Caitlyn and the Grey- Symbolism
I think it’s interesting to consider the Grey, within the narrative, as symbolic of Caitlyn’s character arc throughout Act 1, and how she is influenced by and influences the wider context.
The Grey is, I think, a morally grey choice. Its symbolism and use encapsulate the tensions at the time both within Caitlyn’s character and within the wider context of Piltover and Zaun. It also preludes the outcome of Act 1, and where this leads Caitlyn, Piltover, and Zaun.
I’ve tried my best to unpick the threads which twine together in the narrative, but this is only my interpretation and there are aspects I may have missed. Along the same line, I have decided to focus on Caitlyn, so my analysis of why other characters (like Jinx and Vi) make their choices is not as in-depth, and definitely deserve their own analysis.
(I made an earlier post about Caitlyn & the Grey, but some of my wording was a bit shoddy and the analysis not as explored as it could have been. I hope this offers something better.)
Caitlyn- loss, the crown, and vengeance:
Following the attack on the council which kills her mother, Caitlyn is grappling with her emotions.
She feels a deep, deep grief for the loss of her mother. She is also guilt-ridden, blaming herself for not stopping Jinx whilst she could- ‘I had the shot.’
And she is angry. Incredibly angry. Jinx is the target of her anger- literally; Caitlyn fantasises about shooting her. ‘I want to tear that laugh from her throat forever.’ Clearly, she wants some kind of vengeance.
On top of this, she now has the ‘legacy’ of the Kiramman house sitting on her shoulders. Guilt-ridden, she admits to her father she feels neither ready nor deserving of becoming the matriarch. But nonetheless, people are now looking to her. Her father can collapse at the funeral, but she must stand tall. The only people she admits vulnerability to are those closest to her- Jayce and Vi (especially Vi emotionally, crying in her arms).
The crown is heavy, the grief is drowning her, but Caitlyn does recognise that her anger is having a negative influence on her thinking. ‘I know,’ she says to Jayce he expresses alarm at her desire for revenge (this is a line I will come back to later).
And that self-reflection is important to consider, too. Caitlyn in season 1 is intelligent and perceptive, and recognises in her succinct, direct manner both her own ignorance to and the extent to which the Piltover/Zaun divide stretches. ‘This city needs healing. More than I ever realised.’ ‘Please,’ she asks Ekko, ‘let me help you,’ or else, ‘the cycle of violence will never stop.’
Following the council attack, some kind of conflict does, unfortunately, seem inevitable between the two cities. Whether this be all-out war or not, the cycle continues. But whilst Caitlyn is impacted by the attack, she retains being driven by the same empathy and perception which made her open to recognising her own ignorance.
Both Caitlyn and Mel are reluctant that a full-scale invasion of Zaun occur, knowing this was the act of a ‘single deranged individual’ and that ‘innocents could be caught in the cross fire.’
With Ambessa’s interjection, however, the invasion is set to go ahead, although without the use of Hextech.
Ambessa fans flames further by aiding the chem-baron attack on the memorial service. And this attack exacerbates all of Caitlyn’s negative emotions.
The pressure on her shoulders as the Kiramman heir, her guilt, her grief. Her anger, absolutely. I think that this is when they become the prevailing emotions which influence her choices and cloud her self-perception, as well as her perception of others.
And this is when things get grey.
Establishing the Strike team:
Caitlyn and Vi’s relationship in Act 1 definitely deserves its own deep dive. I’m painfully aware I’m not giving it the attention it deserves here. But, for the sake of brevity, I think, for Caitlyn, Vi anchors her to the self-reflection she is beginning to lose sight of.
Following the memorial attack, Vi is looking for the Caitlyn she knows, the Caitlyn who took on the council in season 1. The Caitlyn who, after that failed, was ready to make a new plan and ‘fix’ things. The Caitlyn who was a misfit to her own society. The Caitlyn she fell for.
But Caitlyn is hemmed in by the Kiramman pressure and her emotional struggles. Vi urges her to stop the invasion- this will only lead to more hurt on both sides- but Caitlyn cannot think of how to ‘fix’ things. ‘She dies and leaves this giant hole, and I’m just supposed to fill it.’
