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i put a lil playlist in my blog. give it a listen if you want or if you're looking for something new to listen to or whatever.

just know audio balancing is probably a nightmare due to how the player is set up

also. if you do go listen and it doesn't work when you press play, you prolly need to go to site permissions and change sound from 'automatic' to 'allow'

#playlist #don't worry i turned off autoplay #scm player #this was lowkey a nightmare to set up #how did i do this so easily when i was like 12

ofpaintedflowers

💥GHOST TRICK PHANTOM DETECTIVE💥📣

luminsia

"𝘐 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳𝘦𝘥 𝘸𝘩𝘺 𝘐 𝘳𝘦𝘱𝘦𝘢𝘵𝘦𝘥 𝘵𝘪𝘮𝘦 𝘢𝘯𝘥 𝘴𝘶𝘧𝘧𝘦𝘳𝘦𝘥 𝘰𝘷𝘦𝘳 𝘢𝘯𝘥 𝘰𝘷𝘦𝘳 𝘢𝘨𝘢𝘪𝘯. 𝘔𝘺 𝘧𝘦𝘦𝘭𝘪𝘯𝘨𝘴 𝘧𝘰𝘳 𝘔𝘢𝘥𝘰𝘬𝘢, 𝘵𝘩𝘦𝘺 𝘳𝘶𝘯 𝘴𝘰 𝘥𝘦𝘦𝘱, 𝘦𝘷𝘦𝘯 𝘱𝘢𝘪𝘯 𝘩𝘢𝘴 𝘣𝘦𝘤𝘰𝘮𝘦 𝘱𝘳𝘦𝘤𝘪𝘰𝘶𝘴 𝘵𝘰 𝘮𝘦."

💜🩷

brehaaorgana

Too many artists are held back by outdated and bad color theory rules, or even rules that are fine but have built in limitations that you should know and I want to set everyone free.

brehaaorgana

Tertiary Red and Secondary Blue could be in your color theory understanding and make paint mixing way easier but they played you

brehaaorgana

Also hot takes:

Learning color theory through oil painting is more difficult than learning it through gouache & watercolor, primarily because it takes way more time to find mass tone and mix everything and also it's much less obvious to easily and quickly discern if a paint pigment is highly staining or transparent.

Oil painters like to seem like they have the richest and most storied traditions in color theory to past down but also inevitably they are the most likely to retain an extremely limited chroma palette based on classical palettes for the sake of classicism and not always make that fact very apparent to a beginner aside from saying it's an "old masters palette" watercolor/gouache painters are bad at using paints that are not light-fast and clinging to them despite having better alternatives, but generally still understand chroma gamuts and pigment importance better or at least talk about them more.

When you're mixing paints, the earth colors (browns) don't need to handled and thought of as brown. Ask yourself if the brown is yellow, orange, red, or leaning towards a black (which would be treated as a violet or blue, depending on whether black is warmer or cooler).

Yes there are cool reds and warm blues

Any reference color wheel that places red on the very top hurts my feelings, stop doing this just because you learned "roygbiv". Yellow is at the top and the Indigo-Blue range is on the bottom because this also means the color with the lightest possible value is opposite the color with the darkest possible value, so you have the colors arranged with a value scale from top to bottom BUILT IN.

this is related to why ivory black is actually very dark blue.

brehaaorgana

@rizahawkeyesmuscles

This makes me think makeup artists have good color theory, having to understand undertones of skin, warm v neutral v cool toned red lipstick....

Yes!!! I mean first of all, makeup artists are artists.

and they are ALSO ultimately just blending pigments to produce certain colors and effects, so yeah professionally do study the basics of color theory and then necessarily have to adapt it to their medium. And they tend to generally add like, what you talked about with recognizing cool/warm/olive/neutral undertones and such as a big consideration to their canvas.

And that IS why people will say "this is a cooler red lipstick" (although even cooler than that would be magenta or fuschia!).

I think the only thing I've noticed wrt to honestly mostly beauty influencers and not actual professional MUAs is that too many people buy an eyeshadow palette of cool tones in the palette and then put it on and complain it pulls "too warm for their cool skin." And it "isn't actually a true cool tone palette."

I just want to grab all these people by the face and say:

"Shhhhhh. Color temperature is relative. Although you have cool skin undertones, you ALSO have blood under your skin which will inherently make your base skin-canvas slightly warm no matter your foundation shade. So when you put any kind of pigment that isn't fully opaque onto your skin, the transparency WILL be warmed by your skin because you're alive and have blood still. The eyeshadow palette IS a cool palette. You're just not a vampire, which is why that cool taupe shade suddenly looks different from the mass tone in the palette."

These influencers would understand this better if they did some watercolor painting on pre-tintedpaper and then compared it to painting on pure white.

But a MUA probably already figured this out yeah.

brehaaorgana

In case anyone is curious here are my top color recommendations

Handprint.com is hands down the most comprehensive scientific explanation of how different color wheels or palette choices work. It's big and dense and exceptionally thorough. I skim frequently and find myself always learning more. https://handprint.com/HP/WCL/water.html everything is done using watercolors as a reference point but a LOT of this translates to other mediums. For the record his CIECAM color wheel is what I consider to be the best (not 3 dimensional) color wheel for artists. Period.

He uses pigment numbers for some of the most common watercolors rather than specific paint brands or color names to place the pigments. It's also a case study in why yellow being at the top is the best because it also means you have a value scale from top to bottom (since black paints are just dark violets or blues, ultimately.)

