never wipe
aye! here be one of them pinned posts. name’s sammoner and i’ll make sure you’ll never wipe again. socials (worth a fuck):
letterboxd
album of the year
NASA
dirt enthusiast

JVL
taylor price

#extradirty
AnasAbdin

PR's Tumblrdome
DEAR READER
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
No title available

Discoholic 🪩
wallacepolsom

if i look back, i am lost
Show & Tell

pixel skylines
d e v o n

ellievsbear
Stranger Things
"I'm Dorothy Gale from Kansas"

seen from Malaysia
seen from Malaysia

seen from Netherlands

seen from Australia

seen from United States
seen from United States
seen from Albania
seen from Rwanda
seen from United States
seen from United States
seen from Germany
seen from India
seen from Malaysia

seen from Türkiye
seen from Brazil
seen from Brazil

seen from Malaysia

seen from Netherlands
seen from Indonesia

seen from Türkiye
@sammonerwipemage
never wipe
aye! here be one of them pinned posts. name’s sammoner and i’ll make sure you’ll never wipe again. socials (worth a fuck):
letterboxd
album of the year
Pam Grier in Coffy, 1973
Story Analysis: To Kill a Child (Att Döda Ett Barn)
Beforehand everything is too early
I think a lot about possible different outcomes, and the impact I-and others- have on how situations turn out. Sometimes, I have to correct myself that I acted with what information I had at any specific time. Slowly, I'm getting used to do the fact that I exist in the here and now, acting on what I know and perceive at this specific moment.
The narrator of Stig Dagerman's To Kill a Child (Att Döda Ett Barn), often repeats that "Afterwards everything is too late." The omniscient voice that tells the story sees the death of the titular child coming from a distance. The reader is informed that soon, a child will die, presumably hit because of the reckless driving of a happy man, on the way to the beach with his girlfriend. Nobody, not the driver, his lover, the child nor the child's parents sees the accident coming. Each character acts on what he or she knows. Of course, the blame falls on the driver. However, he too acted on what he knew at the time: the road was empty.
The point then, is that the driver should have acted on what could happen, instead of what he thought was happening. "Afterwards everything is too late" is a fitting conclusion to this short story, made as a persuasive statement against speeding.
As a person, all I can do is exist in the here and now, take precautions for the future else some bad thing might happen. This bad thing could, or could not take place. Not just in the context of driving a car, but also in other situations.
Yet, I also think that beforehand everything is too early. Some things you can work to prevent, while others just happen. As I get older, I start to remind myself that not everything is within my control. Not everything can be prevented. Some things just happen.
#hij is de meester
Amadeus memes (part 1)
alternate timeline where Tumbr was around in 1984 and Antonio Salieri became a sexyman
look at this sad gay man and his tragic musical yaoi
The Lighthouse dir. Robert Eggers | 2019
Kingdom Hearts: a summary.
Julien Baker covers No Children by the Mountain Goats + an introduction from John Darnielle
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Excerpt from “I Hope We Both Die: How The Mountain Goats Wrote The Ultimate Anthem To Dysfunction” an interview with John Darnielle
Whimsical guitars
TJ MIKELOGAN'S HALLOWEEN HORROR 2025 EVENT DAY 12: HORROR SCENERY
THE LIGHTHOUSE 2019・dir. Robert Eggers
“Jesus said it’s more important what comes out of your mouth than what goes in it.” Leonard Cohen on Rufus Wainwright
ofc i undress for wamen
volkszangers voor hun big sterren op het plein break
Female Troubles, Dir. John Waters.