I have this Eo/Mustang fic I R E A L L Y want to write but,,,,
I am SOOO here for this

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@redrisingreaper
I have this Eo/Mustang fic I R E A L L Y want to write but,,,,
I am SOOO here for this
Quickest way to die in the Red Rising universe is to become a father figure to Darrow. His actual Dad? Dead. Uncle Narol? Dead. Dancer? Dead in terms of respect. Fitchner? Super Dead. Nero Augustus, his future father-in-law? Dead before he got the job. Romulus, a candidate for a distant father figure with whom you have a respectable rivalry with? Dead. Mickey is like his weird uncle so he’s skating on thin ice. Any older man who Darrow has even an ounce of respect for might as well sign their death certificate.
Looks like my shoutouts work, so here it goes for the underappreciated artists who deserve so much more love and recognition than they actually get:
@morgondagar
@violetfeverdreams
I’ll include edits makers:
@redrisingreaper
@raging-howler
💖💖💖 their works are amazing. Aesthetics always on point! 💖💖💖
Ichor (fic preview)
Here's an excerpt/preview to the time-travel fix-it fic where (most) everyone lives/nobody dies, I'm currently writing. I'm trying to write it in snippets that when slappes together should form a decent-sized chapter (3000-4000 words). Hope this technique will work for me :) also this is totally not so i can give each snippet a title
So yeh Darrow's mind travels back on time into his body when he's buried post-execution, before the Sons of Ares find him. If you think it's written ambiguously, fear not, it's intentional (probably).
I'm not sure on the title yet. might change it later to something equally aesthetic lol
Unburied
Darrow wakes up buried.
Dark, red dirt surrounds him, chokes him. Blind panic engulfs him, but he retains enough sense to claw his way out, breaking his nails in the process. He gasps for breaths when he breaks out, damp air filling his desperate lungs. Through the haze of pain -his neck hurts, his back bleeds, but his head, oh his head is killing him- he sees the old tunnel he's in. The old tunnel. There's a flare next to his grave. The situation, as absurd and unbelievable as it is, slowly starts to make sense.
He's back.
He's back.
Or is he? What if this is some elaborate ruse? What if this is a dream? Darrow doesn't remember ingesting anything suspicious -Obsidian mushrooms, Purple drugs or other weird cosmic shit- but the solar system is vast and he is a man with many enemies, and many willful friends who wouldn't hesitate to mess with him and slip something into his food and drink.
His fingers dig into the red earth. Deep breaths. Deep breaths, Darrow. Calm down and wait to see what happens.
When the tumbler comes with the men in Octobernacht masks, he stays silent, choosing caution over that weird mix of hope and dread it drudges up in him. Shut the slag up and analyze the situation, as Victra once aptly said.
Where once he would've balked at strangers helping him, this time Darrow quietly curses as they haul him by his upper arms in the tumbler. His small, broken Red body is a foreign vehicle. Seeing Harmony again, even with her half-scarred face behind the mask, makes his sword hand twitch, but unlike their first meeting he doesn't say anything.
Silence, he has learned, invited curiosity. Which led to information.
"Lazarus," Harmony says finally, after a long stare, "You're a damn mess."
Darrow takes the scarlet headband out of his pants pocket and clenches it in his fist. He looks down at it and tries to calculate how many years it has been since he last saw it. Decennia. They feel like centuries.
"Home sweet home,” she says after they pass the checkpoint. And when they pile out of the tumbler, “Now time to meet Dancer.”
Dancer is as handsome and as old as Darrow remembers him. It takes all of his control to blink away the tears, to gulp down the words stuck in his throat. If this is a joke, it has to be the cruelest of them all. He's missed his steadfast, eternally burdened friend.
"You must be wondering who we are." Dancer says.
"The Sons of Ares." Darrow answers, and is infinitely glad his voice comes out steady, if toneless. Let them think him still shaken by Eo's death, by his execution. Better than they know the truth.
Dancer studies him, "You need a patch-up. Harmony, take care of him." Then again to him, "We'll talk when you're not bleeding all over the bloodydamn floor."
