⁺‧₊˚ ཐི⋆ 𝐭𝐡𝐞 𝐛𝐞𝐠𝐠𝐢𝐧𝐢𝐧𝐠 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐞𝐧𝐝 ⋆ཋྀ ˚₊‧⁺ ⌞ ℴ𝓇 𝓀𝓃ℴ𝒸𝓀𝒾𝓃𝑔 ℴ𝓃 𝒽ℯ𝒶𝓋ℯ𝓃'𝓈 𝒹ℴℴ𝓇⌝ Neon Genesis Evangelion (1995) posters available!
Cosimo Galluzzi

#extradirty
Today's Document

Origami Around

roma★
taylor price
Mike Driver
"I'm Dorothy Gale from Kansas"
untitled
tumblr dot com
NASA
TVSTRANGERTHINGS
Claire Keane
Xuebing Du

shark vs the universe
will byers stan first human second

No title available
ojovivo
Cosmic Funnies
YOU ARE THE REASON
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seen from United States
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seen from United Kingdom

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seen from United States
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seen from United States
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@samerules-apply
⁺‧₊˚ ཐི⋆ 𝐭𝐡𝐞 𝐛𝐞𝐠𝐠𝐢𝐧𝐢𝐧𝐠 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐞𝐧𝐝 ⋆ཋྀ ˚₊‧⁺ ⌞ ℴ𝓇 𝓀𝓃ℴ𝒸𝓀𝒾𝓃𝑔 ℴ𝓃 𝒽ℯ𝒶𝓋ℯ𝓃'𝓈 𝒹ℴℴ𝓇⌝ Neon Genesis Evangelion (1995) posters available!
Jude: *taps fork on plate*
Cardan: *taps fork in response*
Taryn: Stop that.
Cardan: Stop what?
Taryn: You’re talking about me in morse code.
Jude, sarcastically: Yeah, that’s exactly what we’re doing. In our very limited free time, we took a class on a very outdated, very unnecessary form of communication just so we could talk about you in front of you.
Jude, later: *to the Bomb* That’s exactly what we did.
“I’ll just rest my eyes” is the biggest lie you’re going straight to snorkmimimi land
“I’m going to sleep” is the biggest lie I’m going to stare at my ceiling for the next three hours
my love
Levi Ackerman for Tori! ♡ @tatakaeeren
“One day I will find the right words, and they will be simple.”
— Jack Kerouac / The Dharma Bums
“I remain as vulnerable as ever.”
— Nina Cassian, from “Tirade for the Next-to-Last-Act,” wr. c. June 1969
by hannahargyle
Arctic Nights (by Bjørg-Elise Tuppen)
“it should go without saying, bodies are fragile things. That’s what makes them different from ideologies—they are bound to matter, they are flesh that can be touched, held, scarred, that can dance and laugh, that will decay, that will remember.”
— Johanna Hedva, Letter To A Young Doctor. (via decadent-romanticism)
Kate Bush, 1985
“… and dream of sheep.”
“We’re on the same wavelength. We’re connected that way, even if I’m away from her.” ― Haruki Murakami. Drawing by Juan Osorno.