Feel bad

@theartofmadeline

if i look back, i am lost

Discoholic 🪩
Sweet Seals For You, Always

Origami Around
let's talk about Bridgerton tea, my ask is open
Show & Tell

oozey mess

Love Begins
No title available
hello vonnie
Game of Thrones Daily
NASA

No title available
KIROKAZE

Andulka

shark vs the universe

JVL
Today's Document
Xuebing Du
seen from Belgium

seen from Malaysia

seen from Türkiye
seen from France

seen from Brazil
seen from Jamaica
seen from Brazil

seen from Switzerland

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
@rapgamedavidsedaris
Feel bad
I've been keeping track of everything I've watched since I started staying at home in March. Thinking of doing photosets for all of them going forward, why not!
夕陽に赤い俺の顔 - Killers on Parade (Masahiro Shinoda, 1961)
Sign in the mines in Harlan County U.S.A. (1976, dir. Barbara Kopple).
widows (steve mcqueen, 2018)
Birth (Jonathan Glazer, 2004)
The Battle of Algiers (1966, Gillo Pontecorvo, Italy/Algeria)
some perfect blue posters I think are really pretty
Millennium Actress (2002)
Director: Satoshi Kon
Cinematographer: Hisao Shirai
could anyone fill a frame with so much detail yet still draw focus exactly where they need it like Kon could?? (no, the answer is no)
Ousmane Sembène
set it off
Repo Man (1984), dir. Alex Cox.
Thinking of using this again; there's an earnestness that I miss after scrolling back through things. I feel like I wasn't as irony poisoned a couple years ago, and even less so before that when I was on here a lot. Maybe having somewhere to jot things down will be good for me. I gotta stop doomscrolling.
Where can I buy her album tho
that vibrato
SHE SOUND SO GOOD!!!!!