He ignores all of Harmony's attempts at smalltalk, and when those fail, at provocation. He doesn't know what to think of her, the indirect cause of Fitchner's death, Adrius and Roque's betrayals. Avoidance is working well so far. And her less than gentle treatment grounds him into the present. Present. He barely smothers a snort.
Right.
The antinac and the shower make all aches recede, save for the migraine plaguing him. It feels like his head is being split open. Darrow is gripping his hair when Dancer comes in with food.
"Bet you got a lot of questions."
Darrow frowns and forces himself to think past his headache, tries to remember how past him would act. Grieving. Angry. "Do they matter? Eo is dead. I should be with her in the Vale."
Well, that might be laying it on a little thick but they'll both survive his melodrama.
It's Dancer's turn to frown, "We saved your life, Darrow. So your life is ours. No dying for the dead today. Or tomorrow. Or any day from now on. You owe us. You owe Ares. Your uncle does too and he knows this."
"Is he dead?"
"No."
Darrow nods, but another lump has settled in his throat at the mention of his uncle. Uncle Narol. Long dead, shot by the Jackal. His last words resonate in Darrow's head, momentarily driving away his headache.
Dancer is studying him again. His bright eyes read him like an open book, drawing conclusions from the sorry sight he makes. Hopefully his align with what Darrow wants him to know. Then, like the first time, Dancer proposes the card game.
Darrow wins, although he's tempted to lose. Let another take his burden. Let another suffer in his place. But those are wistful musings, like how he sometimes wishes he could fly, or that he could breathe in space.
Dancer tells him about Ares, about the Conquering, about Rhea. He still uses the same damn flea metaphor as last time. Everything fits, except that this time, Darrow is an old, wartorn soul trapped in his first body.
Dancer talks about Eo, the martyr of hope, the symbol of the rebellion. Of more import in death than she ever was alive. "They call her Persephone."
"She’s not coming back,” he snaps, "So what does it matter what they call her?" Eo doesn't ever come back. But he does. Darrow, the reaper -unworthy, undeserving- does. Not for the first time, Darrow marvels at the unfairness of it all.
And then Dancer takes him to the view that had torn his world apart, once upon a time. "You tried to die before,” he says. “Do you want to do so again?”
"I want..." to go back. To stay. He wants Mustang and his children and Sevro and Victra and the life he fought so hard for. He wants Ragnar and Roque and Cassius and Quinn and Tactus. He wants to change history, wants his dead friends to meet his children. He wants to do it again, but better. Can he? Will he? There's only one way to find out. "I want a world where girls like Eo don't have to die for a dream."
It earns him a sad smile. "Justice. I feared you'd want only vengeance."
He shrugs, careful to not stray from his young, impulsive, brash self, "Whichever comes first."
Dancer shakes his head but continues to lead him towards the upper floors. Finally they reach it. He turns to him when they near a door, the door, "Don't let this break you."
They enter.
And the city of Gold that sprawls before them brings him to his knees.
Darrow cries then, all his pent-up fear and guilt and anger pouringout of him. A dam with its floodgates opened. "A lie," he says brokenly, "It has to be a lie." He means his miraculous disastrous return, the lie he keeps on telling himself, but is grateful when Dancer thinks it's about the lie they've both been fed.
He watches the bright city through hazy eyes -eyes that are so lacking compared to his Gold ones- barely listening to Dancer as the latter explains.
Every Color has a purpose. Every Color props up the Golds. Red lowest of them all.
Darrow is inclined to agree. This body is... less. Nothing is as easy, nothing is as clear, nothing is as good as his Gold carved body. He feels like a wolf trapped in the skin of a rabbit.
The acrid smell of smoke fills his nostrils. Dancer has lighted one. The same bloodydamn Pixie with his gaggle of girls flies by. Darrow makes a stiffled noise. Madness. This is madness.
"What will it take to take it back?" He recites dully from memory.
Dancer smiles, "Blood."
Darrow stares at that smile, fatherly, but hiding a fierce beast. He thinks of what this means, a second chance,or something else. Something damning. A gift? Or a lie hiding behind the farce of one?
