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we're not kids anymore.
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@queenbadonka
@iliveinazoo 29.0k Followers, 79 Following, 936.0k Likes - Watch awesome short videos created by Bianca & Friends 🦥
Hi this is my tiktok where I have my sloths mainly painting and being cute together but also my other animals like pigs and monkeys and what not anyway check it out for some wholesome content thx bye
I’ve been staring at this for 5 minutes
That’s what it looks like. That’s really what it looks like
Being out in the ocean is actually so scary because when you look really far out you can kind of see how the Earth is rounded out. It looks like a few miles ahead you’re just gonna fall off or something. Also fun trick: if ur on mobile, double tap zoom in and slide the picture side to side. It looks like you’re actually there looking left to right
DO THAT DO IT RIGHT NOW
that time when pokemen go led me to a murder house
LMAOOOO
The Bullet, an ensemble member with nothing to separate her from the rest but a poof of curls at the top of her head, morphs not only into a Greek Chorus member, but into a signal of death approaching until she eventually (historical spoiler alert:) approaches Hamilton at the end of the show as an embodiment of the shot that killed him. At the start, the Bullet is indistinguishable from her fellow ensemble members. Most of the ensemble steps into the spotlight a couple times, though, as everything from named historical figures like Samuel Seabury and James Reynolds to small speaking roles, and the Bullet is no different. After “You’ll Be Back,” she steps forward for the first time as a spy receiving a letter, only to have her neck snapped by a redcoat and become the first death of the revolution. However, unlike the rest of the ensemble, who return to the anonymous chorus until their next role, the Bullet never seems to leave that first moment behind. Her next appearance as a singular character is in “Stay Alive,” when she becomes the actual Bullet for the first time as she passes Hamilton by at the sound of the gunshot at the top of the song, and from that moment on, every second she is allowed the audience’s full or even partial attention, she becomes a harbinger of death. Though her connection to death is most apparent in Act II, she is absolutely present and aware of his role as the Bullet from the beginning. When asked about playing the Bullet in an interview with “The Great Discontent,” Ariana DeBose, the original Bullet, said, “I always know I’m aiming for him—even if the rest of the ensemble members don’t. So even if I’m just a lady in a ball gown at a party, there’s still a part of my character that knows that that moment is going to come.” Even when the spotlight is not on her, every moment the Bullet is onstage has significance. Whether it’s in “My Shot,” when the ensemble unfreezes one by one as Hamilton moves toward them during his first recitation of the “I imagine death so much it feels more like a memory” monologue and the Bullet is the last one to move, her hand still outstretched toward Hamilton as he steps in front of her, or it’s in “Ten Duel Commandments,” when the ensemble lines up between Hamilton and Burr, singing, “Pick a place to die where it’s high and dry,” and the Bullet places herself directly at Hamilton’s side, the connection between them is already being formed. Knowing that the Bullet is fully aware of the final meeting she and Hamilton are hurtling toward makes the short moment in “Ten Duel Commandments” when Hamilton looks at her lining up beside him, the only time he ever seems to truly see her before his final moments, and the pair stand side by side for numbers six and seven of the Commandments, moving through the choreography in sync, feel hugely significant in a way it never would otherwise. Several songs later, during “Yorktown,” she kills a redcoat with Laurens in South Carolina. They celebrate for a brief moment before she returns to the ensemble, and the show moves on. It until three songs later that the audience and Hamilton learn that Laurens was shot and killed in South Carolina not long after the fighting ended. It is a short and easily dismissed interaction, but this is the first moment that her actions are entwined in someone’s death. This quick look the Bullet and Laurens share in “Yorktown” begins to feel like Laurens sealing his fate with a handshake in retrospect. This quick tie the Bullet forms with a person as they are about to die becomes extremely important in the second act, when she really steps into her role as the Bullet. Her spoken lines, though few, are particularly significant, as every one of them eventually leads to someone getting shot – namely, Philip and Hamilton. In “Blow Us All Away,” she tells Philip exactly where to find George Eaker, the man who will kill him, singing, “I saw him just up Broadway, couple of blocks. He was going to see a play.” Philip follows her directions and challenges him to the duel that will kill him. Her only other spoken line is as one of Burr’s supporters in "The Election of 1800,” when she says, “I can’t believe we’re here with him” and flashes Burr a large, hopeful smile. Burr leaves the exchange with a fist pump, believing he has the election in the bag, only to have that hope ripped away when Hamilton’s support of Jefferson leads to him losing the presidency and challenging Hamilton to the duel the whole show has been foreshadowing. At the start of “Your Obedient Servant,” when Burr actually challenges Hamilton, the Bullet actually pulls Burr’s desk onto the stage and hands him his quill so that he can begin his fateful letters, edging his toward the battlefield. Every action she takes ensures that Hamilton meets her one last time. Once she has successfully gotten the pair to pull their guns on each other’s, she appears for a final time as the actual bullet, slowly approaching Hamilton throughout the entirety of his final monologue and coming dangerously close to him as he moves, scatter-brained, across the stage. Halfway through, he steps right in her path, turns back and stumbles out of the way, and as he frantically repeats, “Rise up, rise up, rise up,” she lunges for him, only to be pulled back by another ensemble member as Eliza steps in her path. Once Hamilton has been shot, she joins the ensemble once again, satisfied that the path she’s been on since the beginning has come to an end.
