Luis Marden
Tahiti Island, French Polynesia, 1962
Not today Justin
"I'm Dorothy Gale from Kansas"

Andulka
Keni
Cosimo Galluzzi
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
Today's Document
Xuebing Du

#extradirty
occasionally subtle
The Stonewall Inn
RMH
trying on a metaphor
TVSTRANGERTHINGS
d e v o n
NASA
Sweet Seals For You, Always
hello vonnie

seen from Malaysia
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@seashclls
Luis Marden
Tahiti Island, French Polynesia, 1962
Sphère de chinchards, d'après un cliché du documentaire Océans.
Crystal dagger uncovered in Spain, dating to around 3.000 BC
Graciela Iturbide (Mexican, b. 1942)
Mujer zapoteca, Tonalá, Oaxaca, 1974
Tokyo, Japan on BlackBerry Curve 9320
Gold earrings, Silla Kingdom, 4th-5th century AD
from The National Museum of Korea
september
People and cattle walk riverside path approaching provincial capital. Faizabad, Afghanistan.
THOMAS J. ABERCROMBIE/National Geographic Creative
Flowers, Photo by Nobuyoshi Araki, 1985
Ikhbal is not afraid of checking the young bactrian’s camel teeth, the Afghan Pamir mountains. Afghanistan.
Cindy Baedman’s “Healing Grotto”:
“The healing grotto I created in order to work specifically with children. I had been practising as a healer and counsellor at Bath Natural Health Clinic for some time, as well as at the Cancer Self-help Centre in Bristol with Dr. Mike Weir and felt a need to ‘lighten up’. Hence after eighteen months of work, plus very many loving gifts from sometimes complete strangers, my old coal vault under the pavement of Royal Crescent in Bath, was successfully transformed into a beautiful grotto. Here I not only worked with children but also with adults sent by my local GP in various stages of mental distress such as schizophrenia.”
(source)
An old loft in a decayed barn. [5312x2988]
JOAN BAEZ IN FESTIVAL (1967) — dir. Murray Lerner
“A week [after Sven’s funeral], I’m cooking fish on a wood fire outside and my son, Yves, brings me a glass of wine to drink and holds a bowl of olives. It’s getting dark and my eyes are sore from the smoke, so I feel for a couple with my fingers without looking, and pop one into my mouth. As I spit out the stone and try to define the flavour–sharp, bitter-black, Greek–a thought crosses my mind: From now on I taste olives for Sven too.”
John Berger, ‘Et in Arcadia Ego’, Confabulations
“The woman sets the table. She watches me beat the eggs. I scramble them in a saucepan, as my now-dead friend taught me; they stand deeper and cook softer, he said. I take our plated, spoon eggs on them, we sit and eat.”
Andre Dubus, “On Charon’s Wharf”, Broken Vessels
“When a dead tree falls in a forest it often falls into the arms of a living tree. The dead, thus embraced, rasp in wind, slowly carving a niche in the living branch, shearing away the rough outer flesh, revealing the pinkish, yellowish, feverish inner bark. For years the dead tree rubs its fallen body against the living, building its dead music, making its raw mark, wearing the tough bough down as it moans and bends, the deep rosined bow sound of the living shouldering the dead.”
Dorianne Laux, “Cello”
Egyptian mosaic glass fragmentary bars and inlays, 3rd century BCE-1st century AD
Needle Ice overtakes an apartment in Russia. Photograhed: Anastasia Popelka