Sérgio Romagnolo

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Sérgio Romagnolo
Bajo el sol sonoro tal vez aún soy un adolescente; pero en la oscuridad traspasada de presagios, inundada de llamados y de voces, mi corazón envejece y desconozco mis manos fuertes. Bajo el sol atronador del valle tal vez soy joven y en la cima de la montaña radiante; pero cuando la oscuridad aprisiona mi cuerpo, lo siento sin edad, cargado de siglos, constelado de estrellas
Abahel, 1964; Luis González de Alba.
photo by: a-supernova-girl
TONY LEUNG for K-100 MAGAZINE
"End of the Journey", 2010 by Michael Del Campo. Italian artist. oil on canvas
Zhu Xinyu (Chinese, b. 1980), The Bride Playing Hide & Seek with the Bachelors, 2010. Oil on canvas, 180 x 290 cm.
This is a painting called ‘Bound’ painted around the end of the 90’s I think. Oil on canvas. I had a black whippet called Indie at the time and painted a series of paintings of black and white dogs together in various poses. They had different emotions and meaning. The black dog was real but the white only imagined.
A Moonlight Phantasy, circa 1930 by Hilda Hechle.
Hilda Hechle (British, 1886-1939)
Plate II. Discovery reports. 1941. Falkland Islands,
Internet Archive
"Yo sostendría, sin embargo, que la ciencia ficción más característica no intenta en serio imaginar el futuro ‘real’ de nuestro sistema social. Por el contrario, sus múltiples futuros falsos cumplen la función muy distinta de transformar nuestro propio presente en el pasado determinado de algo todavía por venir. […] La ciencia ficción representa y posibilita así un ‘método’ estructuralmente único para aprehender el presente como historia, y esto con independencia del ‘pesimismo’ o el ‘optimismo’ del imaginario mundo futuro que constituye el pretexto para dicha desfamiliarización”. Fredric Jameson
Andy Warhol and the Commodore Amiga 1000, 1985
Raphael Morghen, the Italian Engraver and Printmaker also known as Raffaello Sanzio Morghen (1758 - 1833), Theseus seated on the body of the conquered Minotaur, after a marble statue by Canova; an Etching and engraving, finished state with arms and producer names, before verse and text, 1787, The British Museum.
Napping in the Barracks. Korea, Photo by Harold Feinstein, 1952
The Victim of the Nile, oil on canvas. — Wilhelm Kotarbiński (Polish, 1848-1921)
The Super Secret Drive-In Movie Society