[filmgifs]

Notorious (1946) dir. Alfred Hitchcock

[srdcovka]

RAYE – I Know You're Hurting. (Live at Abbey Road Studios)

[jellco]

KAROL G performs "Provenza" at Coachella 2026 (April 2026)

[shesnake]

Decision to Leave (2022) dir. Park Chan-wook

[ghiblin]

HOWL'S MOVING CASTLE ハウルの動く城 2004, dir. Hayao Miyazaki

[waymond-wang]

DECISION TO LEAVE (2022) dir. Park Chan-Wook ↳ When did I say I loved you? When was it? [...] Hae-joon. The phone you took from the sea, throw it back. Throw it in a deeper sea.

[smallestchurch]

Maybe I went to Ipo to become one of your unresolved cases. Put my photos on the wall, stay awake all night... and think solely of me.

DECISION TO LEAVE (2022) dir. Park Chan-wook

[usermovies]

Les parapluies de Cherbourg (1964) dir. Jacques Demy

[loveridden1999]

Rosalía, "Lux" listening party in Museu Nacional d'Art de Catalunya

[proud-pudding]

A MAN WALKING. One man, on a stretch of road three miles long cut slantwise every ten yards by the shadow of a tree trunk, striding unhurriedly from one shadow to the next. As it was almost noon, with the sun nearly at its highest point, a short, ridiculously squat shadowhis own-slid in front of him.

The dead-straight road climbed to the top of a long slope, where it seemed to stop short. To the left there were crackling sounds in the wood. To the right, in the fields swelling like breasts, there was nothing but a horse a long way off, a horse drawing a cask mounted on wheels; and in the same field a scarecrow which might perhaps be a man.

At that moment the red bus was leaving St. Amand, where it was market day, forcing its way with blasts of the horn.

The Widow. Simenon.

[jueki]

Cure 1997 ‘キュア’ Directed by Kiyoshi Kurosawa

[classicfilmsource]

DOUBLE INDEMNITY 1944 | Billy Wilder

[proud-pudding]

Looking out, as she had done, I tried to imagine what it was she had felt; the darkness did really after awhile possess you, with the hypnotic rash of the surf, and there was a feeling almost of knowing, or being on the edge of knowing, what had been hidden from you, a deceptive implication, and later, when I thought about it, I realized it was just a feeling, and that whatever it was that was on the verge of being understood disappeared as soon as you turned away form the window and face again the room you were in, with the furniture someone else had put there, and the rather ugly hard somewhat obscene chaise lounge occupying the middle of the floor.

In Love. Alfred Hayes.

[indigomood]

The Handmaiden (2016) dir. Park Chan-wook

[synthetic-overdose-deactivated2]

[radmoonlover]

[humanveil]

He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.

IN THE MOOD FOR LOVE (2000) dir. Wong Kar-wai.