The Piece Of Foreshadowing In ‘Hamilton’ That Everyone Misses (Odyssey Online)
#thebullet
(via thefederalistfreestyle)
I was lucky enough to see Hamilton last week and I haven’t seen any audio of Mandy posted yet so I thought I’d share….enjoy! :)
Full cast: Javier Munoz (Alexander Hamilton), Brandon Victor Dixon (Aaron Burr), Mandy Gonzalez (Angelica Schuyler), Lexi Lawson (Eliza Hamilton), Nicholas Christopher (George Washington), Jevon McFerrin (Lafayette/Thomas Jefferson), Okieriete Onaodowan (Hercules Mulligan/James Madison), Anthony Ramos (John Laurens/Phillip Hamilton), Alysha Deslorieux (Peggy Schuyler/Maria Reynolds), Rory O’Malley (King George) Ensemble: Gerald Avery, Carleigh Bettiol, Neil Haskell, Sasha Hollinger, Thayne Jasperson, Elizabeth Judd, Roddy Kennedy, Morgan Marcell, Seth Stewart, Tanairi Sade Vazquez, Nik Walker
me at school:
me at home:
A new season of Drag Race, a new season of sketches! I’ve been posting sketches from All Stars 2 each week on my instragram! Follow me at @Philliplight
When you ask Jolene politely not to take your man and she does it anyway
Lin is a wizard, parts I-IV.
(That last tweet though.)
😌❤️
Top American History Moments - I'm Not Done Yet Motherfuckers
- Thomas Jefferson having a mockingbird named Dick
- Andrew Jackson’s parrot being kicked out of his funeral because it wouldn’t stop saying ‘fuck’
- Andrew Jackson beating the shit out of his would-be assassin with a cane
- Andrew Jackson throwing a huge public party in the White House for his inauguration and having to sneak out because it got out of hand. He could only sneak back in when someone got the idea to move all the alcohol outside.
- John Laurens getting out of bed at Valley Forge and hitting his head on the ceiling
- Ben Franklin wanting the national bird to be the turkey
- Caleb Brewster’s reason for joining the continental army basically being that he just wanted to kick some ass and have some fun
- Caleb Brewster signing his name in big letters on spy reports for the Culper Ring
- George Washington, Thomas Jefferson, and Alexander Hamilton going on a fishing trip together, for Washington’s health
- gay brothels being called “Molly Houses”
- Benedict Arnold ploughing through 337 pages of William Blackstone’s “Commentaries” just to find the word militia for a secret code
- baby farmers (this is some crazy shit look it up)
- Thomas Jefferson having a ram that he called “An abominable animal”. It killed a young boy on the White House lawn.
- Aaron Burr having to ban snacks from the senate floor
- George Washington refusing to respond to a British letter because they didn’t address him correctly
- Aaron Burr being attacked by bedbugs and then proceeding to sleep on the floor for five hours
- Thomas Jefferson being a frat boy in college
- Alexander Hamilton being reported dead after going to burn barns and then showing up hours later soaking wet because he fell into a river
- Martha Washington outliving four children and two husbands and still saying that the worst day of her life was when Thomas Jefferson came to visit
OKAY BUT
CAN HAMILTON PLEASE PERFORM AT THE MACY’S THANKSGIVING PARADE
there’s all of this lovely Christmas music and pop stars singing “Jingle Bell Rock” and then all of a sudden
“Next up, we have the cast of the Broadway sensation ‘Hamilton: An American-”
“LADIES AND GENTLEMEN, YOU COULDA BEEN ANYWHERE IN THE WORLD THIS MORNING, BUT YOURE HERE WITH US IN NEW YORK CITY. ARE YOU READY FOR A CABINET MEETING??!?”
Like, literally in New York City?
the parks and rec writers should get together one last time to write a script for a 23 minute youtube review of the force awakens by ben wyatt
