Luis Marden
Tahiti Island, French Polynesia, 1962

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Luis Marden
Tahiti Island, French Polynesia, 1962
Sphère de chinchards, d'après un clichÊ du documentaire OcÊans.
Crystal dagger uncovered in Spain, dating to around 3.000 BC
Graciela Iturbide (Mexican, b. 1942)
Mujer zapoteca, TonalĂĄ, Oaxaca, 1974
Tokyo, Japan on BlackBerry Curve 9320
Gold earrings, Silla Kingdom, 4th-5th century AD
from The National Museum of Korea
september
People and cattle walk riverside path approaching provincial capital. Faizabad, Afghanistan.Â
THOMAS J. ABERCROMBIE/National Geographic Creative
Flowers, Photo by Nobuyoshi Araki, 1985
Ikhbal is not afraid of checking the young bactrianâs camel teeth, Â the Afghan Pamir mountains. Afghanistan.
Cindy Baedmanâs âHealing Grottoâ:
âThe healing grotto I created in order to work specifically with children. I had been practising as a healer and counsellor at Bath Natural Health Clinic for some time, as well as at the Cancer Self-help Centre in Bristol with Dr. Mike Weir and felt a need to âlighten upâ. Hence after eighteen months of work, plus very many loving gifts from sometimes complete strangers, my old coal vault under the pavement of Royal Crescent in Bath, was successfully transformed into a beautiful grotto. Here I not only worked with children but also with adults sent by my local GP in various stages of mental distress such as schizophrenia.â
(source)
An old loft in a decayed barn. [5312x2988]
JOAN BAEZ IN FESTIVAL (1967) â dir. Murray Lerner
âA week [after Svenâs funeral], Iâm cooking fish on a wood fire outside and my son, Yves, brings me a glass of wine to drink and holds a bowl of olives. Itâs getting dark and my eyes are sore from the smoke, so I feel for a couple with my fingers without looking, and pop one into my mouth. As I spit out the stone and try to define the flavourâsharp, bitter-black, Greekâa thought crosses my mind: From now on I taste olives for Sven too.â
John Berger, âEt in Arcadia Egoâ, Confabulations
âThe woman sets the table. She watches me beat the eggs. I scramble them in a saucepan, as my now-dead friend taught me; they stand deeper and cook softer, he said. I take our plated, spoon eggs on them, we sit and eat.â
Andre Dubus, âOn Charonâs Wharfâ, Broken Vessels
âWhen a dead tree falls in a forest it often falls into the arms of a living tree. The dead, thus embraced, rasp in wind, slowly carving a niche in the living branch, shearing away the rough outer flesh, revealing the pinkish, yellowish, feverish inner bark. For years the dead tree rubs its fallen body against the living, building its dead music, making its raw mark, wearing the tough bough down as it moans and bends, the deep rosined bow sound of the living shouldering the dead.â
Dorianne Laux, âCelloâ
Egyptian mosaic glass fragmentary bars and inlays, 3rd century BCE-1st century AD
Needle Ice overtakes an apartment in Russia. Photograhed: Anastasia Popelka