Douglas Gordon and Morgane Tschiember, As close as you can for as long as it lasts, 2016
Keni

pixel skylines
$LAYYYTER
Alisa U Zemlji Chuda
Monterey Bay Aquarium
Not today Justin
trying on a metaphor
Sade Olutola
KIROKAZE
styofa doing anything

Love Begins
noise dept.
NASA
Misplaced Lens Cap
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Mike Driver
art blog(derogatory)

Janaina Medeiros
will byers stan first human second
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@repeaterpeter
Douglas Gordon and Morgane Tschiember, As close as you can for as long as it lasts, 2016
Atelier Brancusi Photo: @gonaquerreta
Marleen Sleeuwits
sculpture no. 2
tubelights, tierips and paint
Mauricio Alejo “Dinner Table” 2012.
Digital Print, 111 x 145 cm; Ed. 1/5;
Pezo von Ellrichshausen - 120 doors pavilion, Concepción 2003. Via socks.
Yoko Ono - A Hole, 2009
Provisional Arrangement by Martin Kollar
Inspiration: Kisyhio Suga, Law Of Multitude (Tabunritsu), 1975.
Descent into Limbo by Anish Kapoor, Kassel, 1992
David Nash - Pyramid, Sphere, Square, 1997.
Constantin Brancusi, Newborn #1, 1915, white marble, 15 × 21 × 15 cm. Philadelphia Museum of Art: the Louise and Walter Arensberg Collection, 1950. Acc. 1950-134-10. © ADAGP, Paris and DACS, London 2012.
Karsten Födinger
http://www.raebervonstenglin.com/index/exhibitions/past/Karsten-Foedinger-0814.html
Leon Vranken, Flowing Line, 2014.
Fountain Pump, Foil. 300 x 750 cm.
“For Judd what mattered was the placement of these pieces, very deliberately sandwiched between walls, floor and ceiling. There is nothing inherently magical about any of these units. This is one of the very important contributions that Judd’s art makes. Its really about space as much as it is about object.” Ann Temkin, Chief Curator of Painting and Sculpture, on artist Donald Judd, who was born this day in 1928. Judd will be the subject of a MoMA retrospective in fall 2017.
[Donald Judd. Untitled (Stack). 1967. The Museum of Modern Art, New York. © Judd Foundation, licensed by VAGA, New York]
“12 x 12 x 1 To 2 x 2 x 6″, 1990
By: SOL LEWITT….
Stairs (These Stairs Can Be Climbed) 1974
Alice Aycock
My Red Homeland by Anish Kapoor