Boombox 1974

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Aqua Utopia|海の底で記憶を紡ぐ

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Boombox 1974
Sony, pocket sized recorder, 1981. The TCS-310 did form the basis for an early budget Walkman model, the WM-1.
The prototype of the Walkman was built in 1978 by audio-division engineer Nobutoshi Kihara for Sony co-chairman Masaru Ibuka, who wanted to be able to listen to operas during his plane trips. It was marketed 1979 as the Walkman in Japan, although Akio Morita hated the name. Source
The practice of Jesse Draxler, who recently illustrated the cover of the new Daughters album, combines painting and photographic collage. See more on HiFructose.com.
Vintage Japanese Boomboxes via Present and Correct
Björk par Juergen Teller - 1995 mise à jour cadrée plus large grand format
This made me feel like James Bond for some reason. #nikon #cameras #cameraporn #filmcamera #moviecamera #shootfilm #buyfilmnotmegapixels
Seen: 平成和紺名紋帳展 Heisei Konnamon Chouten
Who: 小林一毅 Ikki Kobayashi (CC) / 鎌村和貴 Kazuki Kamamura (tumblr)
Where: OCO Gallery, Tokyo
When: October 13-21, 2018 (12:00-19:00 / 最終日17:00 close)
Graphic designer Ikki Kobayashi and calligraphist Kazuki Kamamura recently collaborated on a clever and beautiful project that draws from Japanese visual traditions.
Kobayashi’s sly mon emblems pull distinctly modern motifs rooted in the Heisei era in which both artists were born and raised. Close inspection reveals multiple foodstuffs, toys- even schoolgirl braids- while some items are readily identifiable others - such as kanpyo-maki rolls - are presented in a way where the form overwhelms the content. Deciphering the designs part of the fun.
Kamamura’s calligraphy compliments the images with wild stokes expressing thoughts, puns, and manga-like sound effects for each picture.
The show centered on the newly offset-published and hand-(japanese thread )bound book which two created. Kobayashi’s original drawings were pinned on one wall, while Kamamura’s original writing was on another. The project takes itself just serious enough to be well considered and finely executed- but light enough to be enjoyed by anyone who sees it.
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Normally I use this space to share Tokyo’s many photography exhibitions but I admire anyone who commits to working with materials as basic as ink on paper. Similar to exposing light onto film this is a medium of suddenness and permanence- one that demands of the artist trust in the nature of the materials and confidence in the possibility that what can be created is worth the risk.
https://www.instagram.com/p/BhXtyEXhqiQ/?utm_source=ig_share_sheet&igshid=iu2k0hkpbdlk
PJ Harvey, Björk & Tori Amos photographed for Q Magazine, 1994.
Bruce, Brandon and Shannon Lee outside their home, Hong Kong | 1972
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Dull.
Travis & Stormi