She needs Vi to anchor her. ‘Everything is falling apart,’ she laments. ‘We won’t let it,’ Vi promises. She retains that connection, that grounding and belief in Caitlyn, in the woman she knows (and loves). They can stop the invasion, take matters into their own hands.
This holding onto their optimism to ‘fix’ things remains important, even as tensions are incredibly heightened after the memorial attack. Even as they are trapped in these tensions, part of the cycle. The choices they make becoming part of the cycle.
It’s a battle within itself. Vi is trying to hold onto Caitlyn for as long as she can throughout Act 1. And Caitlyn is still there, but she is battling with herself. With her grief, guilt, and anger.
And as they devise their plan, we see Caitlyn at the Kiramman archives. She is taking up the mantle. She uses the literal symbol of her family- their key- to discover the archives, the vents, and the Grey.
The Grey reflects back on her face, her pensive expression. In an earlier post, I said this represented the dark path Caitlyn is going down. However, I think it is more complex. I think it reflects her struggling to grapple with her emotions and the pressure and tension of the current situation and how these are convincing her to make a morally grey choice.
It is important to place the establishment of the strike team and their use of the Grey within this context.
The Strike Team and the Grey
The Grey is indicative to me of the situation in which it is used. This is reflected in how it is used, and in its very nature itself. It is a morally grey action because of the what, why, and how.
The wider context is also important, and we are invited by the framing to consider the comparisons and contrasts in the strike team’s use of the Grey the historical precedent of its presence in Zaun.
I want to explore what the Grey actually is and the strike team’s use of the Grey first before turning to Caitlyn specifically and why she chooses the Grey and what it represents.
There are a lot of layers you could consider when breaking down the moral greyness of the Grey. In the process of writing this I saw more and more from other people (I will link an interesting reddit post at the end). I have included some, but I think I’d rather this just add to the conversation than be in any way an attempt to make a ‘definitive’ post about the Grey.
Zaun: Context:
First, a brief summary of what is happening in Zaun when the strike team enters to provide context.
Jinx puts it best- ‘it’s all going to shit.’ Fighting has broken out amongst the chem-barons now vying for power in the vacuum Silco has left. The ‘Sucker’ sequence shows fighting on the streets, fires breaking out. Children like Isha are running from the chem-barons’ goons, part of the child labour they employ in the shimmer factories. The Firelights are bringing people to their safe haven because of all the fighting. Deaths are referenced in a meeting with the chem-barons organised by Sevika.
Sevika calls these ‘turf wars.’ I have inferred that different chem-barons control different areas of the city- ‘you started this dance when you raided the Rapturewalk.’ Innocents are getting hurt because the conflict is in the city itself.
(I will discuss Jinx later)
What is the Grey?
There is actually a lot of grey area when it comes to the Grey in the specifics. But we do know:
Air in the fissures became increasingly toxic owing to the rise of industry, this toxic air became known as the Grey
This can lead to negative physical effects- reddened eyes, irritation of the lungs; long periods of exposure can lead to the deterioration of the affected areas
Kirammans installed ventilation systems to prevent the air from being so polluted
We do not know whose industry created such pollution. We do not see anyone die as a direct result of the Grey, but clearly, ‘factory smog’ is not a healthy thing to be breathing in over long periods of time.
How do the strike team use the Grey?
The strike team have three key objectives:
Locate Jinx
Dismantle shimmer
Neutralise any agents still loyal to Silco
The Grey is used by them to target these three objectives. We are shown this both in episode 2 and through the ‘Hellfire’ sequence in episode 3. They deploy the Grey on Silco’s goons, then the chembarons’ bases and the shimmer factory (destroying amounts of shimmer), before seeking out Jinx in the arcade.
To an extent, their actions could actually benefit Zaun. Destroying shimmer, something which stems from the damage Cait and Vi see shimmer cause, because of Silco and Singed, during season 1, would be to destabilise the power struggle going on between the chem-barons causing violence on the streets.
The literal use of the grey does de-escalate the violence. When chembaron Smeech reaches chembaron Margot’s base (a big statue of her face- someone’s got power), he comments that the Grey has ‘cleared the place out. Might have made our jobs a lot easier.’ They were anticipating confrontation, but it has been prevented.
