HOW DID I GET HERE? HOW THE HELL ...
#ššššššššššš : a character study of MARK COHEN. affiliated with @lovehurried & @amreality.
docs. writing. side. usfw.
Acquired Stardust

blake kathryn
almost home

Andulka

tannertan36
KIROKAZE

pixel skylines
ojovivo

Discoholic šŖ©

if i look back, i am lost
NASA
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

⣠Chile in a Photography ā£
art blog(derogatory)
Three Goblin Art

Kiana Khansmith
DEAR READER
wallacepolsom

Kaledo Art
RMH

seen from Malaysia
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from Australia
seen from Brazil

seen from Brazil

seen from Singapore
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
@rentemotion
HOW DID I GET HERE? HOW THE HELL ...
#ššššššššššš : a character study of MARK COHEN. affiliated with @lovehurried & @amreality.
docs. writing. side. usfw.
UNUSUAL MUSE ASSOCIATIONS.
spice : ginger.
weather event / natural disaster : blizzard.
color : purple / brown / red.
magical power : clairvoyance.
shoe : converse.
plant :Ā Ā rosemary.
animal :Ā owl.
weapon : scissors.
subject / major : film.
gemstone / mineral : garnet.
makeup product : nail polish.
candy : peppermints.
fear : being alone.
sport (traditional or extreme) : cycling.
method of longādistance travel : train.
hour : nine pm.
wood : cherry.
mythological creature : will-o'-the-wisps.
three emojis : š½ļøš„āļø.
moon phase : waxing gibbous.
TAGGED BY : i stole it from myself. TAGGING : you!
Blake Patrick Anderson as Mark in RENT at Hope Mill Theatre 2020
' me? i'm here ... nowhere. ' @amreality
Canāt believe thereās men who just walk around with rings and bracelets on⦠sluts
WHAT IS IT YOU WANT FROM LOVE ?
YEARNING. restless minds at night and listening to melancholic songs in the dark while thinking of them. you spent so much time loving while going unloved that youāve found comfort in it. itās the only way you know how to, your heart learned to love in the same beat you learned to lie about it and youāve found a home in the unrequited.
Blake Patrick Anderson and Tom Francis as Mark Cohen and Roger DavisĀ
' i should tell you, i should tell you ... ' @amreality
ššš Ā ššššššā Ā ššššš Ā šššššššš Ā šššššššš , Ā PARTĀ TWO Ā Ā ā Ā Ā a collection of one - liners taken from joe iconisā 2022 album, Ā album. Ā slightly edited for clarity. Ā change pronouns as necessary. Ā Ā PARTĀ ONE. Ā Ā PART Ā THREE.
āĀ iĀ haveĀ beenĀ awayĀ soĀ long . Ā ā āĀ iāveĀ beenĀ afraidĀ toĀ showĀ myĀ face . Ā ā āĀ iāmĀ aĀ manĀ now , Ā iĀ amĀ strong . Ā ā āĀ welcomeĀ homeĀ toĀ me . Ā ā ā Ā i'mĀ notĀ healed , Ā butĀ iāmĀ somethingĀ greater . Ā ā āĀ iāmĀ notĀ aĀ man , Ā iāmĀ justĀ aĀ shape . Ā ā āĀ everythingĀ looksĀ weirdĀ andĀ new . Ā ā āĀ iĀ gotĀ theĀ sympathyĀ forĀ theĀ killer .Ā ā āĀ iĀ canĀ guessĀ theĀ ending .