I'm the kind of trash your mom calls recycling

From all the things I lost, I miss my mind the most. Hi! Most people call me Almond, she/her pronouns. I sometimes do art, I hope you like nerdy things because thats all I have to offer.

[chertilaaa]

-❤️

[ghouuul]

vampire yoongi you will forever have my heart.

[darth-khal]

So I'm re-watching Burning The Candle and the way they parralel the whole Jaune-Weiss-Pyrrha triangle against the Blake-Sun-Yang trio is insane.

We have this scene with Jaune pouring his heart out to Ren+Nora+Pyrrha about Weiss.

Jaune: I'm completely head over heels for her and she won't even give me a chance. She's cold, but she's also incredible. She's smart and graceful and talented. I just wish she'd take me seriously. I wish I could tell her how I feel without messing it all up.

And the whole scene immediately cuts to Blake & Yang, making the inevitable, unconscious connection in the audience's head, that this is a continuation of the previous scene, but with different characters. And Jaune's description of Weiss pretty much matches Blake as well, because she was distant with everyone, but her brilliance still shined through, and it's something Yang noticed, but is not willing to risk.

Blake is pretty much blending into the background, while Yang stands out with her bright colours as she opens up to Blake (and the audience) for the first time - at least on screen.

But then Yang is half in the light and half in the dark while she tells Blake about Summer/Raven.

And Blake argues that she's the only one who can do this. Just like how Yang thinks/have been thinking she's been alone this whole time with her burdens.

But no matter the darkness, this is still how Blake sees Yang.

And that light is strong enough to bask her, in contrast to the darkness around her and on her design.

[pocketss]

It was important to me that she puts emphasis on the TOK

[nataliehall]

Jimoteè Chamameé

Who wants a Jimothy tattoo 🤣

[lush--lush]

✨️Girl dinner✨️

[thebibliosphere]

The kid next door (talking toddler age) is playing outside and just wiped out in his Fisher Price car, and I just heard the babysitter say, “oh no, your insurance premium is definitely going to go up!” And the kid who had only been mildly sniffling before made the most confused, but startled sound you’ve ever heard.

Just very clearly an attempt at saying, “my what?”

He straight up forgot about his scraped knee and is now worried about whatever the fuck an insurance premium is.

[xxxdragonfucker69xxx]

[w0uf]

i made the tiktok trend twins at the carousel with mizisua . . .. doomed yuri calling me to animate

[kamiiiii]

“For sale”

[bluemoonscape]

I haven’t seen anyone talking about this. And imo. This is one of the most important shots of the whole video.

I keep seeing people say how crazy Mizi is and how innocent Sua was in comparison, but that’s just not true. I adore both Mizi and Sua, by the way. This isn’t criticism of either of them. But you can’t ignore what Sua does here if you want an accurate portrayal of their relationship in this world.

When Mizi becomes an idol, she’s manufactured into a sex symbol, crafted into something that can appeal to the male gaze despite how we KNOW she’s a lesbian. Specifically, we can see how Mizi’s breasts are often framed promiscuously to further her objectification:

So this shot where Sua finds Mizi, tied up and helpless, incoherent, and the first thing she does is frame an unaware Mizi’s breasts as if in a photoshoot—bitterly, ironically, before relief takes over—it goes to show something major about Mizisua’s relationship in both the ALNST and ZOMST verse.

In ALNST, Sua enables Mizi’s infantilization (something often levied against women in a misogynistic context) of herself by keeping Mizi “in the dark” (although Mizi is more aware than either of them want to acknowledge). People rightfully criticize Till for his innocent vision of Mizi to comfort himself with, but Sua has a version of Mizi in her head that she uses to comfort herself, too. She and Till aren’t incredibly different in this regard.

In ZOMST, this translates not to infantilization, but to objectification. Sua is bitter over Mizi’s decision to let the industry use her in this way, she’s disgusted by it, but then she wields it herself when Mizi is finally helpless and incapable of pushing Sua away again by miming taking a photo of Mizi’s breasts.

Mizi is objectified in ZOMST by everyone: the industry, herself, the crowd, and even the person she loves the most.

[heybaetae]

graphic design is my passion (x)

[appaumey]

still my god, still my universe

[kindrehd]

stairs

[spooksier]

to eat is the privilege of the living!!!!!!

☆ shop | patreon | comics ☆

[erros429]

paralleling mizi’s exploitation and sexualization in the kpop industry with her literally being displayed on the wheel of death and having her body parts auctioned off at the zombie stage. she was commodified both in life and in death.

[evercelle]

at the end of this story...

[glassshine]