Bangali Drammeh, Madelyn Whitley, Margo Whitley By Maxime Imbert For SSAW Magazine April 2021
TMBGareOK. The Official They Might Be Giants tumblr
★

PR's Tumblrdome
official daine visual archive
"I'm Dorothy Gale from Kansas"

if i look back, i am lost

Origami Around
taylor price

Jar Jar Binks Fan Club
Interview Vampire Daily
art blog(derogatory)

@theartofmadeline
almost home
The Stonewall Inn
untitled

bliss lane
Claire Keane
h

oozey mess

Love Begins

seen from Germany

seen from United States
seen from United States
seen from Germany

seen from United States
seen from South Korea

seen from Italy
seen from Spain
seen from United States

seen from United States
seen from Australia

seen from Malaysia

seen from Brazil
seen from Ecuador
seen from Latvia
seen from Türkiye

seen from Mexico
seen from Germany

seen from Italy
seen from Bangladesh
@ruraldistrict
Bangali Drammeh, Madelyn Whitley, Margo Whitley By Maxime Imbert For SSAW Magazine April 2021
Sara Kathryn Arledge - Cow Eating Bananas, 1965
Abandoned dam tunnel in the woods outside Pittsfield, Massachusetts, u/JamesTheConqueror, 2020
Mary Herbert (British, 1988) - We Could Shift (2021)
Willem de Kooning
1904-1997
Woman, Wind, and Window, 1950
oil and enamel on paper mounted on board 24 x 36 in. | 60.9 x 91.4 cm.
Вий (1967, Константин Ершов, Георгий Кропачёв)
Viy (1967, Konstantin Ershov, Georgiy Kropachyov)
where old meets the new.
Chongqing, China
Mutual love is often thought of as mutual recognition: I see you for who you are and you see me back. But recognition is inevitably also a naming, a fixing, a pinning down. In order to recognize, you have to categorize, and categories are notoriously inflexible. Recognition, if understood as a projection that disallows the evolution of self and identity, becomes restrictive rather than liberating. However inadvertently, the recognition required for mutual love can easily slip into a form of control. Jan Verwoert describes the slippage between love-as-recognition and love-as-control in an essay called “Masters and Servants or Lovers: On Love as a Way to Not Recognize the Other.” He writes, To love the other, we believe, is the most intimate way to recognize the other, to get to know and understand who he or she really is … But this is what power is about as well, when it manifests itself in structures of domination. Modern regimes of power are built on the intimate knowledge of who the people are they dominate. Surveillance, espionage, and market research are techniques of recognition … Consequently, radical love would be a love that goes beyond recognition, that is a love in which the lovers would renounce their desire to fully grasp the identity of the other and no longer insist on understanding who the other is.
Ask Before You Bite
https://www.e-flux.com/journal/103/292645/ask-before-you-bite/
‘Yuansu II’ (Sculptures made by bees) by Ren Ri
The Gorillaz - “Don’t Get Lost in Heaven” (2005) via godzdntdie
More on RHB_RBS
beeple .
More on RHB_RBS
MILE A MINUTE : THE VINE THAT ATE THE SOUTH
ANGLE