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@morstonmax @ibidreamsofpavement @d-esabusee @lorettabosence @arthurd-e @3cn3loiv-artlu @latiflora @a-morphously-blog @kata-t0nic-blog-blog @girlwithatopknot @afternoonbluedream @sehenwurdigkeit @getonmylevelho @hagenqueen @msoldiazs-blog @indnvthy @welivebythestars-blog @ilovederenglish @backtosimplerthings

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@heyziggy @187um-killa-trill @elcerebro19 @sea-sapphire @alltimewhat @outa-focus @2vodkatonics @paintbread @blackngoldblerdfreak @jenasais @jkelley216 @oblask3022 @hotplaguedoctor @songsforplants-primary @laurafrickenmaguire @khaled1957 @lazilyelectronicpost @durrango7us-blog @ameerkhan76 @timesartpicks @landskapsarkitekt @hudinis @ramenisgoodfood @graphicgoat @greasy2 @nonexist999999 @ic2me @warmpricklies @neverrelaxeddie @doctorcrowd

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earthstory

grupaok

Agnes Denes, The Human Argument, 1969-70

newhousebooks-deactivated202002

A few from the amazing Roberto Burle Marx, modernist Brazilian landscape artist in late 50s/early 60s. (5 of 5)

mistressmin

Lo amo :)

#Roberto Burle Marx

germanpostwarmodern

Landhuis Zijlstra (1933) in Enschede, the Netherlands, by J.B. van Loghem

(via https://open.spotify.com/user/nica6722/playlist/4nYyqFbXEoTkey92WKc3Bq)

unnecessary-violence

BAD BRAINS

vhspositive

rndrd

Denis Goldschmidt. Cree 4 1970, 64 “Que signifie alors aujourd'hui, un banc public entouré de macadam à l'ombre d'un arbre anémique en bordure d'une chaussée encombrée de véhicules?”