Would you rather be loved or believed?

shark vs the universe

PR's Tumblrdome
art blog(derogatory)
ojovivo
NASA
Cookie Run:Kingdom Official!
hello vonnie

Love Begins

if i look back, i am lost

❣ Chile in a Photography ❣

#extradirty

ellievsbear
taylor price

roma★
One Nice Bug Per Day

gracie abrams
Show & Tell
No title available

bliss lane
No title available
seen from Malaysia
seen from United States
seen from United States

seen from United States

seen from Indonesia

seen from United States
seen from Bangladesh

seen from Türkiye

seen from Ukraine

seen from Argentina
seen from Canada
seen from Türkiye

seen from Saudi Arabia

seen from United States

seen from Brazil
seen from Ecuador
seen from Ecuador

seen from Brazil

seen from United States
seen from United States
@roomofeden
Would you rather be loved or believed?
Brian Eno's Music for Airports score
"Music for Airports" consists of four tracks that use tape loops and synthesizers to create soothing, atmospheric sounds. Eno sought to make music that could be appreciated both actively and passively, providing a tranquil and meditative experience for listeners. The repetitive and calming nature of the music was designed to reduce the stress and anxiety often associated with air travel.
Source
In the long run, history is the story of information becoming aware of itself.
James Gleick, Writer
Source
Brian Eno's Oblique Strategies
A set of cards with aphorisms or suggestions meant to prompt a different approach to problem-solving or creative work. For example, a card might say Use an old idea, encouraging the artist to revisit or reinterpret previous concepts.
The idea is to introduce an element of randomness and unpredictability into the creative process, fostering new ideas and breaking away from conventional thinking. Artists often draw a card at random when they find themselves stuck in their work.
Brian Eno cites the creation of ambient music to a period of illness in the 1970s that left him hospitalized. Rather than overpower the sound of a rainstorm outside his window by turning up the volume on an LP of 18th-century harp music, Eno shifted how he listened, focusing instead on the beauty of both soundscapes interacting as one. Listening remains the common thread that unites our modern understanding of field recording, a familiar yet sprawling pursuit.