“You pulled my sleeve but not too hard Remember when you took too much? I didn’t mind being your crutch We loved you then It’s not the same I don’t like how things change I don’t like how things change”
EXPECTATIONS
The Bright Sessions

No title available

Product Placement
No title available
Sade Olutola
Fai_Ryy
noise dept.
Aqua Utopia|海の底で記憶を紡ぐ
tumblr dot com
Cosmic Funnies
One Nice Bug Per Day

ellievsbear
Keni
Game of Thrones Daily
🪼
macklin celebrini has autism
d e v o n
𓃗
occasionally subtle

seen from Ecuador
seen from Italy
seen from Iraq
seen from Pakistan
seen from United Kingdom
seen from United States
seen from Argentina
seen from India
seen from United States
seen from India

seen from Ukraine
seen from United States

seen from United Kingdom
seen from United States

seen from United States
seen from Germany
seen from Syria
seen from Mexico

seen from United States

seen from United States
@reservoirbobs-blog
“You pulled my sleeve but not too hard Remember when you took too much? I didn’t mind being your crutch We loved you then It’s not the same I don’t like how things change I don’t like how things change”
Wallace Polsom, Thy Will Be Done (2018), paper collage, 19.7 x 24.4 cm.
Forty milligrams
Drowning, save for some panic
Took about nineteen
Sid Avery
James Dean makes his own movies with a Bolex camera on the Marfa, Texas set of Giant. 1955
Gelatin silver print
There Will Be Blood (dir. Paul Thomas Anderson)
Bobby Tucker, You’re Going Nowhere (2018), digital collage, 9.70 x 12.71 in.
Bobby Tucker, Kill Myself (2018), digital/paper collage, 11.84 x 15.14 in.
Wallace Polsom, The Useless Façade (2018), paper collage, 17.6 x 21.4 cm.
Wallace Polsom, By Heart (2018), paper collage, 20.5 x 20.5 cm.
a movie: *has one scene with neon lights*
me:
The Damned , Luchino Visconti , 1969.