Popnography

[keepingitneutral]

James Turrell, Squat from First Light, 1989-90

Aquatint from  the print series ‘First light’  110 h x 76 w cm

[marlborohomme]

James Casebere 

Flooded Hallway from the Right, 1998

[luthienne]

I have done nothing all summer but wait for myself to be myself again —

Georgia O’Keeffe, in a letter to Russel Vernon Hunter, from Georgia O’Keeffe: Art and Letters (via searchingfortenderness)

[fashion]

Solange: An Ode at the Solomon R. Guggenheim Museum as part of the Red Bull Music Academy Festival. Photos: Carys Huws, Krisanne Johnson, & Stacy Kranitz. 

[messgala]

The labels in Alexander McQueen’s earliest garments contained a lock of hair, a nod to the way Victorian prostitutes would sell strands of their hair to be included in jewelry or given as gifts to lovers

[22ackermann]

PERMANENT pieces by McQUEEN……….No.1

[noguchimuseum]

Isamu Noguchi, Bird’s Nest, 1947, Wood dowels painted wood, paper, tape, balsawood- birds, string mount

Bird’s Nest will be installed as part of our upcoming Highlights from the Collection exhibition, Iconic Display, a series of staged recreations of vignettes excerpted from pivotal exhibitions and presentations of Noguchi’s post- war work. Opening February 4.

Photo by Kevin Noble

The Noguchi Museum

[digitalaidsss-deactivated201901]

florian hetz, 28.04.16

florian

[cowboyzoom]

Lost in Translation Poster

[killyohji]

Issey Miyake by Irving Penn, 1990

[libertyninteriors]

[jjssttxx]

[log-brat]

[artchiculture-deactivated201901]

Blanca Miró 

[moodboardmix]

Man Ray “Glass Tears”, 1932. 

Images © the artist, courtesy Sir Elton John Collection / Tate Modern.

[unavidamoderna]

Encofrado de la Capilla de Palmira durante la construcción, Las Lomas de Cuernavaca, Cuernavaca, Estado de Morelos, México 1959

Arqs. Guillermo Rosell, Manuel Larrosa, y Félix Candela

Formwork for the Chapel of Palmira during construction, Las Lomas de Cuernavaca, Cuernavaca, Morelos, Mexico 1959

[dramatisecho]

[conformi]

Lucio Fontana, Struttura al neon per la IX Triennale di Milano, Museo del Novecento, Milano, 1951 VS Gjon Mili, Pablo Picasso’s Light Drawings, LIFE Magazine, 1949

[semioticapocalypse]

Leonard Freed. Trapani, Sicily, Italy. 1975

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