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“WHO’S GOT A TAMPON? I JUST GOT MY PERIOD, I will announce loudly to nobody in particular in a women’s bathroom in a San Francisco restaurant, or to a co-ed dressing room of a music festival in Prague, or to the unsuspecting gatherers in a kitchen at a party in Sydney, Munich, or Cincinnati. Invariably, across the world, I have seen and heard the rustling of female hands through backpacks and purses, until the triumphant moment when a stranger fishes one out with a kind smile. No money is ever exchanged. The unspoken universal understanding is: Today, it is my turn to take the tampon. Tomorrow, it shall be yours. There is a constant, karmic tampon circle. It also exists, I’ve found, with Kleenex, cigarettes, and ballpoint pens.”
— Amanda Palmer, The Art of Asking; or, How I Learned to Stop Worrying and Let People Help (via thulelohe)
Look at this! Look at this fucking thing! This was done in 1986, and used absolutely no CGI whatsoever. It was ALL practical, and ALL done through puppetry. Look at the last gif. Over a dozen vines are moving at once along with its head, lips, and tongue! In interviews Rick Moranis has stated he often forgot he was working with a puppet, as opposed to a really ugly guy. Even today it looks so real. Audrey ii is nothing short of miraculous
IM SORRY WHAT
WHAT
It took over 60 puppeteers to operate Audrey II’s final form in the film. You can read more about the puppet’s creation and operation here.
The practical effects of Little Shop of Horrors was fucking astounding. It’s worth it to mention that, in the scenes where the plant is moving, the filming was slowed to 12 to 16 frames a second, so that the film could be sped up to give the Audrey II a more lifelike appearance. In such scenes where actors like Rick Moranis had to speak with the plant, he had to mouth his lines at a slower-than-normal speed while still looking convincing, only to have his voice added in post.Â
It’s also worth mentioning that a crew of 60+ puppeteers were needed to operate the plant, as the entire puppet weighed over a ton.Â
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