A Girl by a Beech Tree in a Landscape by George Price Boyce, 1857

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A Girl by a Beech Tree in a Landscape by George Price Boyce, 1857
Judith and her Attendant going to the Assyrian Camp by Simeon Solomon, 1872
On the left a sketch of John Everett Millais exclaiming 'Slosh!' to a picture that evidently fails to meet PRB standards, and on the right William Holman Hunt agreeing 'of course!', drawn by Dante Gabriel Rossetti circa 1851-1853
Lovers in a Garden by Edward Burne-Jones, 1861
A Turkish Girl by George Price Boyce, 1853
The Singer by Arthur Hughes, 1866
Venus by Thomas Matthews Rooke
Passion and Worship by Thomas Matthews Rooke, 1902
Two composition studies for ‘The Merciful Knight’ by Edward Burne-Jones, circa 1863
Two sketches and the final invitation to a concert of the Magpie Madrigal Society at St James' Hall, Piccadilly, with a woman scattering seeds for the birds flying around her in a field by Edward Burne-Jones, 1897
The Magpie Madrigal Society, active from 1885 to 1911, was a group of affluent and well-connected amateur musicians who gave one Charity Concert and one Invitation Concert every year. Conducted by Lionel Benson, the Society dedicateditself chiefly to English madrigals of the 16th- and 17th-centuries. However, it also performed music written for its members by RCM professors and students, including Hubert Parry, Charles Villiers Stanford, Ralph Vaughan-Williams and Gustav Holst. Many of their concerts took place at the College, too. [...] Each year the Society’s concert invitations were designed by a different artist. Prominent 19th-century figures obliged, including George du Maurier, Herbert Menzies Marshall and Hubert von Herkomer. In 1897, it was the turn of Edward Burne-Jones.
Love at the Window by Edward Burne-Jones, 1898
Portrait of the artist's brother, William Millais, with canvas, palette and fishing rod, Brig O'Turk, Scotland by John Everett Millais, 1853
A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids by William Holman Hunt, 1849-1850
The Old Barn, Arreton, Isle of Wight by Marie Spartali Stillman, circa 1907
The Gold Earring by Emma Sandys, 1865
The Wood Nymph by Sidney Harold Meteyard
Study for Lamia by John William Waterhouse