FONTANA PRETORIA - PALERMO

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FONTANA PRETORIA - PALERMO
Scendevo al mare accompagnata dal suono del violino che suonava Mendelssohn.
Le corde l’erba e l’archetto il vento
🎨 Andrea Serio. Illustratore
Shimmer
i no longer need to want
i no longer need to need
shimmer across the sky
your eyes
lover by the shore
flower of the sun
jk
artist -Pablo Picasso
Celestial Voyage
come dream tonight
of waves
of wind
of islands
in the sky
come dream tonight
close your eyes
there are stars to climb
currents to ride
moonlight
to shine
jk
artist -Kay Nielsen
Sylt (1980) by Andre Gelpke
Anonymous. Gustav Klimt, Emilie und Helene Flöge, Litzlberg at Attersee, Austria, 1906 | src Ostlicht
"This private photograph is captivating because of the contrast between the different silhouettes of the three figures, which reveals the emancipatory radicalism of the reform dress. Implicitly, as one might say, this also "quotes" the design element of repeated curved lines, as found in many of Gustav Klimt's compositions."
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Polyphemus Surprising Acis and Galatea, by sculptor Auguste Ottin—Fontaine Medicis, Le Jardin du Luxembourg, Paris, France 2015
Nature morte aux instruments de musique, globe et livres (c.1690-1695). Evert Collier (Dutch, 1640-1707). Oil on canvas.
This still life subtly evokes human ambitions. The voluminous globe in the center deals with power and glory, reinforced by a trumpet of fame. But these vain quests are tempered by the details carefully scattered throughout the canvas and modulating the message. The trumpet has a split while the violin has a broken chord, illustrating these quests of success sometimes vain. In the same way the tenor score evokes time passing, and the fleeting pleasures of life. The Latin phrase “Haec mea voluptas” [”This is my pleasure"] insists on the futility of very personal earthly joys.
yes give me the brushies
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Heron in Emerald Waters by NWagner Photography https://flic.kr/p/2oGkMq5
Ravageuses drink tea. | Gemma Arterton by Richard Phibbs
Sophie Kulin
Majestic
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Sandro Botticelli - Portrait of a young man, circa. 1483-84
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Photo by Alex Ramsay