You make me laugh, but it's not funny.

[yasbroadcity]

[blog-girl-on-film]

Carey Mulligan by Rory Payne | Porter Magazine. April 2020 

[flowerytale]

Carey Mulligan photographed for Net-a-Porter, April 2020

[onscreenkisses]

♫ 1, 2, 3, 4 - I won’t take no anymore 5, 6, 7, 8 - I want you to be my mate 1, 2, 3 ,4 - you’re the one I adore 5, 6, 7, 8 - don’t run from me cause this is fate ♫

But I’m a Cheerleader: Megan + Graham + romantic moments

[dcmultiverse]

MARY ELIZABETH WINSTEAD SESSIONS 05, 2018

[stephsxcorner]

Matt Czuchry + Pink

Bonus:

[mrgaretcarter]

Happy Birthday Saoirse Ronan! Born April 12th, 1994

[kristeens]

“Sometimes, the loudest voice in the room isn’t necessarily the one you should listen to.”

Happy 30th Birthday Kristen Jaymes Stewart. (Part 2)

[arianagrands]

I have so much faith in people because I know how complicated life is, which is why I’m never hard on anyone. I don’t judge. We need to make mistakes and take risks in order to do anything worthwhile. And importantly, we should not be hard on ourselves.

Happy 30th Birthday, Kristen Jaymes Stewart   ♡  April 9, 1990

[takemetoohigh]

“What do you tell your models to distract them?” “Are you bored?” “No. I’m interested in you.”

[ladyonfire28]

Céline on filming desire in the “look at me” scene. 

(Yo @bereaving​ is the best just sayin’) 

“The film finally sees its central figure, its dreamed figure around which it was articulated and thought: the shot/reverse shot between the model and the painter.”

“The movie plays with the paradox that it’s the painter who says “look at me” and decides to film desire. The desire, the materiality of desire, the confusion, the blow in the stomach.”

“We use cinema to film desire before love.”

Click here to see more translated parts of the DVD commentary

[dustlandfairytales]

colin farrell icons. like or reblog if you save them! credits on twitter: @insomnixs.

[vivienvalentino]

It’s like our time together is just ours. It’s our own creation.  It must be like I’m in your dream, and you in mine, or something.

— BEFORE SUNRISE 1995, dir. Richard Linklater

[mandronia]

[gretagerwisg]

Do you know I don’t think one hour passed where I didn’t think of you? I tried not to, but every time I closed my eyes, there you were.

Gentleman Jack (2019-) 

[grey-wardens-archive-deactivate]

Central to the film is a reclamation of the Orpheus myth, a version of which the three young women read aloud together one night. Sophie registers distress at Orpheus’s fatal, selfish incompetence in looking back at Eurydice when he was told not to, and Marianne suggests he may have done it on purpose, preferring to lose the woman and savor, instead, the romance of his grief, making not “the lover’s choice, but the poet’s.” But it’s Héloïse who removes, for once, the fixation on Orpheus, his failings, and his loss. What if, she says to Marianne with an edge of defiance, it was Eurydice herself who chose art over staying together, who rather than leave the underworld with Orpheus, stopped and called out “Turn around,” preferring to remain down there and be preserved in poetry. A kind of freedom and a kind of permanence, rather than, as eighteenth-century marriage looks to be, an unwilling exchange of one for the other. —  In Portrait of a Lady on Fire, Love is a Work of Art

[hajungwoos]

Takeshi Kaneshiro in Chungking Express (1994) dir. Wong Kar-Wai