she was only 27 years old but she was forced to learn to parallel park
Stranger Things
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I'd rather be in outer space ๐ธ

Origami Around
we're not kids anymore.
untitled
trying on a metaphor

titsay

Andulka

tannertan36

โฃ Chile in a Photography โฃ
YOU ARE THE REASON
$LAYYYTER

gracie abrams
Keni
PUT YOUR BEARD IN MY MOUTH
๐ฉต avery cochrane ๐ฉต

blake kathryn
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bliss lane
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@pussiel
she was only 27 years old but she was forced to learn to parallel park
Hanna Rovina as Leah in The Dybbuk, 1922
Martin Wickstrรถm (Swedish, 1957), Not Dark Yet, 2012. Oil on canvas, 120 x 120 cm.
mask off ๐
it turns out i'm a little soft hippy centrist shitlib after all:ย i don't like it when civilians get killed. i am beholden to the idea that life is sacred, holy, and inviolable, that civilians are innocent no matter how much you do not like them. i am against crueltyโi have always been against itโ and i believe that informs my understanding of the past and present: i am against the apartheid state and the blockade, i am against the ongoing carpet bombing of gaza. i will not cheer with you when dead bodies get dragged and spat on in the street, i do not think it is a moment of liberation when children get kidnapped and beaten. because i am against cruelty i do not celebrate shooting up 250 stupid concert goers. because of the principles i hold i don't like it when israel murders children, as it has done so in the last 48 hours, with the world's support. i do not support a government that kills over 200 innocents with impunity in retaliation. i do not understand what massacres justify which other massacres. it is barbaric to deny clean water and basic medicine to children; it is barbaric to shoot them, it is not a revolution. i don't like the kahanists and their state that led to this and i don't like hamas. i will not support the state of israelโi never haveโand the impending invasion of gaza, instigated by two groups of fascist religious fundamentalists. i think cheering any part of this tragedy atrocious. but now i've gone and pulled a both-sides!
i want you to look at what's happening as a real act and not a media event where you pick the side that's convenient for your team. set aside the outrage, look at the people dying, and think of each life, that holds so much and is a miracle in itself. try to understand the immense tragedy of what it means for that to be cut short. do you not value life? does your value of life inform your politics? do you not support palestinians because you value life?
iโve consistently posted about how opposed i am to violence targeting bystanders, the terror and bloodshed it achieves and nothing else. the history of the twentieth century, still unfolding around us, tells me that much. if you are celebrating, you are either an idiot, consumed by online politics, or you have lost some sense of humanity; look aroundโlook carefullyโand try to preserve it instead
305 notes for made up shit from a guy who listens to way too many podcasts. the average israeli is not blake flayton and people are not "fleeing back to their homelands" in any significant numbers. why is it that you need the true things described here - the power asymmetry, that gazans are living in an open air prison, that israel subjects them to continuous, genocidal murder sprees - to be enveloped by this fantasy? is shitposting so fun right now that you don't mind whether it's true or not?
Fela Kuti's daughter vaults through her dad's home in Nigeria
By Bruno Barbey for National Geographic (March, 1979)
๐ฃฏ
my partner patiently explaining the concept of a moroccan jew to a chinese man via google translate
"except their suicidal" this is suchhhh a comic relief rn thanks for sharing this nonsense.
ืืื ืื ืื ืืฉืงืจืื ืืืื ืื ืจืง ืฉืืืืื ืื ืชืืืื ืืคืฉืจืืช ืืืืืื ืืช ืื ืื ืื ืืืืื ืื ืืงืจื
ืืืืื ืื ืืืฉ ืืืืจ ืืืืขื ืฉืืชื ื ืื ืืืขื ืืช ืืื ืืขืืืื ืฉืื ืpoc ืจืง ืืฉืชืืงืงืื ืืืฉืชืืฉ ืืืืืืืช ืงืืฆืื ืืช ื ืืื ืื ืืืืืช ืืกืคืง. ืืื ืื ื ืืจืืืฉื ืฉืื ืืืืืง ืืืขืืช ืฉื ืื ืืืืจ ืืืื ืืกืืกืื ืืื ืืืฉื ืฉืคืืกืืื ืื ืืืฉืจืืืื ืื ืืืืืื ืืืืืช ืืืื ืื ืืคืืกืืื ืื ืืจืฆืื ืื ืืื ืืื ืืฉืืืื ืื ืืืืืืืจ ืืืฉืืื ืืื. ืื ื ืืืฉืืช ืฉืืฉืจืืืื ืืคืืกืืื ืื ืื ืืืืืื ืืืืืช ืืืื ืืืื ืื ื ื ืื ืืืืืืฉ ืื ืื ืืืฆืืจ
ืืืงืฉื ืชืชืจืื ืื ืืชื ืืืืืื (ืืชืขืืื ื ืื ืืงืืฉืืจ ืืคืืืืืงืก ืขืืื ืื ืื ื ืื ืืฆืืืื ืืจืืข...)
ืื ืืงืืฉืืจ
i think people on twitter are vastly overestimating the number of brooklynites in israel
these people live in the exact same right wing race war fantasy as steve bannon
low birth rates high rates of divorce: a society built on autonomy and personal freedom
society with high birth rates and no divorce: we call those Shitholes.
those fucking parisians. if i get bedbugs again iโm solving the problem by throwing myself off the roof
moomin and lily pads x / x
Salman Toor (Pakistani, b. 1983, Lahore, Pakistan, based Brooklyn, NY, USA) - 1: Sleeping Boy, 2019, Oil on Panelย 2: The Star, 2019, Oil on Woodย 3:ย Man with Face Creams and Phone Plug, 2019, Oil on Canvasย 4: The Arrival, 2019, Oil on Panelย
Picnic by Serhiy Ripka, 1970s
Wladimir Schohin - Still Life, circa 1910. x