reactivated this because quarantine

[euo]

why are my pants so dirty

[sexpansion-deactivated20201116]

Trainspotting (1996) dir. Danny Boyle

"It’s SHITE being Scottish! We’re the lowest of the low. The scum of the fucking Earth! The most wretched, miserable, servile, pathetic trash that was ever shat into civilization."

[lmaoflo]

[veggie-nuggits]

DICK AND DOM IN DA BUNGALOW OH MY DIDDLY FUCK THAT SHOW WAS LIFE THIS POST IS MY CHILDHOOD

[cineaddict]

[safdiebean]

Moonrise Kingdom

[ihavetopeerealbad-blog]

[tranceend-deactivated20190719]

This incredible photo marks the end of Matador Torero Alvaro Munera’s career. He collapsed in remorse mid-fight when he realized he was having to prompt this otherwise gentle beast to fight. He went on to become an avid opponent of bullfights. Even grievously wounded by picadors, he did not attack this man.

Torrero Munera is quoted as saying of this moment: “And suddenly, I looked at the bull. He had this innocence that all animals have in their eyes, and he looked at me with this pleading. It was like a cry for justice, deep down inside of me. I describe it as being like a prayer - because if one confesses, it is hoped, that one is forgiven. I felt like the worst shit on earth.”

[najanubiae-deactivated20141113]

I’ve reblogged this at least two other times but this is possibly one of my favorite photos ever.

[queerlynx]

The bull is just like ‘hey r u ok?’ it’s so powerful

[transcendingdiimensions-deactiv]

I’m going to cry :c

[stigmartyr762]

This is a practice that needs to end.

[moldavia]

Dion Lee F/W 2014

[greatwhiteheat]

John Baldessari, Prima Facie (Fifth State): Warm Comfort, 2006, Giclee Print on Paper, 16 x 24 in (40.64 x 60.96 cm)

[forthehungryboy]

[safdiebean]

Taxi Driver (1976) dir. Martin Scorsese

[charlottetaylorphotography-deac]

[minimal7lethal5dose213-deactiva]

at The Tenth Ring of Hell

[bitchrockon]

[dazydoo13-deactivated20151206]

[cho-latte]

♡

[cinephiliabeyond]

It’s literally impossible to have a decent discussion on the history of European film and somehow fail to mention Federico Fellini. The Italian maestro is one of the few truly iconic symbols of the European cinematic corpus of the second half of the 20th century, and his value to the world remains quite immeasurable. His 8½, the film that blasted away the critics and the audience alike back in 1963, is a perfect example of premium filmmaking that completely deserved the worship it received. Compared by some to Welles’ Citizen Kane, hailed by Ebert as “the best film ever made about filmmaking” and widely considered among the very best that European cinema has to offer, 8½ is one of the most aptly made films we were ever lucky enough to get our eyes on. Extraordinarily written by Tullio Pinelli, Ennio Flaiano, Brunello Rondi and Fellini himself, the film gave us one of the most memorable of all of Marcello Mastroianni’s performances, who gave his all to contribute to the making of this unforgettable piece of art. Feel obliged to check out these rare interviews with Fellini, browse through beautiful BTS photos, thoroughly examine this sincerely magnificent screenplay. All hail the maestro and enjoy his legacy!

FELLINI’S 8½ IS THE BEST FILM EVER MADE ABOUT FILMMAKING

[sandandglass]

[gohomebitchyoucansuckmyass]

[a-state-of-bliss]

Kate Moss by Corinne Day

[modellovepersonal]