[utronabalcone]

zach hill - hella

live - 2004/04/01, les dispensés, paris. zach slit his finger open on his drumkit and kept playing at least 10 minutes, until the show was over.

[neoyan]

[lemondenexistepas]

Possession - A. Zulawski

[silverscreencaps]

The Green Ray (1986) dir. Éric Rohmer

[rotting-gorewhoree]

[lafiguraentutapiz]

Silvia Prieto. Martin Rejtman. 1999

[ritualday]

silvia prieto (1999) dir. martín rejtman

[antichrstar]

Les Rallizes Dénudés

(1967-1996)

[nixiflyn]

Les Rallizes Dénudés 1978(?)

(Rare image of) Takashi Mizutani playing keyboard from ロック画報 25 JAPANESE VINTAGE ROCK’N NOTES 2006年10月 ブルース・インターアクションズ 特集 裸のラリーズ

[horrificend]

[milksockets]

french photo magazine, janvier-fevriere 2000

[zegalba]

Shinichiro Arakawa Runway Spring 1998

[movieflyerjapan]

[autodiscipline]

assorted drawings by ryutaro published along with his short columns あおむしドロップ (cabbageworm drop) & いぬへび絵日記 (dog-snake picture diary) to zappy magazine in 1998

[alwaysosculating]

The Posters of Tadanori Yokooo, Kokushokankokai, 2010

The Aesthetic of the End, Tadanori Yokooo, 1966

Tadanori Yokoo (横尾 忠則) is a fine artist, born in Nishiwaki, Japan. Yokoo works as graphic designer, illustrator, printmaker and painter. Yokoo’s work features a combination of psychdelia, and pastiche, that are iconic. Yokoo rose to become infamous, with his presentation of symbols linked to nationalism, and American Pop culture. Yokoo’s works were done in the brightest of colors, each screaming of an emotional state, that expresses with a dream-like, and adventurous tone. Panels, and collage separated material and space within the prints. Yokoo shows the intense mania of American Pop culture, psychedelic rage, romance, and vulgarity, presented a cultural discourse about reactions to a post war Japan, that have become significant as time pass. This visually delved into feelings often kept hidden, that concern themselves with the atrocious, erotic, and romantic. Yokoo did this with a sense of hysteria, and mystery of presenting tensions that echo into the present. Elements of Yokoo’s work, mirror with the approaches taken by lowbrow LA artists, cynical realists of Beijing, and outsider artists. 

Yokoo founded the theater group Tenjō Sajiki, alongside Shūji Terayama. He collaborated with filmmaker Nagisa Oshima, as an actor.

The Dream Merchant Fairies, Tadanori Yokooo, 1965

Koshimaki-osen, Tadanori Yokooo, 1966

Recruiting Member for Tenjo Sajiki, Tadanori Yokooo, 1967

New York, Tadanori Yokooo, 1968

https://50watts.com/Tadanori-Yokoo-posters

[pierppasolini]

Tetsuo: The Iron Man (1989) // dir. Shinya Tsukamoto

[rallizedenudes]