The use of the Grey is not a long-term nor Zaun-wide affair. The strike team moves from one spot to another (using the vents to do so, something you could argue allows them an element of surprise on their targets which prevents them from fleeing to a place where innocents might be put in direct danger, and also prevents alarm among people at the sight of the strike team in Zaun), targeting the chembarons and their lackeys who monopolised the streets of Zaun for their violence and shimmer trade.
The Grey seeps from Margot’s base but the street itself is not flooded. As the strike team enter the arcade the Grey seeps in, but when Jinx escapes afterwards, the street outside is clear.
The Grey is used as part of a mission targeting specific objectives to prevent a full-scale invasion which could put civilians in danger.
And yet, the Grey is used. It functions as a weapon to debilitate their targets. It has unpleasant side effects, which alongside the strike team’s use of violence with their Hextech weaponry, allow them to incapacitate their targets.
(We can’t be sure how long the Grey takes to dissipate, or how long the chembarons’ people are exposed- we see some of the same characters at Sevika’s rally in episode 4, and they appear physically fine; I interpret it as short bursts of exposure- Caitlyn has control over the stopping and starting of the fans in the vents- we see her pulling levers, twisting handles).
The framing invites us to consider this morally grey approach through comparing and contrasting the strike team’s use of the Grey to its historical precedent in Zaun.
The Kiramman archive illustrations present it as a monster, a billowing mass which swallows Zaun. Through the eyes of both Jinx and Heenot, Smeech’s lackey, it also appears as such, as do the strike team who emerge from it.
This emphasises its harmful potential, which comes, more crucially, from the fear it derives. Vi argues with Jinx that they used the Grey to ‘clear the streets. To keep people safe.’ The violence has been de-escalated, there are no civilians being directly harmed by the Grey, but it has based itself on this fear owing to the historical precedent of the Grey in Zaun.
And yet you can also contrast. That the strike team are presented as part of the monster suggests they control the dissemination of the Grey, contrasting with the swamping monster, out of control, which floods through all of Zaun in the historical images.
A frame of Silco’s goons running from the strike team and their cloud of Grey is immediately followed by an historical image of innocents Zaunites running from a billowing beast. We are seeing once again the historical precedent of fear, but we are also noticing the differences- the Grey is controlled by the strike team, it follows them, and the only people in the frame are Silco’s goons, no innocent civilians.
(Once again, we don’t know how far it could spread but as others have suggested, the thick air of the undercity could impede its progress, and it never makes it down to the Firelight base. Combined with the targeted use, I think it is fair to therefore make this contrast).
All of this illustrates my earlier argument- the Grey is indicative of the situation in which it is used. The objectives of the strike team which could benefit Zaun intertwine with a way of going about those objectives which is morally grey and therefore underlines how the characters and their choices are becoming enveloped into the historic cycles of tension and violence which exist between Piltover and Zaun.
This neither makes them good nor evil- they are morally grey. It represents their interactions with their wider context, how they are influenced and influencing the wider context.
It represents how Caitlyn is doing this, how she is morally grey.
So why does she make this choice? What is influencing her which makes the good objectives of the strike team tainted so grey?
Caitlyn- Why choose the Grey?
‘Can I do the right thing for the wrong reasons? Is it bad that I’m making friends with my demons?’ - 'Hellfire'
What is key for me about the Grey in the narrative is how it symbolises Caitlyn’s emotions, her mental state. The Grey is a pollutant, and how its smog affects the physical body is a reflection of how Caitlyn’s emotions are affecting her mentally, and therefore how she in turn interacts with the wider context.
As I said earlier, the memorial attack exacerbates her anger, which is in turn exacerbated by her grief, her guilt, and the pressure of the Kiramman name.
As the strike team conduct their mission, we see how Caitlyn’s negative emotions influence her choices and cloud her self-perception, as well as her perception of others. This, for me, is why the Grey is the weapon of choice within the narrative.
There are literal considerations you could take into account as to the why, and I’ve sort of explored these in the how- preferable to full-scale invasion, vents allow for targeted use, short-span use non-fatal etc. But for me the symbolic nature of the Grey reflecting Caitlyn’s emotions, and crucially how these push her to make morally grey decisions, is what defines the why- the above lyrics to ‘Hellfire’ encapsulates this nicely.
So, what is the ‘wrong reason’?
Vengeance:
Vengeance. That is what Caitlyn wants. Vengeance against Jinx.
