Bangali Drammeh, Madelyn Whitley, Margo Whitley By Maxime Imbert For SSAW Magazine April 2021
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we're not kids anymore.

❣ Chile in a Photography ❣
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi

pixel skylines
One Nice Bug Per Day
dirt enthusiast
Game of Thrones Daily

Origami Around

tannertan36
ojovivo

Love Begins

oozey mess
Three Goblin Art

#extradirty
i don't do bad sauce passes

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Janaina Medeiros

Product Placement

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@ruraldistrict
Bangali Drammeh, Madelyn Whitley, Margo Whitley By Maxime Imbert For SSAW Magazine April 2021
Sara Kathryn Arledge - Cow Eating Bananas, 1965
Abandoned dam tunnel in the woods outside Pittsfield, Massachusetts, u/JamesTheConqueror, 2020
Mary Herbert (British, 1988) - We Could Shift (2021)
Willem de Kooning
1904-1997
Woman, Wind, and Window, 1950
oil and enamel on paper mounted on board 24 x 36 in. | 60.9 x 91.4 cm.
Вий (1967, Константин Ершов, Георгий Кропачёв)
Viy (1967, Konstantin Ershov, Georgiy Kropachyov)
where old meets the new.
Chongqing, China
Mutual love is often thought of as mutual recognition: I see you for who you are and you see me back. But recognition is inevitably also a naming, a fixing, a pinning down. In order to recognize, you have to categorize, and categories are notoriously inflexible. Recognition, if understood as a projection that disallows the evolution of self and identity, becomes restrictive rather than liberating. However inadvertently, the recognition required for mutual love can easily slip into a form of control. Jan Verwoert describes the slippage between love-as-recognition and love-as-control in an essay called “Masters and Servants or Lovers: On Love as a Way to Not Recognize the Other.” He writes, To love the other, we believe, is the most intimate way to recognize the other, to get to know and understand who he or she really is … But this is what power is about as well, when it manifests itself in structures of domination. Modern regimes of power are built on the intimate knowledge of who the people are they dominate. Surveillance, espionage, and market research are techniques of recognition … Consequently, radical love would be a love that goes beyond recognition, that is a love in which the lovers would renounce their desire to fully grasp the identity of the other and no longer insist on understanding who the other is.
Ask Before You Bite
https://www.e-flux.com/journal/103/292645/ask-before-you-bite/
‘Yuansu II’ (Sculptures made by bees) by Ren Ri
The Gorillaz - “Don’t Get Lost in Heaven” (2005) via godzdntdie
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