Ā ā āĀ iĀ shouldĀ run . Ā ā ā iĀ tryĀ toĀ notĀ justĀ goĀ berserk . Ā Ā (Ā thatĀ isĀ notĀ goingĀ well .Ā )Ā ā āĀ sheāsĀ accomplishedĀ allĀ myĀ dreams . Ā ā ā Ā my Ā psychotherapist is Ā great .Ā ā āĀ myĀ psychotherapist isĀ great . Ā Ā (Ā exceptĀ whenĀ sheāsĀ not .Ā )Ā ā āĀ iĀ canātĀ helpĀ thatĀ iāmĀ tense . Ā ā āĀ youĀ knowĀ her .Ā ā āĀ sheāsĀ theĀ oneĀ whoseĀ starĀ ascended . Ā ā ā Ā i'llĀ performĀ forĀ oneĀ eye - rollingĀ waiter . Ā ā ā Ā iĀ thinkĀ thatĀ bitternessĀ becomesĀ me . Ā ā āĀ withoutĀ herĀ iĀ wouldĀ notĀ survive . Ā ā āĀ myĀ thoughtsĀ startĀ toĀ splinterĀ andĀ sheĀ keepsĀ meĀ sane . Ā ā āĀ sheāsĀ aĀ touchĀ intense . Ā ā āĀ whatĀ youĀ canātĀ seeĀ getsĀ leftĀ behind . Ā ā āĀ outĀ ofĀ sightĀ andĀ outĀ ofĀ mindĀ isĀ justĀ theĀ wayĀ thatĀ thingsĀ haveĀ gottaĀ be . Ā ā ā Ā iĀ thoughtĀ weĀ hadĀ aĀ history . Ā ā āĀ everybodyĀ doesĀ fineĀ withoutĀ me . Ā ā āĀ theĀ worldĀ doesĀ justĀ fineĀ withoutĀ me . Ā ā āĀ donātĀ lookĀ atĀ meĀ likeĀ iāmĀ someĀ totalĀ downer . Ā ā āĀ iĀ justĀ wantĀ somebodyĀ toĀ spoonĀ with. Ā ā āĀ iāveĀ neverĀ beenĀ touched . Ā ā ā Ā nobodyāsĀ everĀ putĀ theirĀ armsĀ aroundĀ me . Ā ā āĀ ew , Ā getĀ away . Ā ā āĀ iĀ donātĀ wantĀ theĀ moonĀ . Ā ā āĀ iĀ justĀ wantĀ herĀ toĀ feelĀ okay . Ā ā āĀ weĀ allĀ getĀ aĀ littleĀ sadĀ sometimes . Ā ā āĀ weĀ allĀ actĀ aĀ littleĀ badĀ sometimes . Ā ā ā Ā i'veĀ neverĀ seenĀ aĀ girlĀ likeĀ her . Ā ā āĀ weāreĀ notĀ inĀ love . Ā ā ā Ā weāre Ā not Ā in Ā love ,Ā Ā iĀ wishĀ weĀ were. Ā ā āĀ putĀ allĀ yourĀ loveĀ insideĀ me . Ā ā āĀ letāsĀ goĀ rightĀ nowĀ theĀ twoĀ ofĀ usĀ andĀ notĀ lookĀ back . Ā ā āĀ weĀ allĀ goĀ aĀ littleĀ madĀ sometimes . Ā ā āĀ baby , Ā letāsĀ goĀ toĀ bed . Ā ā ā Ā iĀ wishĀ iĀ hadĀ theĀ strengthĀ toĀ stay . Ā ā āĀ iāllĀ beĀ backĀ hereĀ inĀ theĀ morning . Ā ā āĀ iāmĀ offĀ committingĀ myĀ crimes . Ā ā āĀ justĀ ignoreĀ yourĀ conscience . Ā ā ā Ā i'mĀ aĀ fuckināĀ fake . Ā ā ā Ā itāsĀ just Ā ācauseĀ iĀ loveĀ youĀ soĀ much . Ā ā āĀ iĀ justĀ hadĀ toĀ comeĀ clean . Ā ā āĀ iĀ committedĀ aĀ crimeĀ atĀ christmasĀ time . Ā ā āĀ iĀ wonātĀ beĀ comināĀ home . Ā ā ā Ā iāmĀ aĀ writer . Ā ā āĀ iĀ ainātĀ madeĀ aĀ dimeĀ inĀ aĀ while . Ā ā āĀ gotĀ aĀ lotĀ ofĀ material Ā ā Ā noĀ oneĀ cares . Ā ā āĀ myĀ songāsĀ goneĀ outĀ ofĀ style . Ā ā āĀ iāmĀ inĀ theĀ rightĀ placeĀ inĀ theĀ wrongĀ time . Ā ā āĀ myĀ dreamsĀ areĀ big . Ā ā ā Ā itāsĀ aĀ shortĀ walk ,Ā Ā butĀ aĀ longĀ climb . Ā ā ā Ā iĀ wonderĀ ifĀ herĀ lifeĀ isĀ justĀ likeĀ mine . Ā ā āĀ iāmĀ notĀ theĀ onlyĀ personĀ whoĀ feelsĀ thisĀ way . Ā ā āĀ rememberĀ theĀ thingsĀ thatĀ nowĀ areĀ gone . Ā ā āĀ rememberĀ theĀ history , Ā rememberĀ me . Ā ā āĀ thingsĀ inĀ newĀ yorkĀ areĀ temporary . Ā ā āĀ heĀ changesĀ fromĀ aĀ guyĀ thatĀ youādĀ neverĀ beĀ into , Ā intoĀ aĀ guyĀ thatĀ youādĀ kindĀ ofĀ beĀ into . Ā ā ā Ā he Ā changes Ā from Ā a Ā guy Ā thatĀ iād Ā never Ā be Ā into , Ā into Ā a Ā guy Ā thatĀ iād Ā kind Ā of Ā be Ā into . Ā ā āĀ isĀ heĀ worthĀ it , Ā Ā [ name ]Ā ? Ā ā āĀ iĀ donātĀ alwaysĀ relateĀ toĀ otherĀ peopleĀ myĀ age .Ā ā āĀ iĀ guessĀ aĀ partĀ ofĀ meĀ likesĀ toĀ talkĀ you . Ā ā āĀ iĀ guessĀ aĀ partĀ ofĀ meĀ likesĀ toĀ sitĀ withĀ you . Ā ā ā Ā iĀ guessĀ aĀ partĀ ofĀ meĀ likesĀ toĀ hangĀ withĀ you . Ā ā āĀ theĀ guyĀ thatĀ iādĀ kindĀ ofĀ beĀ intoĀ isĀ you . Ā ā