It is born, crucially, from her grief, her guilt. It stokes her anger and soon becomes an all-encompassing smog which clouds Caitlyn’s thinking.
Jinx remains the spectre of Caitlyn’s fantasy as the strike team carry out their mission. She appears as a silhouette in the vents. She taunts them in the arcade with the shooting game. Caitlyn hyperventilates before taking a shot at a figure which mirrors her earlier fantasy in her hideaway. The impact frame of her eyes is pretty disturbing, evocative of how twisted Caitlyn’s mental state is becoming the longer Jinx remains elusive.
She becomes increasingly aggressive as their hunt continues. She shoves wanted posters in the chembarons’ people’s faces. She is cold and threatening with Heenot. And the ‘Hellfire’ sequence makes clear just how vengeance is twisting her as she appears a figure tinted red, eyes fiery.
Caitlyn is losing sight of herself. Losing sight of the wider context. This is affecting how she treats others.
Recall her conversation with Jayce in the hideaway, his alarm at her anger. ‘I know,’ she acknowledges, and confesses, ‘I just understand now how easy it is to hate them,’ she admits. The attack on the council has made bolder the line of divide cycles of violence bring- ‘them’- but Caitlyn is hanging onto her self-perception.
But the memorial attack changes things. ‘Animals,’ she calls the attackers. This dehumanising word demonstrates how much Caitlyn is losing sight of herself. Her empathy, her prior reluctance to see any difference, on a human level, between Piltover and Zaun (hiding in Vi’s childhood home in season 1 she says, ‘we’re people, just like you’).
Losing sight of the humanity in others means Caitlyn is also losing sight of herself. Her own humanity. And, if the Grey is depicted as a monster, and the monster is reflecting Caitlyn (and under her control), this says a lot about how vengeance is twisting her thinking, suffocating her person, and causing her to contribute to cycles which divide and hurt.
‘Leader of House Kiramman’:
This ‘losing’ of identity can be reflected further, I think, in how Caitlyn’s personal motives define her using the Kiramman name, her first taking up the mantle.
She utilises the power of her family name to assert her choices over the council. Once again, it is important to consider that this does prevent the full-scale invasion, but I think it is fair to argue Caitlyn is also being influenced by her need for vengeance. The Kiramman name is tool, a key, which can get her what she wants.
And I think it is interesting to consider how her reversing the helpful intentions of her ancestors in installing the vents, utilising the Grey instead of dispelling it, represents both Caitlyn losing sight of herself and her prior issues with her family name.
‘I know you doubt the merit of your birthright, Caitlyn,’ Cassandra says. In season 1, we see her resisting the stifling confines of what her mother expects and wants for her. She is a misfit.
After Cassandra’s death, the pressure of the name Caitlyn does not even want bears down on her, along with the guilt of perceiving herself as complicit in her mother’s death.
And Caitlyn struggles under this weight until the Kiramman name is twisted, too, into a tool not dissimilar to the Grey. She is not yet ready for the responsibility and how such power and privilege affect both Piltover and Zaun. It is her ‘legacy,’ but Caitlyn is losing herself.
This is even more impactful when considering that many of Caitlyn’s issues and arguments with her mother derive from her being a reluctant and unwilling heir. The Kiramman name came between them in life, and in death is twisted, as Caitlyn’s grief and love for her mother become twisted themselves by vengeance.
There is irony in learning the Kirammans helped the undercity with the vents, something altruistic similar to Caitlyn’s own values when she is not choking on grief and vengeance. But the placing of the crown on her head happens at the hands of tragedy, and it rests twistedly for now.
The Grey becomes Black and White:
This is all key in why I think the Grey, what it represents, and how it is used, act as a prelude to the culmination of Act 1- Caitlyn’s appointment as commander.
Ambessa is impressed with Caitlyn’s assertion in the bunker, observant of her grief (and Salo’s) after the council attack, and perceptive of the power of the Kiramman name. As Salo says, ‘it bewitches people.’
By the end of Act 1, Caitlyn has failed to capture Jinx and left Vi after feeling betrayed by her for stopping her from shooting Jinx, therefore endangering Isha. By this point, I think there is no stopping the sliding slope into the black and white brooding figure of vengeance we see in the ‘Paint the Town Blue’ sequence.