When you look at this, you can start realizing more and more why the earth colors can be used as if they were like, straight red, or yellow, or orange. Like if you wanted to make a limited palette, you could use "burnt sienna" as your dark yellow (which will make the whole palette lean orange!) Or it could be your orange or you could use burnt sienna as your red. (Look at gamut masking links below)

Seriously it's good to try and swatch your medium (even really quickly!) Within a CIECAM Artist's color wheel. Below are two of my attempts:

From loose memory and then mapping pigments roughly.

He also discusses the difference between visual complements and mixing complements!

Anyways absolutely try to read bits and pieces. The whole site is amazing. Handprint is amazing.

Also:

https://gurneyjourney.blogspot.com and James Gurney's book: Color and Light: a guide for the realist painter. James Gurney is the dinotopia guy. That book is also amazing for painting fantasy with lots of fantastical examples. Here are two short videos on gamut mapping and gamut masking. Accompanying blog posts.

No surprises here! His book also charts pigments:

Actually these are my four favorite books hands down:

Color and Light: a Guide for the realist painter - James Gurney

Color for Painters: a guide to traditions & practice - Al Gury

The oil painters color handbook - Todd m casey

Artist's master series: Color & light - 3d total publishing. This one emphasizes digital!

The first two have been out for awhile now and you can more easily find them cheaper/used online than the latter two which are relatively newer and hefty hardbacks.

Also, from personal experience: al gury is a sweetheart angel who is a huge crazy cat man. I adore him, he's so kind and helpful. I think it's a little late to join the current session (although they did only start Jan 28, so you can always ask! Class videos are recorded), BUT he frequently offers a class on color that is fully online through PAFA continuing education, as well as other classes. I haven't taken it yet, but I HAVE taken other classes online with Al and he's really great.

Oh also online gamut masking tools:

In krita: https://docs.krita.org/en/user_manual/gamut_masks.html

https://claudiamatosa.com/resources/gamut-masking simple tool

https://mypaintingclub.com/blog/post/39-The-Gamut-Mask-Tool another tool with more complexity

The tl;Dr of a gamut mask is to show you the full range of possible colors you can mix within a given palette (choices of colors/pigments).

bluetoad07

sprite edit i spent way too much time on, feel free to share :3

(raw version)

HATSUNE MIKU

#fanart #hatsune miku #hatsune fanart #vocaloid hatsune

mycroftrh

I think a lot of autistic taking-things-literally goes under the radar because what the diagnostic tests and shit ask about is not what that generally looks like in an adult and often not in kids either and much more importantly it’s not what generally actually causes problems in real life instead of being irritating for caretakers or funny to bullies or easy to diagnose

I have absolutely no issues understanding metaphors or idioms. When someone says their heart is on their sleeve they mean they’re emotionally expressive and openly display their feelings, not that they have a chunk of cardiac tissue on their shirt. I very rarely have issues with sarcasm. I sometimes have issues telling when someone who’s said something mean is about to say “just kidding”, but tbh I think that’s more on them than me.

BUT

My grandmother asked me “Do you know when the trash was taken out last?” and I said “I think Eliot took it out yesterday” and a few hours later she yelled at me for “not taking out the trash when I asked you to” and I was like???? You didn’t ask me????

I dread filling out forms and am crap at filling out diagnostic tests or personality quizzes because there are always questions I don’t know the exact answers to (how am I supposed to know what day I got dental surgery seven years ago?) or don’t understand exactly what they’re asking or the wording’s unclear and they could mean this or the wording says this but I’m pretty sure what they actually meant was that and should I answer what they said or what they meant, and how does everyone else just whip through the form? Does everyone else remember the day they got dental surgery seven years ago? Does everyone else somehow understand all these questions?

I get tangled up by bureaucracy because the rules on the website say that for this you need that and for that you need the other and for the other you need something else for which you need the first thing, and I go in circles for hours or days or weeks or months or years because their stated rules say there is no way to get what I need, and when I talk to somebody else they’re like “just call them?” and I’m like “how could that help? the rules say that what I’m trying to do is impossible”

And all of that? That’s how “taking things literally” ACTUALLY affects your life as an adult. It’s not “haha you think ‘getting under your skin’ means parasites”. It’s “you have real difficulty functioning in the world because everyone else is conveying things through implication and assuming that you know that rules are flexible and questions are approximate and you’re supposed to lie on job applications and ‘it’s required’ means ‘it’s preferred’, and you don’t”.

akalari

Eye for an Eye

feeshfries

ugly ugly

mortalityplays

hi, a lot of you need a perspective reset

the average human lifespan globally is 70+ years

taking the threshold of adulthood as 18, you are likely to spend at least 52 years as a fully grown adult

at the age of 30 you have lived less than one quarter of your adult life (12/52 years)

'middle age' is typically considered to be between 45-65

it is extremely common to switch careers, start new relationships, emigrate, go to college for the first or second time, or make other life-changing decisions in middle age

it's wild that I even have to spell it out, but older adults (60+) still have social lives and hobbies and interests.

you can still date when you get old. you can still fuck. you can still learn new skills, be fashionable, be competitive. you can still gossip, you can still travel, you can still read. you can still transition. you can still come out.

young doesn't mean peaked. you're inexperienced in your 20s! you're still learning and practicing! you're developing social skills and muscle memory that will last decades!

there are a million things to do in the world, and they don't vanish overnight because an imaginary number gets too big