The truth of the matter is that I didn’t give up on PJ Harvey, PJ Harvey gave up on me. There I am, sitting on the floor of my flat in Notting Hill, sun streaming through the window (maybe), feeling good, with a talented and beautiful young singer for a girlfriend, when the phone rings. I pick up the phone and it’s Polly.“
Hi,” I say.
“I want to break up with you.”
“Why?!” I ask.
“It’s just over,” she says.
I was so surprised I almost dropped my syringe.
Deep down I suspected that drugs might have been a problem between us, but there were other things too […] I think at the end of the day it came down to the fact that we were both fiercely creative people, each too self-absorbed to ever be able to inhabit the same space in any truly meaningful way. We were like two lost matching suitcases, on a carousel going nowhere [...] I remember our time together with great fondness though, they were happy days, and the phone call hurt; but never one to waste a good crisis, I set about completing «The Boatman’s Call» [...] It was the compensatory largesse for a broken heart, or at least what I thought at the time was a broken heart – in recent years I have re-evaluated that term. The break up filled me with a lunatic energy that gave me the courage to write songs about commonplace human experiences (like broken hearts) openly, boldly and with meaning – a kind of writing that I had, until that date, steered clear of, feeling a need to instead conceal my personal experiences in character-driven stories [...] The Bad Seeds, to their eternal credit, stepped back and just let these piano-driven songs be. There are few bands on earth that understand that to not play, can be as important as its opposite.
[…] Perhaps there is a feminine energy within […]
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