"Eo was right. It takes violence." He takes Eo's headband out of his pocket, lost so long ago. He feels the weight of it. Of Eo's dream. Live for more. A burden he thought shed in the years following Virginia's coronation. Now again his task is to bear it and make it come true. He looks up into Dancer's bright eyes, and realizes that it's quiet inside his head. His mind is free of any pain, and when he speaks again, it's with the clearest sight he's had since crawling out of his grave.
"What is my mission?"
What do you think of Nero and Darrow's relationship? To me it kind of feels like a hate-respect kind of tension.
In my opinion, Nero-Darrow is a subtle subversion of mentor-enemy/avenger-protegé trope. Most often these relationships showcase the student being torn over their complex feelings towards the mentor they hate. Proximity equals getting to know the other results into the "oh shit i like dislike-like them" revelation.
Here's where Pierce diverts from this in a really fluid way:
There's no proximity. For the most part, Nero and Darrow have minimal contact with each other. Darrow is kicking ass at the Academy, and Nero is... somewhere being his tyrannical self. To Darrow, he goes from a distant kill objective to a distant disapproving, manipulating rich asshole.
Darrow never ever deviates from his path, his view or his opinion of Nero. Dude killed his wife, and is the poster boy for Mars' fascist society. In Darrow's mind, Nero is Evil, who oppressed his people and executed him and destroyed his friendship with Cassius. Nero never shows him any redeeming qualities. He treats him as a tool, to be discarded after the first chink or mishap. And Darrow has lived his whole life as a Red being treated like that, he's not about to live his Gold one the same way.
Leto. See, Nero didn't take Darrow under his wing as much as he grabbed his trophy from the Institute and skeddadled out of Bellona fire range. Nero already had Leto as replacement for his son, he didn't need another one. But Nero covets power, and Darrow showed just that in Red Rising: power.
Which brings me to my biggest point: Leto is the son Nero wants, but Darrow is the son Nero needs.
See, Nero is waging a cold war against Bellona and the Sovereign, and to win it he needs a weapon. Darrow is that weapon, and Nero knows it, but he also is wary of that weapon being turned against him. He resents the fact that he couldn't just have Leto and be certain of victory. Leto is loyal. Leto is safe. Leto is a knight, he's malleable only insofar as his limited view of the world permits to.
Darrow unpredictable and that makes him dangerous (which... he is. We see that when reading from his modest pov. Imagine how he must've looked in the first trilogy from other perspectives *shudder*). His extrapolations are out of the world, they're literally history-making.
Had Nero been less prideful and more smart, he'd have played into Darrow's emotions, his weak point, and turned all of that ruthless focus on his enemies. But noooo, he had to be a dickwad during the whole books.
The mentor-enemy/avenger-protegé trope is subverted here because the one doing the panicking is Nero (the mentor in the loosest sense of the word) and the one who's unfazed is Darrow. Nero is wary of Darrow because he knows he needs him but he doesn't trust him, and Darrow couldn't care less about the wannabe tyrant.
Summarized, Nero-Darrow is:
Nero: 🤡 🏆👤
Darrow: 🤢🚫🗡
I know Sevro is supposed to be a Gryffindor in an HP AU. But given that he values loyalty so much, I’d put him in Hufflepuff any day.
That, and when Slytherin!Darrow says ‘Somebody is going to die’, Sevro would totally be the Hufflepuff to say 'Oh, fun!’.
Hufflepuff!Sevro makes perfect sense. Look at the characteristics of this House:
"Students belonging to this house are known to be hard-working, friendly, loyal, honest and rather impartial. It may be that due to their values, Hufflepuffs are not as competitive as the other houses, and are more modest about their accomplishments. Hufflepuff is the most inclusive among the four houses; valuing hard work, dedication, patience, loyalty, and fair play rather than a particular aptitude in its students.
Hufflepuffs are known to have a strong moral code, and a sense of right and wrong. Hufflepuffs are usually accepting of everyone. Students in Hufflepuff are known to value everyone and treat them as equal." (Source: Harry Potter Wiki)
That's like... Sevro and Fitchner's personalities. Rejected by their group, accepting of those technically on the ladder below them, having to scrape for every bit of recognition and respect, loyal to the near-literal death (the hanging scene was a fright), dedicated to the cause till death (the head scene still gives me nightmares. I fucking hate Roque sometimes). Also cant imagine anything more honest than this quote:
"I'm gold, bitch."
