper mache, black painted rope
108 x 29.2 x 15.2 cm
“Untitled Three Nets by Eva Hesse.” Claudio Bravo Biography - Claudio Bravo on Artnet. Accessed October 3, 2018. http://www.artnet.com/artists/eva-hesse/untitled-three-nets-GmgcYKFNlZQYfPAZHGgktg2
Ecology of Time - Louise Meuwissen
2018
Found beads (glass, leaded-crystal, swarovski-crystal, ceramic, plastic, acrylic, resin, bakelite, mother-of-pearl, shell, pearls, jade, agate, fluorite, rose quartz, magnetite, hematite, moonstone) celluloid sequins, cotton, cotton wadding, nylon, polyester wadding, polyester thread, mdf
Dimensions variable.
“Ecology of Time, 2018.” Louise Meuwissen. Accessed September 19, 2018. https://www.louisemeuwissen.com/ecology-of-time/
Morph - Polly Borland
‘Polyverse’, The Ian Potter Centre: NGV Australia, 2018
Inkjet print & inkjet print on rice paper on lenticular cardboard
Various dimensions
Images taken by me on October 3, 2018.
The Fall Caught - Lynda Benglis
2016
Aluminium
431.8 x 215.9 x 243.8 centimeters
"The Fall Caught." Design and Style Report. October 29, 2016. Accessed September 30, 2018. https://designandstylereport.com/2016/10/29/the-fall-caught/.
“Soft sculpture... mimes a kind of surrender to the natural condition ...And regardless of how abstract is a soft sculpture, it will unavoidably evoke the human.”
Max Kozloff, extracts from ‘The Poetics of Softness’, in American Sculpture of the Sixties (Lose Angeles: Los Angeles Count Museum of Art, 1967) 26-7, 30.
Lange-Berndt, Petra. Materiality. Cambridge, MA: MIT Press, 2015.
“The focus on matter and gravity as means results in forms that were not projected in advance. Considerations of ordering are necessarily casual and imprecise and unemphasised. Random piling, loose stacking, hanging, give passing form to the material. Chance is accepted and indeterminacy implied.”
Robert Morris, extract from ‘Anti Form’, Artforum (April 1968) 34-5.
Lange-Berndt, Petra. Materiality. Cambridge, MA: MIT Press, 2015.
Sea-Change - Penelope Davis
2017
Silicone, nylon thread, plastic.
“Sea-change.” Penelope Davis. Accessed 14 September, 2018. http://www.penelopedavis.com.au/seachange/
Monsoon Season - JeeYoung Lee
2011
Pigment print
96.5 x 119 cm
"JeeYoung Lee." OPIOM GALLERY. Accessed September 30, 2018. http://www.opiomgallery.com/en/artistes/oeuvresphotographe/17/jeeyoung-lee.
Narcissus Garden - Yayoi Kusama
1966
1,500 plastic-metallic balls
Manatakis, Lexi. "Yayoi Kusama to Recreate Her First Successful Performance Art Piece." Dazed. June 19, 2018. Accessed September 30, 2018. http://www.dazeddigital.com/art-photography/article/40416/1/yayoi-kusama-recreate-1966-narcissus-garden-new-york-moma-ps1.
Phyllida Barlow: Scree exhibition - Phyllida Barlow
Des Moines Art Center, 2013
Steel armature, plywood, polystyrene, felt, cement, paint, tarpaulin, fabric and more
"PHYLLIDA BARLOW: SCREE." Des Moines Art Center. Accessed September 29, 2018. https://www.desmoinesartcenter.org/exhibitions/pbarlow-scree.
Art21 is a celebrated global leader in presenting thought-provoking and sophisticated content about contemporary art, and the go-to place to learn first-hand from the artists of our time. A nonprofit organization, Art21’s mission is to inspire a more creative world through the works and words of contemporary artists. Art21 produces the Peabody Award-winning PBS-broadcast series,
“I really make things because I’m curious, that’s the reason.”
“What these works do is state that the process, the drawing, the texture equal form.”
"Lynda Benglis: "The Wave of the World." Art21. Accessed September 27, 2018. https://art21.org/watch/extended-play/lynda-benglis-the-wave-of-the-world-short/.