iām literally posting into the void on this account and tbh i love itĀ

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@quiet-feeling
iām literally posting into the void on this account and tbh i love itĀ
ātoday is sunday and the thought of a new week starting tomorrow fills me with an existential dread. while complaining to my mom i told her our responsibilities are all man made concepts; what first seemed glimmering opportunity now seems a sentence as i am shackled by the omnipresent society. i lie in my bed face-down and wonder what it would be like to live a life unchained, to be free of obligation and only do as i please. it would be the happiest existence i could have, i think, but itās too good to be true. if everyone were uncommitted nothing would ever get done and this I know. still, I wish for a moment of naivety where humankind need not be concerned with progression and larger-than-us. imagine a world where we could simply exist, making art and indulging and laughing without any qualms from our dues and our projects and our, the dreadful word, ācareersā. though, i must admit, it is so sadly and superbly human that our suffering is all caused by our own creations. instead of forming to the world, we decided to form the world to us- i would say it was a mistake, but that decision led to all there ever was. it is irreversible at this point, too far gone, as if iād want to change it anyways. we did form the world but that is the only world i know. some adaptions we have.ā - svh
in a museum of the street, a crowd gathered to look at one particular piece, a girl who seemed to exhale esthetics. her hair when straightened was elven in its beauty, yet she preferred it natural, unruly and wavy. she donated all the clothes that had made her look ethereal-enviable and replaced them with ones that were 20 years out of trend. she took the rosy pink lenses, that once matched her cheeks, out from glasses and crushed them under her unshod heel. she grasped the ornate golden frame around her body and forcefully pulled herself out, declaring sheād had enough of being art.
oh but darling, chimes the critic, donāt you know you painted it yourself? donāt you know even your demurral is part of your (subversive, post-modern, meta-ironic) charm? aesthete by nature, by virtue or curse, you are forever art and you are forever on display. you say you have, but you cannot free yourself of the need to be categorized. remember, you painted it yourself.
ā svh
sometimes i feel like writing is my lifeblood, like pen is carving into my skin and bleeding ink into my veins, like itās intermixing (is ink even soluble in blood? i canāt imagine anyone has found out before; i am my own sick experiment of how much art and 15 second videos one can consume before she goes utterly insane). i think my heart pumps music and my mind-current produces words and iām not sure how but i can hear my voice in my head, and i can hear music thatās not there. itās always been a mystery to me how sound can be stimulated inside the mind, almost as if the mind can stimulate everything. my equilibrium is a symphony orchestra. my thoughts come flowing out in a myriad of ways- as messy words on a paper or uneven vibrato or a music theory exam i had to edit fifteen times to make sound right. music is my heart and words are in my blood. and everything else is inside of me somewhere, but the vitality is right here.
āsvh
i put on my schedule that today would be my day to write poems for two upcoming competitions i want to enter. i woke up today & its raining, a thunderstorm. i drank some mocha. iām at school, listening to jazz & wearing a corduroy jacket.
itās definitely a writing day.
if i eat enough pomegranates, will you call me your persephone? queen of the underworld, goddess of all things green? i suppose itād be unfitting for a so-called angel such as meā but then again, when have i ever fit neatly? i am neither heaven or hell, but something intermediate. i am the siren with wings, the nymph that sings. or something, i must be something. for there is a storm brewing in me, one i donāt think my body can take. itās weathering me. i fear iām becoming too pretentious for my own good. i drink protein shakes in anticipation and cry, sensationalize me! make me a martyr, a muse! give me an identity outside myself, anyone, anything, so it can contain me when i burst- in all my girlhood i never got any better at tending fires.
ā svh
reason for a face
I pick at my scabs over and over
My mom raises an eyebrow with well-worn concern and says, āYou know thatās going to scar, right?ā
I say āI knowā and āIāll stop soonā
But everyday I find myself breaking promises;
Scratching at my face, peeling off the layers of dead skin and wiping away the blood that comes with it
Scrubbing clean any chance of healing with bitten fingernails
Everyday I think I shouldnāt be doing this, but I do
Looking in the mirror, I am filled with sorrow for the scars Iāve helped to create,
my scrawny arms and my rigged nail beds.
When face to face with my rawest shape
I donāt feel glamour, I donāt feel wretched, I donāt feel prolific or invigorated
I simply feel small.
I think I donāt want to feel small any longer.
I think itās time to stop prying my wounds open,
to be gentler with my skin and bones and whatever else I am
I think itās time to let myself heal.
i worry that i am bleeding out from the inside
that the entirety of me is rotting; that it always has been
and in this moment only two things are certain:
i love you and i have failed you.
ā svh, āfailure isā
āthe world was kissed And laid in sleepāThese wild, sweet, perfect things Are little miracles your memory sings, Till heart on heart makes us one music again.ā
ā e.e. cummings, from āSonnetā (Poem #19 in Uncollected Poems), Complete Poems: 1904-1962
cog in the machine
cracked lips &
acne scars adorn my skin
messy hair &
itās like i can never win
against shards of glass &
pretty, perfect girlās eyes
point mine at the ground &
wish for a disguise
distorted photos &
inversion is what i tell myself
clean up stray streaked eyeliner &
pretend i wouldnāt be anyone else
there is a guilt on my shoulders &
itās seeping into my pores
i crawl, i shiver &
i try but i canāt ignore
the shame is grown in us from the inside &
itās all an eternal, universal, never-resting lie
āI canāt exactly describe how I feel, but itās not quite right. And it leaves me cold.ā
ā F. Scott Fitzgerald
journal entry turned out kinda poetic today
āYouāve been criticizing yourself for years and it hasnāt worked. Try accepting yourself and see what happens.ā
ā Louise Hay
Reading your old writing is eitherĀ āmy god, Iām an undiscovered geniusā orĀ āwelcome to CRIIIINGE CITY folksā and there is no in between
Sabrina Coleman was one of those girls that nobody knew, yet everyone knew of. She was intensely reserved, and if she had been any other person, she would be easily forgettable. But there was an unusual allure about her, one that both drew people in and pushed them away. Some said it was her unnaturally bright blue eyes, which stuck out against the rest of Gray Coveās chipped-paint-buildings and overcast weather. Some thought it was the way her blonde, salty hair never sat neatly against her pale complexion, or how her clothes never quite matched, or the calculated, detached way in which she spoke. Others simply wrote the girl off as crazy, a lunatic at only sixteen. For whatever reason, one thing was universally agreed upon: Sabrina Coleman was strange. But the strangest, and consequently the most notable thing about Sabrina Coleman was her ghostlike presence that always resided in the same placeā Her beloved wall by the sea.
-- intro paragraph of a short story i'm writing
i love chilling with people that make me forget i have a phone.
āstomach droppedā