AN INDEPENDENT, SELECTIVE PORTRAYAL OF JESSE FADEN FROM REMEDY’S CONTROL.
DOCS, INSPIRED BY: TAKEN DOWN TO PREVENT THEFT FROM ROTTEN BITCHES WHO AREN’T ORIGINAL.
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@primeseven
AN INDEPENDENT, SELECTIVE PORTRAYAL OF JESSE FADEN FROM REMEDY’S CONTROL.
DOCS, INSPIRED BY: TAKEN DOWN TO PREVENT THEFT FROM ROTTEN BITCHES WHO AREN’T ORIGINAL.
…if I were asked to name the chief benefit of the house, I should say: the house shelters day dreaming, the house protects the dreamer, the house allows one to dream in peace.
Gaston Bachelard, The Poetics of Space (via noosphe-re)
HELLO!? CONTROL 2019!?
anyways if she wants to make all the people in a town disappear, let her.
Death Bed: The Bed That Eats (1977) | dir. George Barry
i want to note that the oldest house does love jesse. she cannot die within the walls of the oldest house— she is automatically sent to a control point. the oldest house loves jesse, it trusts her enough to traverse through its control points (which i know is just an inuniverse explanation for fast travel but shh). it allows her to pull apart the walls in order to fight the infection spreading within the oldest house, gives her pieces of the wall & flooring to fight on its behalf. the oldest house is alive and it trusts jesse.
he has mostly been imprisoned within the oceanview motel. imprisoned is maybe a tough word. taking a vacation in the oceanview. she could have easily cleared out one of the many containment cells— stuck him in one like an overactive oop. but no! he gets the luxury of the interdimensional motel. until he makes the right choice.
it isn’t her usual job. less control the flow of time, more screwing with dimensional planes. but frank woods became an exception. a fascination, honestly. (because you remember how history went down, don’t you? it doesn’t end with nuclear bombs or the destruction of europe— stupid board, stupid broken timeline). he doesn’t need to know where bell is— the fact that galina is located in the panopticon will just distract him.
< @uncrucify must be corrected/kept on the narrow/focused > it had crackled down the hotline, a reminder as she’d dragged herself into the oceanview (one pull, two pull, three pull) and offered him a hand, ‘ do you want to come to the oldest house? stretch your legs? change of scenery? ’ & that’s how they’d ended up chucked out into the cafeteria (after an embarrassing amount of difficulty getting the key to leave this time around).
‘ don’t refer to it as a building. it gets offended. and watch your step— it sometimes changes around. ’ the ever suffering of finding new recruits after the hiss had resulted in two people being dropped down the stairs by a petulant building that was upset as being referred to as such & she isn’t keen to repeat that encounter. ‘ —also, apparently there is a shark roaming around however. let me know if you see it because i’m slightly embarrassed this has happened twice. ’
IT WILL HAPPEN AGAIN, IN ANOTHER TOWN, A TOWN CALLED ORDINARY—