WHAT SOFT ROMANCE CLICHE ARE YOU?
the almost kiss. you're unsure about things, always hesitating. why is that? maybe there's something to lose for you, but maybe (just maybe) the risk is worth it. you're the moment when the main characters lean in, lips parted and almost touching. but it's not the actual kiss everyone loves, it's the anticipation. when they look into each other's eyes before their lids flutter close. and there's a lot of frustration when things are interrupted. trust me though, you're a lot more memorable than the actual kiss. you're nervous, but at the end of the day all you want is to be loved.
Blake Patrick Anderson as Mark CohenĀ
Cast of RENT in Manchester (2020) - 1/12
' i had no juice in my battery. ' @amreality
āThereās no place Iād rather be.ā
@rentemotionāĀ gets a festive lyric one-liner Step into Christmas Ā ( Elton John, Ā Caribou Ā ( 1974 ) )
itās cold,Ā the wind leaving both with frost nipped cheeks,Ā and yet mark finds he doesnāt disagree with her. Ā ' me either. ' Ā no matter how appealing fantasies of moving west,Ā to santa fe or los angeles,Ā sound in the moment. Ā new york is home. Ā it has been since his first visit into the city as a kid,Ā face pressed against the window of his fatherās car as they drove past tourists and artists and businessmen,Ā all on their way to whatever destination awaited them. Ā (Ā what do mark and mimi look like to passersby now? Ā do they take notice of her ripped pantyhose,Ā the shoe laces wrapped around his ankles? Ā or are they just a blip on their radars?Ā ) Ā ' iāve always thought this is the greatest place in the world.Ā '
' the music ignites the night with passionate fire! '
' somehow i think i smell the whiff of a scheme ... ' @quinfamy.
leaving for work soon, but ... like for a one - liner?
ā ā¶ ā Ā Ā» Ā Ā šš¶š¼š¹ šŖšÆšØš¹šØšŖš»š¬š¹ šØš¹šŖ.
romance / friendship arc. you started this story a little hard, or awkward, or stubborn. that's okay. it's harder than it should be to admit, but what you really want is love. that's what your story is all about - not just the act of loving, but the allowance of it. the confession that you do not want to fight or bleed or save the world, but to simply feel the way two hands fit so easily together. you will have two chairs and a table and you will shut your blinds, and you will say the word love without faltering. this is a happy ending, and you do not need to feel guilty. it hurts our hands to fight - never to hold.