Poem #122 (Dream Interpretation)
[I heard once that one way to interpret your dreams is to imagine that everything you dream about is you. This was, in its original form, a very, very old poem of mine]
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
NASA
styofa doing anything
cherry valley forever

titsay
Misplaced Lens Cap

祝日 / Permanent Vacation
Cosmic Funnies

Kiana Khansmith
almost home
I'd rather be in outer space 🛸
🪼

⁂
Cosimo Galluzzi

Product Placement

❣ Chile in a Photography ❣
Claire Keane
occasionally subtle

izzy's playlists!

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Poem #122 (Dream Interpretation)
[I heard once that one way to interpret your dreams is to imagine that everything you dream about is you. This was, in its original form, a very, very old poem of mine]
Poem #121 (Lowlife)
Sweathead
Had to take a selfie of myself for something today, so BAM: selfies
Also hi there enormous chesty birthmark, you got some color this summer.
Poem # 120 (Island) [revised]
Poem #119 (The Heiress)
Poem #118 (Rest Stop) [rough]
Poem #117 (Untitled) [rough rough rough]
Poem #116 (Manmade) [super rough/actual nonsense]
the formation of a dashboard is exclusively skull-driven
blueprints of convertibles will now accommodate disfigurement
-
we told the car it was excellent, so our lives aren’t sacred
we give possessions ulterior motives and get sick with it
-
at pileups, siren beams distribute even light among the bodies
the hit man interstate won’t even take our money
-
one dead child is the same weight as a cashbox
at closing hour, a cashbox sounds ballistic when it shuts
-
the road is a hungry tongue under an ambulance
its sense of control was unearthed in expansion
-
we tell the streets to carry; some dismember
electricity is a gift, and so is a coal fire
-
post-flame, cars and tall buildings loom as skeletal
we can’t think past the body’s suffered miracle
-
but we name these things unnatural for comfort
bite nails over what broke when we made plastic cups
-
the public schools and landfills are all posted ‘FULL’
far off, bald eagles commit armed robbery over the gulf
Poem #115 (Give Up) [short/rough/dumb]
A dead butterfly starts fluttering. It’s sickening. It’s sick. Wing dust accustomed to accumulating jets off into sun. This Lent my mother gave up restitution, my father gave up sugar and I gave up death. Something huge gave me up, but forever. I left it happy, fell out of its head. Torn-out weeds come back alive, but flower. My mother forgets how she even got here. My father says, hunched over in the kitchen, ou give up one thing, lose what you were keeping. Everything he teaches is a lesson long- departed or already known. He parts his jaw in ecstasy and one hot tooth drops heavy from the hole.
Poem #114 (Afterlanguage)
In aftermath, the brave and strict are daredevils;
spine first into dirt, they’ve already named their fate.
Only the dumb dreamer experiences his ordeal as absorbable,
even though it’s all falling off him, all around—
the literal water and also the words to describe
how he drowned. To explicate, make clear,
is the greatest thing and held away from truth.
The truth knows that the truth’s too much, and who
is around to figure it out anyway—and where.
Behold the handsaw, a clear-cut horror
that clear-cuts where the horror goes.
I’ve pulled all the leaves from the trees.
Someone held a rake out to me, said: Clean up,
and I’ve earned degrees in finding the easiest way.
Pick a gunrunner for the miserable charity of your choice
because real mercy is all about death
and has more to do with timing than anything else.
The metal pin is stoic, not confused like breath
wandering around with a headache, brandishing, threatening.
Cinder betrays the truth: there once was flame,
so let the smoldering begin, indignant and alive,
spelling out how there was never once a fire in this world.
Poem #113 (Double Door)
The dual entrance is excessive
until a party is thrown.
There is a reason for limousines
but we get it confused
with the reason for bees—
honey and a colony example.
Honey is in the back seat,
passed out. The limousine is
archetypal, like the pharaoh,
says the host. I am the host
and I always have to be
talking. Outside of my body,
words are not captivating.
They take captive—predatory.
Maybe it’s this new, fearless
water we’ve been drinking.
It comes in bottles designed
to protect against audio.
A new synesthesia fad is going
around. Our collarbones
are musical notes, etc.
We can’t question each other
about it and not ask too big
of a question. It’s how
you can get away with
anything these days.
Never learn to get rid.
There was a time we existed
like capsules of medicine
taking effect. We burned
the throat of the earth
and it cringed. After that
we got to work designing
sexy midriffs. So ecstatically
useless. There’s a massive
sickness that we miss. And just
tonight I’ve seen nine sets
of tits as girls reached up to touch
dark watermelon heads.
The balcony spits its judgment
down at us. I go out for a smoke
to believe myself corrosive.
Smokeysmoke
Eyedance
Poem #112 (Party Animal)
The last girl to arrive at the party admits: ‘I wasn’t prepared for this.’
But she has the best lip-gloss. She’s lying.
The boys have covered each wall and the ceiling with mirrors.
Most of them are hand mirrors, circular and tiny;
each body is many and then also part of another.
We drink whiskey from wine glasses, beer from the planters.
A plastered blonde gurgles: ‘I sing from the gutter,’
and everyone laughs at her mouth blowing bubbles
and blowing them up loud and over and over.
All of us girls have bubblegum now and it tastes like perfume.
A showerhead’s lowered down steadily into the room.
It doesn’t turn on; it’s more bubbles but now raining soap.
Boys shrug: ‘Don’t look at us—the animal’s running the show.’
The mirrors are so the dumb creature can see us completely
with every black eye and it looks wild with many,
each orb moving smear-like so that our maneuvers seem perfect.
We feel drunk and televised, which is good for us.
‘The circumference of a mouth is just champagne,’
a prostrate girl offers, socked feet on the mirrors making steam.
Over her we laugh at how each year this feels the same
but it doesn’t. We wish it would stop changing.
‘I wouldn’t bet on that horse’ a few people say to the room.
A girl bent low beside her whispers: ‘I wouldn’t stand up if I were you.’
Poem #111 (The Imaginary is Airtight)
The groaner and her pillbox are
grotesque, until she turns her tilt-
o-whirl hips toward enterprise.
She uses her erotics as amnesiac.
Everyone tried to warn you about it,
but in the history of exorcisms
we’ve never managed to eradicate
the existent. As in, her eyes are
real like hacksaws, that kind
of real. Eyebrows drawn in
western landscape. How tired
you are these days. She is over you
and now. You are inside of her
but not. After payment, her body
turns planetary and so you turn
to dust, not so much inside of her
as now a part. Her being creates
your glimmering. You are no
accomplice in the act. You are
chalk on some sidewalk and she
is the sun. A million miles above
her head, casual sails ride solar wind
in a similar way to your leaving:
steady as a rail until the lights go out.
Poem #110 (The New World)