Favorite studio flare.

roma★
Mike Driver
h

Andulka
Sweet Seals For You, Always

Origami Around
macklin celebrini has autism
Cosmic Funnies
One Nice Bug Per Day
art blog(derogatory)

Kiana Khansmith
noise dept.
d e v o n
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if i look back, i am lost
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we're not kids anymore.
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
seen from Ukraine
seen from Russia
seen from Iraq

seen from Germany
seen from United States
seen from Pakistan
seen from Pakistan
seen from Germany
seen from Jamaica

seen from Colombia
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from Azerbaijan
seen from Germany

seen from Mozambique
seen from Pakistan
@quitokeeto
Favorite studio flare.
Afternoon shadows at the studio.
Drying dishes.
Cake notebook.
Mason Studio Apron.
Oaxaca textile love. Prepping for the next update.
In the studio. | QUITOKEETO
Hand-woven Palm Necklaces.
Colleen Hennessey Spring 2015
Malinda Reich xo
Green Gage Plum Crumble | QUITOKEETO
Still Life with Watermelon by Hermenegildo Bustos, 1874 - Collection of Museo Nacional de Arte Moderno, Mexico City. Came across it on the cover of The Mexican Stove, 1973 by Richard Condon.
Dim Sum Book by Eileen Yin-Fei Lo
The Pontormo Knife
In 1525 a group of monks hired Jacopo da Pontormo to paint the biblical scene, Supper at Emmaus, which currently hangs in the Uffizi Gallery in Florence. Jesus is at the center of the painting, with the monks that commissioned the work flanking him. While the robes and bare feet of the men at the table reference the era of the Bible, the objects on the table are closer to what was typical in Pontormo's time. You can see a very good photograph of the painting here.
According to the New Testament, once the bread was broken, the disciples at the table realized both Christ's identity and the fact that he had been resurrected. The painting seems to depict the moment just before the bread is broken. One disciple is pouring a beverage, perhaps wine, while the other holds a small loaf of bread. Christ also has a small loaf and, with hand raised, seems to be on the cusp of telling a story.
All three men have matching knives. The shape and size of the knives are larger than knives now used for steak knives and flatware. Coltellerie Berti's interpretation of the knife in Pontormo's painting is 11 inches long, with a 7-inch blade. The petal-shaped blade and weight of the boxwood handle make it an interesting hybrid between table and kitchen knife.
It is a knife that is availabe at our shop, it comes with a beech wood presentation block that features Pontormo's signature.
Fermentation Crock - Matte white fog
Playlist: GOOD FEELINGS & SWEET NOTHINGS