She is choking on her emotions, and with Vi, her anchor, gone, is ripe for Ambessa’s picking. Caitlyn needs direction and Ambessa is offering it to her. She promises Caitlyn the thing which has slowly consumed her over the course of Act 1- vengeance. She steps further down this course.
Thus, grey turns to black and white. Caitlyn becomes complicit in, is the face of, the Piltover/Noxian occupation of Zaun, the violence this brings. Caitlyn has lost sight of herself in her hunt for Jinx and therefore others are harmed for her purposes (and Ambessa’s).
Caitlyn comes back to herself, slowly (from episode 4 we see her grappling her position), although of course, remains permanently changed (it’s interesting how the vengeance and idea of either doing the ‘wrong thing for the right reason’ or 'right thing for the wrong reason’ follow on in act 2 but that’s not my focus here).
Jinx and the Retaliation:
I think Jinx’s retaliation to the strike team’s mission and their use of the Grey underlines how its moral greyness feeds into the cycles of violence (I’m only going to analyse here her actions in relation to Caitlyn’s- this is already way too long and she deserves her own post).
Jinx is, like Caitlyn, motivated by her emotions, particularly related to Vi and her upset at seeing her as part of the strike team. She tells Sevika she is going to ‘finish what’s left of her family’ after their fight with Smeech, referring to their confrontation in the Temple of Janna.
She retaliates against the strike team to do so- setting trigger explosives in the vents, hanging vivisected dolls of them from a propellor she ties Heenot to in the first step of luring them down to the temple.
He says, ‘Jinx is off the rails, even for her. She’s got a real fire lit under her ass. She’s planning something big, right here in the pipeworks. She was heading towards the old tunnels. Something about rerouting the vents.’
Jinx begins using the Grey against the strike team. She breaks a pipe and, along with arrows, uses it to lead them to the temple. And, most significantly, at the conclusion of the fight, Sevika triggers explosives which puts Jinx’s ‘big’ plan into action. The rerouted vents drive the Grey up into Piltover, where it explodes in great plumes which flood streets and paint the town in a multicolour splash.
The cycles of violence have continued. Caitlyn wanted vengeance on Jinx, but Jinx has retaliated right back. In light of the ways in which Caitlyn and Jinx parallel each other near constantly throughout ‘Arcane’ (especially in season 2), I think this is suggestive of the futile nature of vengeance.
‘An eye for an eye,’ and you lose sight of yourself. Caitlyn’s hideaway is blasted with the Grey, the wind chime feature which had represented her feelings in episode 1 broken. There is no more space in herself, at this time, to piece apart her thoughts.
And the attack on Piltover allows Ambessa to consolidate her position as Piltover’s saviour and assert her will.
There is so much more you could say about Jinx and Caitlyn, especially because of how they parallel each other constantly throughout the show (how their uses of the Grey contribute to them becoming symbols of something of which they are doubtful is really fascinating to me), but for the purposes of this deep dive on the Grey, I hope this suffices.
Conclusion:
The conflict which so much defines the shared history of Piltover and Zaun is growing steadily more volatile during act 1, and it is interesting to piece apart how characters impact upon this- there are good intentions in the strike team’s mission, but these are inseparable from the morally grey means through which they go about it.
Means influenced by emotions which have grown from the prior continuance of the cycles of violence. ‘Arcane’ is a tragedy, and there is certainly tragedy in watching Caitlyn be so changed by events.
The Grey is a reflection, a symbolic representation, of how Caitlyn changes throughout Act 1. How she is influenced by and influences other characters, and the impact this all has on the wider context. The morally grey path she goes down in her quest for vengeance.
By act 3, we see her having realised the error of her ways, knowing what she has done cannot be erased, but willing to fight against cycles of violence, walk away from her vengeance, and ‘trust in tomorrow.’
But in the smog of the conflict, everything seems grey.
I hope this exploration of the symbolism of the Grey was interesting. If you’ve reached the end of this, thank you so much for reading- I realise it is really long. I’m just very much fascinated with this show, so… I appreciate it!
Reference: the reddit post: https://www.reddit.com/r/arcane/comments/1grizex/s2_spoilers_a_lot_of_people_are_misinterpreting/?share_id=6QplLMckmb2t4DnH3uGfw&utm_content=1&utm_medium=android_app&utm_name=androidcss&utm_source=share&utm_term=1&rdt=56152
