angelessvil
Three Goblin Art

tannertan36
Sade Olutola
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ojovivo
NASA
trying on a metaphor

PR's Tumblrdome

★
will byers stan first human second
Peter Solarz
KIROKAZE
Lint Roller? I Barely Know Her

祝日 / Permanent Vacation

JBB: An Artblog!
taylor price
AnasAbdin

pixel skylines

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DEAR READER
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@pulsenauticalsilencepulse
angelessvil
“I wanted to be on my own. I wanted to be someone else entirely, I didn’t want to owe anyone anything, or be owed anything either.”
— Margaret Atwood, from “The Year of the Flood,” published c. 2009 (edited)
The Girls of Summer, Ontario, c. 1944.
“Born in Illinois as Marjorie McMein, this cover artist left the Midwest, changed her name to Neysa, and turned herself into the quintessential New York woman. McMein was modern and independent; she fought for women’s right to vote and worked overseas during World War I creating posters for the U.S. and French government. Back in New York, she lived above Carnegie Hall (…) Her portrait illustrations were drawn for magazines and advertising; McMein even drew the first Betty Crocker illustration for General Mills in 1936, launching the brand. Her work for magazine covers, including McCall’s, Collier’s, and 60 covers for The Saturday Evening Post, portrayed young women of the 1920s as we picture them today, stylish and full of life.” ( x )
Neysa McMein in her New York studio, G.W. Harting photographs, ca. 1920.
A photo of Kurt Cobain in the bedroom of his North Seattle home, captured by Courtney Love. Courtney claims that this is her single most favorite photo of Kurt.
No matter how many times I see this on my dash it equally kills me and makes me smile at the same time
mostly nature
Setsuko Hara in Waga seishun ni kuinashi (No Regrets for Our Youth), directed by Akira Kurosawa, 1946 / related post, here
NEMA-YE NAZDIK (Close-Up) 1990, dir. Abbas Kiarostami.
Woman with a nötskrika (”Eurasian jay“), 1951, Sweden.
“It is not the melancholy of ruined things that breaks the heart, but the desperate love of what lasts eternally in eternal youth: love of the future.”
— Albert Camus, from Notebooks 1951-1959 (Ivan R. Dee Publisher, 2008; first published 1989)
Various Ocean scenes by Lionel Walden (1861-1933).
Russian Futurists (including Mikhail Larionov and Natalia Goncharova) at the opening of the Donkey’s Tail exhibition, 1912
new year gift for @kudzira with her Amber Hawke and Isabela <З
“Der Wert eines Gedankens hängt nicht von der Integrität dessen ab, der ihn ausdrückt.”
Oscar Wilde
Nadja (1994) dir. Michael Almereyda
Jeff Buckley by Merri Cyr 1995
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