Scultore

[hildegardavon]

Daniel Chodowiecki, 1726-1801

Venus, Nymh and Putti, 1750, miniatura, painting enamel, 5.9x7.5 cm

National Museum (Warsaw),  Inv. Min.933/b MNW

[hildegardavon]

John Raphael Smith, 1751-1812 (Engraver) After original attributed to Richard Cosway, 1742-1821

Europa, 1776, print, 26.5x37.6 cm

Royal Academy of Arts (London),  Inv. 17/1062

[theancientwayoflife]

~ Head thought to be a portrait of Alexander the Great.

Date: A.D. 175-200

Medium: Marble

[flyse]

Self-portrait of the Artist at work on the Likeness of His Wife, Ján Kupecký (Czech, 1666–1740), 1711

Oil on canvas

[onlyartists]

Arthur William Devis

Self Portrait (1742)

[onlyartists]

Thomas Barker

Self Portrait with his Preceptor Charles Spackman

Victoria Art Gallery, Bath and North East Somerset Council

[onlyartists]

Thomas Barker

Self Portrait

National Museum Wales

[kecobe]

Self-Portrait William Etty (British; 1787–1849) 1823 Oil on paper laid down on wood Yale Center for British Art, New Haven, Connecticut

[proleutimpressionists]

Gustave Caillebotte, Autoportrait au chapeau d’ été, 1872-73? Oil on canvas, 44 x 33 cm. Private collection

[proleutimpressionists]

One of the 67 paintings that Gustave Caillebotte made while living at the family estate in Yerres.

Gustave Caillebotte, Autoportrait dans le parc à Yerres, 1878-79. Oil on canvas, 44 x 48 cm. Private collection

[amare-habeo]

Gustave Caillebotte (French, 1848-1894) 

Self-portrait, 1891-1892

Oil on canvas, 40,5 x 32,5 cm

[jagkanbliintetal]

Edgar Degas (French, 1834-1917), Autoportrait, vers sa vingt-et-unième année [Self-Portrait, around 21 Years of Age], c. 1855. Pencil on paper, 14.1 x 11 cm.

[jagkanbliintetal]

Paul Cézanne (French, 1839-1906), Portrait de l’artiste, 1877-78. Oil on canvas, 24 x 18 cm.

[philamuseum]

The prophecies of the Pythian sibyl, the high priestess at the Temple of Apollo in Delphi, were considered the most powerful in ancient Greece. Generations of priestesses summoned the Greek god Apollo’s oracles while seated on a tripod-shaped seat. The frenzied, trancelike state the sibyl entered while predicting the future or giving orders was ably captured by sculptor Adèle d’Affry, the Duchess of Castiglione-Colonna, who exhibited her artwork under the masculine name “Marcello.” See this work on view in our New European Galleries. 

“Pythian Sibyl,” after 1869–70, by Marcello 

[catonhottinroof-deactivated2023]

Albert Saverijs (1886 - 1964)

Anchored sailing boots in front of the coast

[antonio-m]

Mascaron, Pont Neuf, Paris.

[antonio-m]

‘Self Portrait’ (1917) by Cuno Amiet (1868-1961). Swiss painter known for his experimental use of color.