Devraj Dakoji: On the LIRR
EFA Robert Blackburn Printmaking Workshop / Blackburn 20|20
Open thru Dec. 20; rbpmw-efanyc.org

blake kathryn
taylor price
h
Monterey Bay Aquarium

Kiana Khansmith
occasionally subtle
tumblr dot com
sheepfilms

@theartofmadeline

#extradirty

Origami Around
Cosmic Funnies

Janaina Medeiros
let's talk about Bridgerton tea, my ask is open
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Keni
Mike Driver
NASA
we're not kids anymore.
Show & Tell
seen from Germany

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@rbpmw-blog
Devraj Dakoji: On the LIRR
EFA Robert Blackburn Printmaking Workshop / Blackburn 20|20
Open thru Dec. 20; rbpmw-efanyc.org
Read about artist #LaurelSparks in our latest blog post. Our Visitor Services staff member Laina Terpstra spoke with Sparks. Here is an excerpt:
How would you describe your relationship to drawing in your practice, as a painter?
Drawing is essential to developing both the visual and conceptual structure of my paintings. Since the pressure on quality and financial investment is minimal, the process allows space for decisions to be impulsive and subconscious. The immediacy of drawing allows me to work out ideas in rough form and get lost in the rhythm of scribbling pigmented lines on a hard yet delicate surface. In comparison, my canvas work involves carefully studied pours and strategic placement of materials and brushwork. Drawings, whether quick sketches or developed images, supply the linear armatures for my paintings. The difference between the two is akin to weaving versus playing chess.
Read the full post on drawingcenter.org. Click on the left-hand circle.
Image: Laurel Sparks, Dazzle Drawing 3 (on a black background), 2013. Graphite, marker, colored pencil, ink, cutouts, collage, and glitter on paper, 28.5 x 23 inches. Courtesy of the artist.
EFA RBPMW 2014 SIP Fellow, Laurel Sparks was featured on Drawing Center’s tumblr!
The opening reception for SIP Fellowship Show II was fantastic, if you didn’t make it the show is on view until August 2nd!
More info: http://www.rbpmw-efanyc.org/current/
WEDNESDAY JUNE 17, 2015
TODAY: JJ PEET at On Stellar Rays, Effi Ibok + Margarita Sánchez Urdaneta at EFA Project Space, Sacrosanct: Intersections of Iranian art, culture and politics at William Holman Gallery, Suddenly, Last Summer at Longhouse Projects, Joan Witek at Jason McCoy Gallery + more
Joan Witek, P-139, 2007, pencil and oil stick on canvas, 24 x 24 inches
Come to EFA Project Space and see work by Effi Ibok, an RBPMW monitor and Whitney Independent Study Program participant!
Linocut plate with antique Milagros for embossing by Jose Luis Ortiz
#regram first color proof of Jenny Schmid's new #mezzotint series!#rbpmw
#regram from @missjenski! Come by Friday to see her beautiful mezzotints. 6-8 in #Blackburn20|20
Getting excited for our show of mezzotints by Jenny Schmid! Opening Friday! #hereandafter #mezzotint #stateproof #progressive #printmaking #rbpmw
3 days left to apply for our Open Call, Juried by Ruth Lingen! http://www.rbpmw-efanyc.org/open-call/ #intaglio #etching #opportunitiesforartists #opencall
Blackburn field trip to see Bueys' #multiples! #Rbpmw #sculpture #Chelsea
We're at #SGCI in Knoxville! Visit us at booth 52! #printfair
ONE WEEK LEFT! Apply for our intaglio show juried by Ruth Lingen: http://www.rbpmw-efanyc.org/open-call/
Great turn out for the panel discussion on Bob Blackburn: Passages!
So excited for our new fliers by @endlesseditions, designed by Sage Lau!
Monitor Amanda Nunally at a photolitho class!
Justin's drawings for silkscreen!
Submit to out Open Call for etchings juried by Ruth Lingen: http://www.rbpmw-efanyc.org/open-call