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@rakkausjamaailmanloppu
Goncharov is a fake movie that does not exist, but now the line "if we really were in love you wouldn't have missed" will live rent free in my mind until I die.
not to submit to the mortifying ordeal of being sincere on the internet, but your presence matters to people & your absence is felt in ways you can’t possibly realize
i have a standing bi-weekly appointment for a medical treatment, and i ended up missing a few appointments in a row for various reasons. and when i came back to the infusion center earlier this week, the nurses couldn’t stop saying that they really missed me & were wondering why i hadn’t been in
it had never occurred to me that i was anything more than a job duty to them. it never occurred to me that they’d miss seeing me, even though i know that i miss seeing regular library patrons & wonder where they are when they’re away. i just never put two & two together that way
so yes, people would notice if you disappeared off the face of the earth tomorrow. yes, people smile to themselves when you walk in the door. yes, your presence matters to far more people than you realize
Reblog to put one of these in your mutuals’ pocket when they’re not looking
the bathroom of garden room by nitin barchha & disney davis
our little lives.
‘Useless Magic’ by Florence Welch
“All I knew about Cuba was that people drove old American cars and that Ché Guevara was tied with Bob Marley as most popular poster in dorm rooms. Then my friend Erin invited me on a 2-week trip to Havana. The first thing I noticed in Havana was that the city was dark at night. There were no streetlights, porch lights or living-room lamps. It was pitch black except for the faint colorful glow spilling out of open doors everywhere, and it came from the TVs. The light captivated me. For the next two weeks I wandered around, slipping in and out of strangers’ living rooms. Each time I came across an open door and a working TV set, I would ask if I could take a picture. The answer was always yes. Nobody seemed to think it was an odd request and it was usually accompanied by a Cuban coffee or rum.”
Simone Lueck
Tammy Rae Carland, Lesbian Beds, 2002
oh! I have to tell you guys a great story one of my professors told me. So he has a friend who is involved in these Shakespeare outreach programs where they try to bring Shakespeare and live theatre to poor and underprivileged groups and teach them about English literature and performing arts and such. On one of their tours they stopped at a young offenders institute for women and they put on a performance of Romeo and Juliet for a group of 16-17 year old girls. It was all going really well and the girls were enjoying and laughing through the first half - because really, the first half is pretty much a comedy - but as the play went on, things started to get quiet. Real quiet. Then it got up to the suicide scene and mutterings broke out and all the girls were nudging each other and looking distressed, and as this teacher observed them, he realised - they didn’t know how the play ended. These girls had never been exposed to the story of Romeo and Juliet before, something which he thought was impossible given how ubiquitous it is in our culture. I mean, the prologue even gives the ending away, but of course it doesn’t specify exactly how the whole “take their life” thing goes down, so these poor girls had no idea what to expect and were sitting there clinging to hope that Romeo would maybe sit down for a damn minute instead of murdering Paris and chugging poison - but BAM he died and they all cried out - and then Juliet WOKE UP and they SCREAMED and by the end of the play they were so upset that a brawl nearly broke out, and that’s the story of how Shakespeare nearly started a riot at a juvenile detention centre
Apparently something similar happened during a production of Much Ado at Rikers Island because a bunch of inmates wanted to beat the shit out of Claudio, which is more than fair tbh
honestly Shakespeare would be so pleased to know his plays were nearly starting brawls centuries into the future
I played Claudio once and I fully support this
“When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side…there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.” And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period.”
Oskar Eustis
I need Ghibli therapy where some utter magic nonsense happens to me and it’s all very weird but there’s some nice people and when it’s over I come out of it a more complete person
Carissa Potter Carlson