Anyone who disagrees with Puff!Sevro can meet me behind Macy's, parking lot, 1am.
Would you mind people sending you asks?
Not at all! In fact, I'll be flattered to answer them!! I wouldn't have made a blog dedicated to the series if I didn't want to interact with the fandom. I'm quite happy I got sent this ask only a few hours after I opened the ano option lol
Send all your asks, please! *cracks knuckles* I'm more than ready to answer them!
Darrow… (”Red Rising” trilogy by @pierce-brown)
Me messing around.
Darrow from Red Rising by pierce broun cause this book is just sooooooo good. It totally gave me the mood swings from laugh to tears in literally minutes. I couldnt decide wether to draw Red Darrow or Darrow au andromedus so i kinda drew his logogram as a red one’s to represent his true self. I feel like i put in way too much thought in things after midningt.
A rough first sketch of Darrow from Red Rising by Pierce Brown. OK now bare with me but doesn’t this first book remind you of Percy Jackson a bit? I don’t mean the whole book, and this one is way more brutal but honestly Darrow is Percy and Mustang is Annabeth XD they kinda have some of the same dynamic. Like the girl has that calm cleverness. But all this is probably cause of all the Greek god names. Just a thought :) I got zero Hunger Games vibes. #fanart #wip #sketch #digitalart #darrow #piercebrown #redrising
Just in case you needed a reminder:
‘I would have given Sevro his own unit, but he and his Howlers will not leave my side again. They blame themselves for the scar on my belly.’
Headcanon that everytime someone sees Darrow's belly scar they get painfully reminded of how even the best friendships (and pre-relationships) among Golds can end brutally, horrifically, tragicallly.
“Deployment coordinates reached.” Roque’s voice fills the ears of every Gold in the fleet. “Let fall the Rain.”
Golden Son: The Iron Rain
It is always very endearing to me that half the galaxy is scared shitless of Darrow and consider him the big, bad Reaper and don’t want to stand in his way and they spread rumors of him eating glass and stuff like that. But Darrow is actually very sweet and tender and the ‘big, bad Reaper’ thing only fortifies this.
Like he has these very powerful hands which can pull out tongues using only 2 fingers, but he is so sweet and gentle with Mustang, caressing her face, her hair, her body.
He makes jokes with his Howlers before his first Iron Rain to give himself and them some courage. He kisses and hugs his friends. Even on the lips. No matter the gender. Because they are family. He cries and he breaks and he suffers. He makes mistakes and lives with the consequences.
He is full of contrasts: a Red in Gold body, a Ruster and an Iron Gold, a warrior who wants peace.
He is multifaceted and well-written and so beautifully, unapologetically real. No toxic masculinity bullshite on the horizon. The only reason he puts up brave fronts in because he is at war and doesn’t want his soldiers to falter when they see their leader.
He is like a breath of fresh air.
“The world is changed because you are made of ivory and gold. The curves of your lips rewrite history”
Latin: mundus mutatur quod te eboris et auri fieri. curva tuorum labiorum circumscribet historiam.
Greek: ἡ γῆ αμείβοτο ὡς ποιούμενον σέ ἐλέφατοσ καὶ χρθσοῦ. αἱ καμπαί σοῦ χσιλῶν μεταγράφει τὴν συγγραφὴν.
—Oscar Wilde, The Picture of Dorian Gray (1890)
If you don’t go through all the stages of grief multiple times everytime you read a Pierce Brown book, are you even paying attention, Pixie?
Bold of you to assume I ever reached Acceptance.
I've transcended all of them and have unlocked the secret final stage:
Nope, fuckthatville, neverhappened, oho fanfiction
Would u be open to fellow Howlers sending u dms to talk about red rising saga, strike up friendships, etc?
Why do you think my ask box is always open, anon? All of my Howler friendships have been done through dms, asks and so on. 💖